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A Hyperlinked Pictorial Bibliography in multiple languages with links to scholars, references, images, full abstracts, and published reviews


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Secondary Sources

The letters above represent the first letter of people’s last names in the Secondary Sources bibliography. Click on them to go to that alphabetical section. One can quickly return by hitting the blue box up arrow An enhanced image of the up arrow to the top of the page of a white arrow upside down wide "v" with no stem on a light blue background used to visually identify it. in the lower right corner, if located in the same webpage. Otherwise, use the buttons to switch between relevant webpages. Please be patient because these information rich webpages can take five seconds or more to load.

Number of Bibliographic entries in Secondary Sources (A–Z) is over 420.


NOTE: The DTOI bibliography covers multifaceted aspects of René Descartes’s theory of ideas, with a specific emphasis on their representational features and properties, especially regarding thoughts, ideas, volitions, passions, imaginations, memory, pains, or sensations, and their objective reality or material falsity. Accordingly, it tends not to include such topics as the epistemology of the role of God in the certainty of thoughts or on a divine guarantee for the truth of clear and distinct ideas because these, while mildly relevant, focus too much on Cartesian foundational metaphysics. While doubt and skepticism are crucial in Descartes’s philosophy, particularly in establishing the grounds for his epistemic inquiries, they generally do not directly contribute to a focused understanding of the ontological, epistemological, or representational aspects of ideas.


Adams, Marilyn McCord An enhanced and colorized photographic cutout of Marilyn McCord Adams used to visually identify her.. William Ockham. Vols. 1–2. South Bend, IN: University of Notre Dame Press, 1987.


Adams, Robert Merrihew An enhanced color photographic headshot cutout of Robert Merrihew Adams used to visually identify him.. “Where Do Our Ideas Come From? Descartes vs. Locke.” In Innate Ideas The blue book cover of "Innate Ideas" with a white font title edited by Stephen Stich used to visually identify it., edited by Stephen Stich An enhanced color photographic cutout of a glasses adorned Stephen Stich wearing a red undershirt under a shirt with a black winter overcoat used to visually identify him., 71–87. Berkeley, CA: University of California Press, 1975.


Alanen, Lilli A reversed blended colorized photographic cutout of Lilli Alanen used to visually identify her.. “Cartesian Ideas and Intentionality.” In Language, Knowledge and Intentionality: Perspectives on the Philosophy of Jaakko Hintikka  The yellowed plain paper cover for the volume "Language, Knowledge, and Intentionality: Perspectives on the philosophy of Jaakko Hintikka.", edited by Leila Haaparanta A reversed enhanced color photographic headshot cutout of Leila Haaparanta with glasses and wearing a white collared blouse under a rich dark blue sweater used to visually identify her., Martin Kurtsch A reversed torso and headshot of Martin Kusch with glasses wearing a medium-blue collared shirt under a dark blue suit with his crossed hands resting on his left knee used to visually identify him. and Ilkka Niiniluoto A reversed enhanced color photographic headshot cutout of Ilkka Niiniluoto with full gray beard and brown mustache with a scarf wrspped around his neck and a dark brown outerwear jacket used to visually identify him.. Helsinki, FI: Acta Philosophica Fennica 49 (1990): 344–69.

A color photograph of Lilli Alanen seated at a desk reading through a manuscript. showing what she looks like.

Lilli Alanen (1941–2021)


Alanen, Lilli A color photographic headshot cutout of a Lilli Alanen with glasses wearing a tan jacket with white sheep collar and a red scarf tied around her neck used to visually identify her.. “Descartes, Conceivability, and Logical Modality.” In Thought Experiments in Science and Philosophy An enhanced color photographic cutout of the yellow and black hardback book cover of "Thought Experiments in Science and Philosophy" edited by Tamara Horowitz and Gerald J. Massey used to visually identify it., edited by Tamara Horowitz This is an enhanced color photograph of Tamara Horowitz wearing a red v-neck collared jacket, used for visual identification. (1950–2000) and Gerald J. Massey An enhanced color photograph of Gerald J. Massey, wearing tinted rimless glasses and a blue polo shirt, was used for visual identification., 65–84. Lanham: MD, Rowman-Littlefield, 1991.


Alanen, Lilli A reversed color photographic headshot cutout of a Lilli Alanen with glasses wearing a tan jacket with white sheep collar and a red scarf tied around her neck used to visually identify her.. Descartes’s Concept of Mind The gray and dull green colored book cover fro "Descartes's Concept of Mind" by Lilli Alanen.. Cambridge, “MA: Harvard University Press, 2003.


Alanen, Lilli A color photographic headshot cutout of Lilli Alanen with glasses wearing a tan jacket with white sheep collar and a red scarf tied around her neck used to visually identify her.. “Descartes’s Dualism and the Philosophy of Mind.” Revue de Métaphysique et de Morale 94, no. 3 (1989): 391–413.


Alanen, Lilli A color photographic headshot cutout of a Lilli Alanen with glasses wearing a tan jacket with white sheep collar and a red scarf tied around her neck used to visually identify her.. “Descartes on the Will and the Power to Do Otherwise.” In Emotions and Choice From Boetius to Descartes The dark maroon book cover with a greenish tan compass style diagram located in bottom half of "Emotions and Choice from Boethius to Descartes" (Studies in the History of Philosophy of Mind, 1) 2002, 2nd edition used to visually identify it., edited by Henrik Lagerlund A reversed enhanced color photographic headshot cutout of an eye's smiling full brown beard and mustache Henrik Lagerlund wearing a light purple colored collared shirt under a black suit jacket used for visually identifying him. and Mikko Yrjönsuuri An enhanced reverse color photographic headshot cutout of a full gray bearded and mustached Mikko Yrjönsuuri wearing a white shirt under a gray sport coat used to visually identify him., 279–98. Boston and Dordrecht: Kluwer, 2002.


Alanen, Lilli A reversed color photographic headshot cutout of a Lilli Alanen with glasses wearing a tan jacket with white sheep collar and a red scarf tied around her neck used to visually identify her.. “Descartes on the Essence of Mind and the Real Distinction between Mind and Body” and “On the Role and Nature of Descartes’ First Principle.” In Studies in Cartesian Epistemology and Philosophy of Mind The plain gray book cover for "Studies in Cartesian Epistemology and Philosophy of Mind" by Lilli Alanen., Acta Philosophica Fennica 33 (1982): 9–103 and 105–70. Helsinki: Philosophical Society of Finland, 1982.


Alanen, Lilli A color photograph of Lilli Alanen seated at a desk reading through a manuscript. showing what she looks like.. “The Intentionality of Cartesian Emotions.” In Passion and Virtue in Descartes An enhanced faded gray over Descartes's headshot with his back to the right side over a brown stripe at bottom using black font for title in gray area and white font for editors in brown strip at bottom of "Passion and Virtue in Descartes" edited by Byron Williston and André Gombay used to visually identify it., edited by Byron Williston A reversed color photographic shoulders and headshot of a glasses wearing Byron Williston with a salt and pepper colored beard and mustache and wearing a dark gray shirt open at the neck ever a round necked black undershirt used to visually identify him. and André Gombay A reversed enhanced photographic cutout of André Gombay from the waist up with his head tilted to his left wearing a black round collared shirt with a centered red emblem and a medium dar blue long sleeved shirt with a dark gray thick sweater tied to his waist used for visually identify him.A reversed enhanced photographic cutout of André Gombay from the waist up with his head tilted to his left wearing a black round collared shirt with a centered red emblem and a medium dar blue long sleeved shirt with a dark gray thick sweater tied to his waist used for visually identify him. A reversed enhanced blended photographic cutout of André Gombay from the waist up with his head tilted to his left wearing a black round collared shirt with a centered red emblem and a medium dark blue long sleeved shirt with a dark gray thick sweater tied to his waist used for visually identify him.A reversed enhanced photographic cutout of André Gombay from the waist up with his head tilted to his left wearing a black round collared shirt with a centered red emblem and a medium dar blue long sleeved shirt with a dark gray thick sweater tied to his waist used for visually identify him. 107–27. Amherst, MA: Humanity Books, 2003.


Alanen, Lilli A color photographic headshot cutout of a Lilli Alanen with glasses wearing a tan jacket with white sheep collar and a red scarf tied around her neck used to visually identify her.. “The Nature of the Self.” In The Cartesian Mind (no book cover available yet), edited by Jorge Secada An enhanced photographic cutout of a full white beard and mustache Jorge Secada seated and leaning to his left wearing a black suit jacket and brown tie used for visually identifying him. and Cecilia Wee (no known picture). Abingdon: Routledge, January 6 or 9, 2025 or September 1, 2025.

Publisher’s overview: Descartes’ is widely acknowledged as the founder of modern philosophy and The Cartesian Mind seeks to provide a comprehensive survey of his work, not only placing it in its historical context but also exploring its contemporary significance. Comprising over 40 chapters by a team of international contributors the Handbook covers the following central topics: Descartes’ life and works; the historical background to Descartes’ works; analysis of Descartes’ thought; Descartes’ early modern reception and Descartes in modern and contemporary thought. Essential reading for students and researchers in philosophy, Descartes’ work is central not only in the history of philosophy, but all other areas of the subject, including epistemology, metaphysics, philosophy of mind and action, philosophy of science, and ethics.


Alanen, Lilli A enhanced reversed colorized photographic headshot cutout of Lilli Alanen with glasses wearing a dark bluejacket with a gray scarf hanging down from around her neck with her left hand touching her left cheek used to visually identify her.. “Reconsidering Descartes’s Notion of the Mind-Body Union.” Synthese 106, no. 1 (January 1996): 3–20.


Alanen, LilliA color photographic full body cutout of Lilli Alanen with glasses wearing a dark blue outer coat, and a scarf hanging down around her neck with her hands at her waist used to visually identify her.. “The Role of Will in Descartes’ Account of Judgment.” In Descartes’ Meditations: A Critical Guide An enhanced image of the black and purple book cover of "Descartes' Meditations: A Critical Guide" edited by Karen Detlefsen used to visually identify it., edited by Karen Detlefsen A mirror reversed enhanced colorized photographic cutout of Karen Detlefsen used for visually identifying her., 176–99. New York: Cambridge University Press, 2012.


Alanen, Lilli A enhanced reversed colorized photographic headshot cutout of Lilli Alanen with glasses wearing a dark bluejacket with a gray scarf hanging down from around her neck with her left hand touching her left cheek used to visually identify her.. “The Second Meditation and the Nature of the Human Mind.” In The Cambridge Companion to Descartes’ Meditations The book cover in a dirty yellow color with a painting of a dark alcove with light streaming in from a window on the right of "A Cambridge Companion to Descartes' Meditations" edited by David Cunning used to visually identify it., edited by David Cunning A reversed and enhanced color photographic cutout of David Cunning used to visually identify him., 88–106. Cambridge: Cambridge University Press, 2014. Also readable from the University of Athens.


Alanen, Lilli An enhanced and cloned upper head color photographic headshot cutout of a smiling Lilli Alanen with rimless glasses and head tilting down to her left wearing a dark jacket used to visually identify her.. “Self-Awareness and Cognitive Agency in Descartes’s Meditations.” Philosophical Topics 44, no. 1 (Spring 2016): 3–26.


Alanen, Lilli A reversed enhanced color photographic headshot cutout of a slightly smiling Lilli Alanen with rimless glasses and her head tilting back with her left hand fingers touching her cheek wearing a dark jacket and a gray scarf around her neck used to visually identify her.. “Sensory Ideas, Objective Reality, and Material Falsity.” In Reason, Will and Sensation: Studies in Descartes’s Metaphysics The green book cover with a white font for "Reasson, Will, and Sensation: Studies in Descartes's Metaphysics.", edited by John Cottingham An enhanced photographic color headshot cutout of John Cottingham facing forward wearing a white colored shirt with stripes and a blue suit jacket and sweater used to visually identify him., 229–50. Oxford: The Clarendon Press, 1994.


Alanen, Lilli An enhanced color photographic headshot cutout of a slightly smiling Lilli Alanen with rimless glasses and her head tilting back with her right hand fingers touching her right cheek wearing a dark jacket and a gray scarf around her neck used to visually identify her.. “Thought-Talk: Descartes and Sellars on Intentionality.” American Philosophical Quarterly 29, no. 1 (January 1992): 19–34.


Alanen, Lilli An enhanced and cloned upper head color photographic headshot cutout of a smiling Lilli Alanen with rimless glasses and head tilting down to her left wearing a dark jacket used to visually identify her.. “Une certain faussete materielle: Descartes et Arnauld sur l’origine de l’erreur dans la perception sensorielle.” In Descartes. Objecter et Répondre An enhanced color book over of Descartes: Objecter et Répondre" edited by Jean-Marie Beyssade and Jean-Luc Marion with a thin red birder on gray paper used to visually identify it., edited by Jean-Marie Beyssade A reversed, enhanced, and colorized photographic headshot cutout of Jean-Marie Beyssade used for visually identifying him., Jean-Luc Marion An enhanced reversed photographic cutout of glasses wearing Jean-Luc Marion with a collared shirt and bow tie and a dark brown suit coat used to visually identify him., and Lia Levy An enhanced reversed colorized photographic headshot cutout of a glasses wearing Lia Levy wearing black headphones used to visually identify her., eds., 205–30. Paris: Presses Universitaires de France (PUF), 1994.


Alquié, Ferdinand A reversed and enhanced and colorized photographic headshot cutout of Ferdinand Ferdinand Alquié.. La découverte métaphysique de l’homme chez Descartes A color photographic cutout of the orange and white book cover of "La découverte métaphysique de l'homme chez Descartes" by Ferdinand, Alquié (1906–1985) used to visually identify it.. Paris: PUF, 2000.


Angelini, Elisa. Le idee e le cose. La teoria della percezione di Descartes. The white book cover for "Le idee e le cose. La theoria della percepzione di Descartes." Pisa: Edizione ETS (Series: Philosophica), 2007. English translation of title: Ideas and things. The theory of perception of Descartes.


Anscombe, G. E. M An enhanced and blended colorized reversed photographic cutout of G. E. M. Anscombe used to visually identify her.. “The Intentionality of Sensations: A Grammatical Feature.” In Vision and Mind: Selected Readings in the Philosophy of Perception An enhanced red and blue book cover of "Vision and Mind: Selected Readings in the Philosophy of Perception" edited by Alva Noe and Evan T. Thompson used to visually identify it., edited by Alva Noë An enhanced reverse color photographic cutout oof Alva Noë with his left arm bent at elbow and his fingers touching his thumb up near his heavy full brown and graying beard and mustache and wearing a yellow striped shirt and a gray jacket used to visually identify him. and Evan Thompson An enhanced. reversed photographic headshot cutout of Evan Thompson smiling. with a closed mouth and wearing a white collared shirt used to visually identify him., 55–75. Cambridge, Mass.: The MIT Press, 2002. Pages missing from Google Books Preview: 58–59, 65–66, 72–73.


Aquila, Richard E. A color photographic cutout of a headshot of Richard E. Aquila with glasses and a mustache  and goatee while wearing a green shirt with horizontal stripes used for identifying him. . “The Content of Cartesian Sensation and the Intermingling of Mind and Body.” History of Philosophy Quarterly 12, no. 2, Studies on Descartes (April 1995): 209–26.


Aquila, Richard E. A color photographic cutout of a headshot of Richard E. Aquila with glasses and a mustache  and goatee while wearing a green shirt with horizontal stripes used for identifying him. . “Brentano, Descartes and Hume on Awareness.” Philosophy and Phenomenological Research 35 (1974): 223–39. Also, partially available.
351


Arbini, Ronald (no known photo). “Did Descartes Have a Philosophical Theory of Sense Perception.” Journal of the History of Philosophy 21, no. 3 (July 1983): 317–37.


Ariew, Roger A color photographic head shot of Roger Ariew wearing a red collared shirt.. Descartes and the Last Scholastics A color book cover in gray and dark blues of the book. cover if "Descartes and the Last Scholastics" (1999) by Roger Ariew used to visually identify it.. Ithaca, NY: Cornell University Press, 1999.


Ariew, Roger A color photographic head shot of Roger Ariew wearing a red collared shirt.. Descartes Among the Scholastics an enhanced color image of the red, blue, and white book cover of "Descartes Among the Scholastics" by Roger Ariew with a painting of Descartes sitting at a table with a woman and a man surrounded by male scholars standing in the background used to visually identify it.. Leiden, The Netherlands: Koninklijke Brill NV, 2011.


Ariew, Roger A color photographic head shot of Roger Ariew wearing a red collared shirt.. “Descartes and Scholasticism: The Intellectual Background to Descartes’ Thought.” In The Cambridge Companion to Descartes The purple book cover of "The Cambridge Companion to Descartes.", edited by John Cottingham An enhanced photographic color headshot cutout of John Cottingham facing forward wearing a white colored shirt with stripes and a blue suit jacket and sweater used to visually identify him., 58–90. Cambridge: Cambridge University Press, 1992. Revised version in Descartes and the Last Scholastics For visual identification, an enhanced dark blue book cover of "Descartes and the Last Scholastics," edited by Roger Ariew, is used., edited by Roger Ariew A reversed color photographic head shot of Roger Ariew wearing a red collared shirt., 7–35. Ithaca: Cornell University Press, 1999.


Ariew, Roger A color photographic head shot of Roger Ariew wearing a red collared shirt. , Dennis Des Chene An enhanced colorized photographic headshot cutout of Dennis Des Chene, with a full red mustache, glasses, and a light purple narrow vertical striped shirt, is used for visual identification.Douglas M. Jesseph A reversed, enhanced color photographic cutout of Douglas M. Jesseph, wearing glasses and a blue and white grided shirt, with his hands touching each other in front of his chest, is used for visual identification.Tad M. Schmaltz An enhanced color photographic headshot cutout of dark sunglasses adorned Tad M. Schmaltz with a white goatee wearing a white and gray grided shirt under a dark blue Michigan outerwear jacket is used for visual identification.Theo Verbeek An enhanced color photographic headshot and upper torso cutout of a mustached Theo Verbeek with his head turned straight at viewer wearing a dark suit jacket, white shirt, and tie used for visually identifying him., eds. Historical Dictionary of Descartes and Cartesian Philosophy The white book cover of “ Historical Dictionary of Descartes and Cartesian Philosophy” (2nd Ed., 2015), edited by Roger Ariew, Dennis Des Chene, Douglas M. Jesseph, Tad M. Schmaltz, and Theo Verbeek, is used for visual identification., 2nd ed. Lanham, Maryland: Rowman & Littlefield Publishers, 2015. First edition published in 2003. Clicking on the title permits reading up to p. 103 (missing: xv–xvi, 2–3, 9–10, 16–17, 23–34, 30–31, 37–38, 44–45, 51–52, 58–59, 65–66, 72–73, 79–80, 86–87, 93–94, 100–1) with 105 to 387 not shown.


Ariew, Roger A reversed color photographic head shot of Roger Ariew wearing a red collared shirt. and Marjorie Grene An enhanced colorized photographic headshot cutout of a late middle aged glasses adorned Marjorie Greene wearing a black speckled shirt and facing forward used for visually identifying her. . The Cartesian Destiny of Form and Matter.” Early Comparative Philosophy Science and Medicine 3 (1997): 300–25.


Ariew, Roger A color photographic head shot of Roger Ariew wearing a red collared shirt. and Marjorie Grene An enhanced colorized photographic headshot cutout of a middle aged heavily framed black glasses adorned Marjorie Grene wearing lipstick and a black shirt with thin metal necklace on outside with shoulders turned back to her left used for visually identifying her., eds. Descartes and His Contemporaries: Meditations, Objections, and Replies An enhanced color image of "Descartes and His Contemporaries: Meditations, Objections and Replies" edited by Roger Ariel and Marjorie Grene with the name Descartes in soft lavender font used to visually identify it.. Chicago: University of Chicago Press, 1995.


Ariew, Roger A color photographic head shot of Roger Ariew wearing a red collared shirt. and Marjorie Grene A reversed enhanced colorized photographic cutout of a 60s year old Marjorie Grene with glasses wearing a white blouse with a scalloped collar buttoned at her neck with a black and white striped right sleeve with her right hand bent at her elbow with her fingers open and touching her own forehead and cheek used to visually identify her.. “Ideas, In and Before Descartes.” Journal of the History of Ideas, 56, no. 1 (1995): 87–106.


Ashworth, E. J. (Earline Jennifer) A reversed enhanced color photographic headshot cutout of a smiling E. Jennifer Ashworth with glasses wearing a purple flat collared shirt under a dark jacket used to visually identify her.. “Descartes’ Theory of Objective Reality.” New Scholasticism 45 (1975): 331-40.


Atherton, Margaret A reversed enhanced color photographic cutout of a glasses adorned Margaret Atherton wearing a beige top with a blue and orange silk scarf tied around her neck used for visually identifying her. A reversed enhanced color photographic cutout of Margaret Atherton not with glasses wearing a black jacket used for visually identifying her.. “Green Is like Bread: The Nature of Descartes’ Account of Color Perception.” In Perception and Reality: From Descartes to the Present The book cover for "Perception and Reality: From Descartes to the Present.", edited by Ralph Schumacher An enhanced color photographic cutout of a glasses wearing Ralph Schumacher with his arms bent at his elbows with hands palms up wearing burnt orange colored pants with a black belt and a white shirt used to visually identify him.An enhanced color photographic cutout of a glasses wearing Ralph Schumacher with his arms bent at his elbows with hands palms up wearing burnt orange colored pants with a black belt and a white shirt used to visually identify him., 27–42. Paderborn: Mentis, 2004.


Ayers, Michael Richard A reversed enhanced colorized photographic cutout of a full bearded Richard Michael Ayers wearing a dark patterned shirt used for visually identifying him.. “Ideas and Objective Being.” In The Cambridge History of Seventeenth-Century Philosophy The blue-gray book cover for "The Cambridge History of Seventeenth Century Philosophy." vol. 2, edited by Daniel Garber A reversed enhanced colorized headshot photographic cutout of a glasses adorned Dan Garber with full beard and mustache wearing a gray green shirt under a tan sports coat with his right hand up by the dude of his face used for visually identifying him.and Michael AyersAn enhanced photographic upper torso and headshot cutout of a glasses wearing Michael Ayers wearing a light purple turtleneck under a black zippered jacket unzipped to center chest  used to visually identify him., 1062–107. Cambridge: Cambridge University Press, 2000.



Bailey, D. T. J. A reversed enhanced color photographic headshot cutout of a glasses adorned and unsmiling Dom Bailey wearing a blue shirt used to visually identify him.Descartes on the Logical Properties of Ideas.” British Journal of the History of Philosophy 14, no. 3 (2006): 401–11.


Baker, Gordon P. A reversed enhanced colorized photographic headshot cutout of Gordon P. Baker wearing a white collared shirt under a black sweater used to visually identify him.and Katherine J. Morris A reversed enhanced colorized photographic headshot cutout of a glasses adorned Katherine J. Morris with wavy gray hair used to visually identify her.Descartes’ Dualism An enhanced dark blue and white diagonal asymmetrical quadrants of the book cover for "Descartes' Dualism" by Gordon Baker and Katherine J. Morris with a drawing of a rhinoceros sideways with head facing to viewer's right used to visually identify it.. London: Routledge, 1996.


Baker, Gordon P. A reversed enhanced colorized photographic headshot cutout of Gordon P. Baker wearing a white collared shirt under a black sweater with his head turned towards his left used to visually identify him. and Katherine J. Morris An enhanced and mirror reversed photographic headshot cutout of Katherine J. Morris holding a book with a red flower on paper bookmark used for visually identifying her.. “Descartes Unlocked.” British Journal for the History of Philosophy 1, no. 1 (1993): 1–27.


Barth, Christian An enhanced color photographic headshot cutout of a smiling Christian Barth with a light beard and mustache facing to the left wearing a dark blue with white stripes collared shirt under a dark maroon sweater in 2016 used to visually identify him.. “Consciousness in Early Modern Philosophy: Remarks on Udo Thiel’s Account.” Kant-Studien 107, no. 3 (2016): 515–25.

Abstract: This commentary on Udo Thiel’s rich and inspiring book The Early Modern Subject consists of three parts. The first part expresses agreement with Thiel’s claim that the early modern philosophers use terms such as “conscientia,” “conscience,” “consciousness,” and “Bewusstsein” in order to refer to forms of “relating to one’s own self”. However, Thiel’s additional claim that the early modern philosophers were not much concerned with object consciousness is found wanting. The second part takes issue with Thiel’s understanding of the way in which René Descartes’s psychological usage of the term “conscientia” is innovative. It is argued that Descartes does not arrive at the psychological meaning of the term by abstraction from its moral meaning. Instead, Descartes only widens the application of the term in one of its established ancient meanings. The third part presents objections to Thiel’s higher-order reading of Cartesian conscientia.


Barth, Christian A mildly enhanced reversed color photographic headshot of Christian Barth used for identifying him.. “Descartes on Intentionality, Conscientia, and Phenomenal Consciousness.” Studia Philosophica 75 (2016): 17–32. http://doi.org/10.24894/StPh-en.2016.75003


Barth, Christian A reversed enhanced color photographic headshot cutout of a smiling Christian Barth with a light beard and mustache facing to the right wearing a dark blue with white stripes collared shirt under a dark maroon sweater in 2016 used to visually identify him.. Intentionalität und Bewusstsein in der frühen Neuzeit: Die Philosophie des Geistes von René Descartes und Gottfried Wilhelm Leibniz An enhanced 3D off white book cover with a rectangle with title information within it of "Intentionalität und Bewusstsein in der frühen Neuzeit" by Christian Barth used to visually identify it. [Academia English translation: Intentionality and Consciousness in the Early Modern Period: The Philosophy of the Mind by René Descartes and Gottfried Wilhelm Leibniz]. Frankfurt am Main: Vittorio Klostermann, 2017.


Barth, Christian A reversed enhanced color photographic headshot cutout of a smiling Christian Barth with a light beard and mustache facing to the right wearing a dark blue with white stripes collared shirt under a dark maroon sweater in 2016 used to visually identify him.. “Leibnizian Conscientia and its Cartesian Roots.” Studia Leibnitiana 43, no. 2 (2011): 216–36.


Barth, Christian An enhanced color photographic headshot cutout of a smiling Christian Barth with a light beard and mustache facing to the left wearing a dark blue with white stripes collared shirt under a dark maroon sweater in 2016 used to visually identify him.. “Sellars on Descartes.” In Sellars and the History of Modern Philosophy The blues and greens with a white strip containing the black title and editing information book cover for "Sellars and the History of Modern Philosophy" (2018)  edited by Luca Corti and Antonio M. Nunziante used to visually identify it., edited by Luca Corti A reversed enhanced color photographic headshot cutout of a glasses wearing bearded Luca Corti with a thin blue jean material  open neck collared shirt turned to his left with sunlight on his left used to visually identify him. and Antonio M. Nunziante A reversed enhanced colorized photographic headshot cutout of a dark framed glasses wearing Antonio M. Nunzinate with his eyes skewed up to his right wearing a black unzipped at the neck shirt used to identify him., 15–35. New York, NY: Routledge, 2019.


Benejam, Antoni Gomila An enhanced colorized photographic headshot cutout of Antoni Gomila Benejam with a thin mustache and goatee and wearing glasses and a white shirt is used for visual identification.An enhanced colorized photographic headshot cutout of Antoni Gomila Benejam wearing a white Panama hat with a black band, glasses, and a black T-shirt with white writing on it is used for visual identification. An enhanced colorized photographic headshot cutout of Antoni Gomila Benejam with a brown mustache and goatee and wearing glasses and a soft collared shirt is used for visual identification. An enhanced colorized photographic upper torso and headshot cutout of Antoni Gomila Benejam wearing a white thinly grided shirt, glasses, and a tan sweater under a black outerwear jacket with wide lapels is used for visual identification.. “La Teoria de las Ideas de Descartes.” An enhanced colorized photographic headshot cutout of Antoni Gomila Benejam with glasses, wearing a white shirt with a grid pattern, under a tan sweater and a black outerwear jacket with wide lapels is used for visual identification.Teorema XVI, no. 1 (1996): 47–69. Also available here.

Abstract: Against standard readings of Descartes as philosophy of mind’s “villain”, because of his dualism (Ryle), his subjectivism (followers of the second Wittgenstein), or his individualism (Burge), this paper tries to point out his most valuable legacy, his representationalism, through a reconstruction of his notion of “idea” as a natural sign. To this end, attention is paid not only to the Meditations, but also to his scientific works, as they are the key to the rejection of the usual reading of “idea” as an incorporeal image.


Bennett, Jonathan An enhanced color photographic cutout headshot of Jonathan Bennett used to visually identify him.. “Descartes’ Theory of Modality.” The Philosophical Review 103, no. 4 (1994): 639–67.


Bennett, Jonathan An enhanced colorized photographic cutout headshot of an old and white bearded glasses wearing Jonathan Bennett with a collared white shirt and floppy hat turned to his left used to visually identify him.. Locke, Berkeley, Hume: Central ThemesAn enhanced 3D photographic cutout of the spine and red front cover of "Locke, Berkeley, Hume: Central Themes" with portraits of the three philosophers on cover below the all capital letters title by Jonathan Bennett used to visually identify it.. Oxford: Clarendon Press, 1971.


Ben-Yami, Hanoch An enhanced  photographic upper torso and headshot cutout of a seated Hanoch Ben-Yami with interlaced fingers at his waist wearing dark clothing used to visually identify him.. “The Development of Descartes’ Idea of Representation by Correspondence.” In Reading Descartes: Consciousness, Body, and Reasoning An enhanced dark green with yellow font title of the book cover of "Reading Descartes: Consciousness, Body, and Reasoning" edited by  Andrea Strazzoni and  Marco Sgarbi used to visually identify it., edited by Andrea Strazzoni An enhanced colorized photographic headshot cutout of Andrea Strazzoni smiling with white upper teeth shoeing while wearing a dark blue polo shirt used to visually identify him. and Marco Sgarbi An enhanced colorized photographic headshot cutout of an unsmiling with frizzy top hair looking straight ahead Marco Sgbari wearing a white collared shirt and light blue tie under a black suit jacket used to visually identify him.. Firenze, IT: Firenze University Press (2023): 41–57. Also downloadable from Research Gate.


Ben-Yami, Hanoch An enhanced  photographic upper torso and headshot cutout of a seated Hanoch Ben-Yami with interlaced fingers at his waist wearing dark clothing used to visually identify him.. Descartes’ Philosophical Revolution: A Reassessment An enhanced dark orange book cover of "Descartes' Philosophical Revolution: A Reassessment" by Hanoch Ben-Yami with a statue of a shaved head priest in a brown robe with a string of very large beads and a cross in his two hands used to visually identify it.. Hampshire: Palgrave, 2015.


Ben-Yami, Hanoch An enhanced  photographic upper torso and headshot cutout of a seated Hanoch Ben-Yami with interlaced fingers at his waist wearing dark clothing used to visually identify him.. “Word, Sign and Representation in Descartes.” Journal of Early Modern Studies 10, no. 1 (2021): 29–46.

Abstract: In the first chapter of his The World, Descartes compares light to words and discusses signs and ideas. This made scholars read into that passage our views of language as a representational medium and consider it Descartes’ model for representation in perception. I show, by contrast, that Descartes does not ascribe there any representational role to language; that to be a sign is for him to have a kind of causal role; and that he is concerned there only with the cause’s lack of resemblance to its effect, not with the representation’s lack of resemblance to what it represents. I support this interpretation by comparisons with other places in Descartes’ corpus and with earlier authors, Descartes’ likely sources. This interpretation may shed light both on Descartes’ understanding of the functioning of language and on the development of his theory of representation in perception.


Beyssade, Jean-Marie A reversed, enhanced, and colorized photographic headshot cutout of Jean-Marie Beyssade used for visually identifying him.. “La classification cartésienne des passions.” Revue Internationale de Philosophie 37, no. 146 (1983): 278–87.


Beyssade, Jean-Marie A reversed, enhanced, and colorized photographic headshot cutout of Jean-Marie Beyssade used for visually identifying him.. “Descartes on Material Falsity.” In Minds, Ideas and Objects. Essays on the Theory of Representation in Modern Philosophy The enhanced dark blue book cover for "Minds, Ideas, and Objects" edited by Phillip D. Cummins and Gunther Zoeller. vol. 2 of the North American Kant Society Studies in Philosophy, edited by Phillip D. Cummins (no known photo) and Guenter Zoeller An enhanced photographic headshot cutout of a smiling Gunther Zoeller with glasses and wearing a collared white shirt and light green tie under a black sports coat used to visually identify him., 5–20. Atascadero, CA: Ridgeview Press, 1992.


Beyssade, Jean-Marie A reversed, enhanced, and colorized photographic headshot cutout of Jean-Marie Beyssade used for visually identifying him.. La Philosophie Première de Descartes: Le temps et la cohérence de la métaphysique An enhanced white book cover of "La Philosophe Premere de Descartes" by Jean-Marie Beyssade used to visually identify it.. [Descartes’ First Philosophy: Time and the Coherence of Metaphysics]. Paris: Flammarion, 1979.

Beyssade, Jean-Marie A reversed, enhanced, and colorized photographic headshot cutout of Jean-Marie Beyssade used for visually identifying him. and Jean-Luc Marion An enhanced reversed photographic cutout of glasses wearing Jean-Luc Marion with a collared shirt and bow tie and a dark brown suit coat used to visually identify him.(eds.). Descartes: objecter et répondre An enhanced orange, blue, and white book over of Descartes: Objecter et Répondre" edited by Jean-Marie Beyssade and Jean-Luc Marion used to visually identify it., edited by Jean-Marie Beyssade and Jean-Luc Marion, 187. Paris: Presses Universitaires de France, 1994.


Bolton, MarthaAn enhanced colorized headshot photographic cutout of a young Martha Bolton used for identifying her.An enhanced colorized headshot photographic cutout of a glasses adorned old Martha Bolton with a correctly labeled name tag over her heart used for identifying her. A reversed and enhanced blended colorized headshot photographic cutout of a glasses adorned old Martha Bolton used for identifying her.. “Confused and Obscure Ideas of Sense.” In Essays on Descartes’ Meditations The enhanced dark green book cover with white font in titles for "Essays on Descartes' Meditations" edited by Amelie Oksenberg Rorty used to visually identify it., edited by Amélie O. Rorty An enhanced colorized from black and white photographic headshot and shoulders cutout of a smiling Amelie O. Rorty with her head facing the camera wearing a light blue knitted sweater and cowl used to visually identify her., Ch. 16., 389–403. Berkeley, CA: University of California Press, 1986.


Boyle, Deborah A. An enhanced color photographic cutout of a glasses adorne Deborah Boyle with long brown air hanging down her front lower than her shoulders wearing a dark red rounded neck sweater used to visually identify her.. Descartes on Innate Ideas An enhanced white top and blue bottom half of the book cover for "Descartes on Innate Ideas" with a black font title at the top of the blue half by Deborah J. Boyle used to visually identify it.. London: Continuum, 2009.


Boyle, Deborah A. A reversed enhanced color photographic cutout of a glasses wearing Deborah Boyle with shoulder length  brown hair with her hands touch and extended in front of her used to visually identify her.. “Descartes on Innate Ideas.” The Modern Schoolman 78 (November 2000): 35–50.


Boyle, Deborah A. An enhanced color photographic cutout of a glasses adorne Deborah Boyle with long brown air hanging down her front lower than her shoulders wearing a dark red rounded neck sweater used to visually identify her.. “Descartes’ Natural Light Reconsidered.” Journal of the History of Philosophy 37, no. 4 (October 1999): 601–12. Complete article at Muse.


Broughton, Janet An enhanced color photographic cutout headshot of a smiling gray haired Janet Broughton used for visually identifying her. and John Carriero A color photographic headshot of John Carriero wearing a light brown jacket over a blue shirt used for identifying him. eds. A Companion to Descartes An enhanced image of the black book cover for "A Companion to Descartes" edited by Janet Broughton and John Carriero with an Amsterdam full portrait of Descartes used to visually identify it.. Malden, MA: Blackwell, 2008.


Broughton, Janet An enhanced color photographic cutout headshot of a smiling gray haired Janet Broughton used for visually identifying her.. Descartes’s Method of Doubt An enhanced image of the centered horizontal black stripe as background to the title fir the book cover of "Descartes's Method of Doubt" by Janet Broughton with a photograph of a tree with extensively exposed roots used to visually identify it.. Princeton: Princeton University Press, 2003.


Broughton, Janet An enhanced color photographic cutout headshot of a smiling gray haired Janet Broughton with a dark red rounded collar shirt under a lapeled dark brown jacket and used for visually identifying her.. “Self-Knowledge.” In A Companion to Descartes A black book cover with Descartes's Franz Gals portrait centered on cover under the title "A Companion to Descartes" edited by Janet Broughton and John Carriero used to visually identify it., edited by Janet Broughton An enhanced color photographic cutout headshot of a smiling gray haired Janet Broughton used for visually identifying her. and John Carriero A color photographic headshot of John Carriero wearing a light brown jacket over a blue shirt used for identifying him., 179–95. Malden, MA: Blackwell, 2008.


Brown, Deborah J. An enhanced color photographic cutout headshot of a smiling Deborah J. Brown used to visually identify her.. “Being, formal versus objective.” In The Cambridge Descartes Lexicon An enhanced color image of the cerulean blue book cover for "The Cambridge Descartes Lexicon" edited by Lawrence Nolan used to visually identify it., edited by Lawrence Nolan An enhanced color photographic cutout of a headshot of a smiling Lawrence Nolan with sunglasses propped on the top of his head used to visually identify him., 60–65. Cambridge, UK: Cambridge University Press, 2016.


Brown, Deborah J.An enhanced color  photographic headshot cutout of a smiling Deborah J. Brown with dangling pearl earrings and wearing an academic cap and gown used to visually identify her.. Descartes and the Passionate Mind An enhanced. color  image of the dark blue book cover for "Descartes and the Passionate Mind" with a painterly version headshot of the Franz Hals portrait of Descartes written by Deborah J. Brown used to visually identify it.. Cambridge: Cambridge University Press, 2006.


Brown, Deborah J. A reversed enhanced color photographic headshot cutout of a smiling Deborah J. Brown with dangling pearl earrings and her head. turned to her left and wearing. a dark pink shirt used to visually identify her.. “Descartes on True and False Ideas.” In A Companion to Descartes An enhanced image of the black book cover for "A Companion to Descartes" edited by Janet Broughton and John Carriero with an Amsterdam full portrait of Descartes used to visually identify it., edited by Janet Broughton An enhanced color photographic cutout headshot of a smiling gray haired Janet Broughton used for visually identifying her. and John Carriero An enhanced reversed colorized photographic headshot cutout of a thinly bearded and mustached John Carriero with rimless glasses and wearing a checkered patterned collared shirt and a black jacket used to visually identify him., 196–215. Malden, MA: Blackwell, 2008.


Brown, Deborah J. .An enhanced color photographic headshot cutout of a smiling Deborah J. Brown with dangling pearl earrings and her head. turned to her left and wearing. a dark pink shirt used to visually identify her.Passion.” In The Cambridge Descartes Lexicon An enhanced color image of the cerulean blue book cover for "The Cambridge Descartes Lexicon" edited by Lawrence Nolan used to visually identify it., edited by Lawrence Nolan A reversed enhanced color photographic headshot cutout of a smiling Lawrence Nolan with a mustache and goatee with sunglasses propped on the top of his head and wearing a dark gray polo style shirt used to visually identify him., 563–69. Cambridge, UK: Cambridge University Press, 2016.


Brown, Deborah J. An enhanced color photographic headshot cutout of a smiling Deborah J. Brown with her head tilted to her right and wearing a black shirt used to visually identify her.. “Objective Being in Descartes: That Which We Know, or That By Which We Know.” In Representation and Objects of Thought in Medieval Philosophy The royal purple book cover for "Representation and Objects of Thought in Medieval Philosophy.", edited by Henrik Lagerlund A reversed enhanced color photographic headshot cutout of an eye's smiling full brown beard and mustache Henrik Lagerlund wearing a light purple colored collared shirt under a black suit jacket used for visually identifying him., 135–53. Burlington, VT: Ashgate Publishing Co., 2007.


Brown, Gregory A. A reversed enhanced color photographic headshot cutout of a smiling red faced grey bearded and mustached Gregory Brown wearing a red collared shirt and turning to his left used to visually identify him. An enhanced color photographic headshot cutout of a smiling grey bearded and mustached Gregory Brown wearing a blue and green palm tree patterned Hawaiian shirt open at the neck used to visually identify him.. “Vera Entia: The Nature of Mathematical Objects in Descartes.Journal of the History of Philosophy 18, no. 1 (1980): 23–37.


Buroker, Jill Vance An enhanced cloned right shoulder of Jill Vance Buroker wearing a v-neck purple shirt under a dark gray sweater used to visually identify her. An enhanced middle aged Jill Vance Buroker wearing a round neck dark maroon short sleeve top with her arms at her waist with hands interlocked used to visually identify her. An enhanced middle aged Jill Vance Buroker wearing a blue collared blouse while holding her thick ZKsnt book to an open page holding the book in her right hand while seated used to visually identify her.. “Descartes on Sensible Qualities.” Journal of the History of Philosophy 29, no. 4 (October 1991): 585–611.


Butler, Ronald J(oseph). (no know photo), ed. Cartesian Studies An enhanced full faced green book cover with a white square containing the black font title and author's name for "Cartesian Studies" edited by R. J. Butler used to visually identify it.. Oxford: Blackwell, 1972.


A framed color drawing of Descartes standing at a lectern/table in a library with four soldiers to his left used as an advertising promotion for the DTOI website.


Carriero, John A color photographic headshot of John Carriero wearing a light brown jacket over a blue shirt used for identifying him.. Between Two Worlds: A Reading of Descartes’s Meditations.The color book over of "Between Two Worlds: A Reading of Descartes's Meditations.". Princeton, N.J.: Princeton University Press, 2009.


Carriero, John An enhanced reversed colorized photographic headshot cutout of a thinly bearded and mustached John Carriero with rimless glasses and wearing a checkered patterned collared shirt and a black jacket used to visually identify him. . “The Second Meditation and the Essence of Mind.” In Essays on Descartes’ Meditations The enhanced dark green book cover with white font in titles for "Essays on Descartes' Meditations" edited by Amelie Oksenberg Rorty used to visually identify it., edited by Amélie Oksenberg Rorty An enhanced color photographic headshot and shoulders cutout of a smiling glasses adorned Amelie O. Rorty with her head tilted to her right facing the camera wearing a black cowl neck under a autumn colored jacket used to visually identify her., 199–221. Berkeley, CA: University of California Press, 1986.


Carriero, John An enhanced reversed colorized photographic headshot cutout of a bearded and mustached John Carriero with rimless glasses and wearing a light green collared shirt used to visually identify him.. “Sensation and Knowledge of Body in Descartes’ Meditations.” In Descartes’ Meditations: A Critical Guide An enhanced image of the black and purple book cover of "Descartes' Meditations: A Critical Guide" edited by Karen Detlefsen used to visually identify it., edited by Karen Detlefsen A mirror reversed enhanced colorized photographic cutout of Karen Detlefsen used for visually identifying her., 103–26. New York: Cambridge University Press, 2013.

Carriero’s Abstract: Descartes is often thought to embrace some form of “indirect realism” in the Meditations, at least when it comes to sensory cognition. Broadly, there are two main grounds for attributing such a position to him. First, in the Meditations, Descartes presents an argument for the existence of bodies. But what else could the purpose of this argument be, if not to get us from an inner world of our sensory ideas to an outer world of bodies? (Kant, for one, seems to have understood Descartes as having set some such problem for himself.) Second, Descartes denies in the Meditations that sensory ideas resemble things in bodies. This, on its face, would seem to make for a gap between our sensory cognition of features of bodies and the features themselves. Although for many years I read the Meditations in this way, I have come to think better of it. In the Third Meditation, Descartes sketches a “pre-critical” conception of sensory cognition, that is, the conception of the senses that he takes the meditator to have entered the Meditations with. This conception has affinities with an Aristotelian “realist” account of sensation. In the Sixth Meditation he presents his own theory of the senses. While there are important differences between the earlier position and the later one, I have come to think that it is easy to exaggerate the differences and that the new position is better seen as a modification of the Aristotelian “realist” picture than its abandonment.

Publisher’s overview:
In “Sensation and knowledge of body in Descartes’ Meditations,” John Carriero argues it is a mistake to interpret Descartes as having radically revised his view about sensation from a naive, pre-critical direct realism to a considered and philosophically grounded indirect realism. Carriero takes Descartes to have only modified his initial position while remaining within the confines of a broadly Aristotelian direct realist framework of sense perception. According to Carriero, direct realism involves a lack of mediation, a sharing of form between cognizer and cognized (105). Indirect realism, on the other hand, is exemplified by causal covariance (114). To support what we might call his “modification without change of framework” reading, Carriero points to the similarities between Descartes’ two positions: the “spontaneous impulse” of Meditation III is very close to Meditation VI; and in both cases, sensations come to the mediator willy-nilly. Moreover, Carriero contends that apparent dissimilarities between Descartes’ naive and his considered views can be accounted for in terms of a stretching of the direct realist framework. Carriero makes a case for interpreting Descartes’ concept of sensation in terms of shared structure, as opposed to the Aristotelians’ identity of form.


Carriero, John A color photographic headshot of John Carriero wearing a light brown jacket over a blue shirt used for identifying him., ed. Early Modern Philosophy Reconsidered: Essays in Honor of Paul Hoffman An enhanced blue with white and black rectangle in the lower third of the book cover of “Early Modern Philosophy Reconsidered” edited by Peter A. French and Howard K. Wettstein is used for visual identification.. Midwest Studies in Philosophy, vol. 35, edited by Peter A. French An enhanced reversed photographic headshot cutout of Peter A. French with glasses and head pointing slightly down wearing a brown shirt under a black suit coat used to visually identify him. and Howard K. Wettstein A reversed enhanced colorized photographic headshot cutout of Howard K. Wettstein with a gray beard and mustache wearing a white rounded neck shirt and a single cord around his neck hanging down used to visually identify him.. Boston: Blackwell Publishing, 2011.


Caruso, Gregg D. A reversed enhanced color photographic headshot cutout of a thin mustache and goateed Gregg D. Caruso with green colored glasses and wearing a purple collared shirt looking straight at viewer used to visually identify him.. “Sensory States, Consciousness, and the Cartesian Assumption.” In Descartes and Cartesianism The dark gray book cover of “Descartes and Cartesianism,” edited by Nathan Smith and Jason Taylor, is used for visual identification., edited by Nathan Smith An enhanced photographic headshot cutout of a smiling gray and brown lightly bearded and mustached Nathan Smith ith glasses wearing a checkered white and blue shirt under a dark blue sport coat used to visually identify him. and Jason Taylor An enhanced photographic headshot cutout of Jason Taylor with shoulder length blonde hair and wearing a blue, green, and white cross patterned collared shirt used to visually identify him., 177–99. Cambridge Scholars Press, 2005. Click below on Author’s Abstract or Editor’s Introduction for the source of the quotation.

Author’s Abstract: One of the central assumptions made in much of contemporary philosophy of mind is that there is no appearance-reality distinction when it comes to sensory states. On this assumption, sensory states simply are as they seem: consciousness is an intrinsic property of sensory states—that is, all sensory states are conscious—and the consciousness of one’s own sensory states is never inaccurate. For a sensation to be felt as pain, for example, is for it to be pain. This assumption, which I call the Cartesian assumption, can be seen everywhere from the standard arguments against physicalism—such as those advanced by Kripke, Nagel, and Levine—to current theorizing about consciousness. I here argue that this assumption is false and that it goes wrong in two ways. I further argue that the appeal of the Cartesian assumption is due to a commitment many still have to a poorly motivated and misguided Cartesian model of consciousness and its relation to mental states. As an alternative to this Cartesian concept of mind, I argue for a theory of consciousness which claims that the “phenomenal character” of a sensation or perception—the “what it’s like” to have that sensation—is determined by the content of a higher-order thought one has of that sensory state.

Editor’s Introduction: In “Sensory States, Consciousness, and the Cartesian Assumption,” Gregg Caruso approaches the res cogitans from the concerns of contemporary philosophy of mind, investigating, specifically, the relationship between sensation and consciousness. Carouso challenges, the assumption, which he calls the “Cartesian assumption,” that the range of sensation is co-extensive with consciousness: to have a sensation is to be aware of having a sensation. With examples from both ordinary experience and cognitive science, Carouso argues that this assumption can be undermined in two ways. First, we can have real sensations, which do not appear to us as sensations. Second, we can appear to have sensations which are not really sensations for us. Caruso concludes by offering an alternative theory of mind, the HOT (Higher Order Thought) model, which he believes more adequately represents the variety of our experience.


Chamberlain, Colin A reversed enhanced colorized photographic cutout of Colin Chamberlin wearing a gray rounded neck shirt with his left hand under his chin and fingers wrapped around his left cheek used for visually identifying him.. “Not a Sailor in His Ship: Descartes on Bodily Awareness.” In The Routledge Handbook to Bodily Awareness An enhanced color book cover of "The Routledge Handbook of Bodily Awareness" used to visually identify it., edited by Adrian J(ohn). T(etteh). Alsmith (no known photo) and Matthew R. Longo A reversed enhanced  photographic headshot cutout of a glasses wearing Matthew R. Longo wearing a light blue collared shirt used to visually identify him., 83–94. London: Routledge, 2022.

Author’s Abstract: Despite his reputation for neglecting the body, Descartes develops a systematic account of bodily awareness. He holds that in bodily awareness each of us feels intimately connected to our body. We experience this body as inescapable, as infused with bodily sensations and volitions, and as a special object of concern. This multifaceted experience plays an ambivalent role in Descartes’s philosophy. Bodily awareness is epistemically dangerous. It tempts us to falsely judge that we cannot exist apart from our bodies. But bodily awareness isn’t all bad for Descartes. It helps us stay alive. Descartes also appeals to bodily awareness as a corrective to overly disembodied conceptions of the self.


Chamberlain, Colin An enhanced photographic cutout of a smiling Colin Chamberlin wearing a white shirt and purple patterned tie with a dark blue sports coat used for visually identifying him.. “What Am I? Descartes’s Various Ways of Considering the Self.” Journal of Modern Philosophy 2, no. 1 (2020): 1–30.

Author’s Abstract: In the Meditations and related texts from the early 1640s, Descartes argues that the self can be correctly considered as either a mind or a human being, and that the self’s properties vary accordingly. For example, the self is simple considered as a mind, whereas the self is composite considered as a human being. Someone might object that it is unclear how merely considering the self in different ways blocks the conclusion that a single subject of predication—the self—is both simple and composite, which is contradictory. In response to this objection, this paper develops a reading of Descartes’s various ways of considering the self. I argue that the best reading of Descartes’s qualified claims about the self, i.e., about the self qua mind or the self qua human being, presupposes an account of the unqualified self, that is, of the self simpliciter. I argue that the self simpliciter is not a mind, and that it is not a human being either. This result might suggest the pessimistic conclusion that Descartes’s view of the self is incoherent. To avoid this result, I introduce a new metaphysical account of the Cartesian self. On my view, the self is individuated by a unified mental life. The self is constituted by the beings that jointly produce this mental life, and derives its unity from it.


Chappell, Vere A reversed enhanced color photographic cutout of a glasses adorned Vere Chappell wearing a white shirt under a dark blue sports coat used for visually identifying him.. “Descartes’ Ontology.” Topoi 16, (1997): 111–27.


Chappell, Vere A reversed enhanced colorize blended  photographic cutout of a glasses adorned smiling Vere Chappell wearing a light blue shirt under a dark blue suit coat with a blue and gold striped tie used for visually identifying him.. “The Theory of Ideas.” In Essays on Descartes’ Meditations The enhanced dark green book cover with white font in titles for "Essays on Descartes' Meditations" edited by Amelie Oksenberg Rorty used to visually identify it., edited by Amélie Oksenberg Rorty An enhanced color photographic headshot and upper torso cutoff of a smiling Amelie O. Rorty with her head turned to her left and not facing the camera wearing a white cowl neck and dark blue sweater ensemble with an ovoid metal brooch pin on her right and wearing a name tag on her left used to visually identify her., 177–98. Berkeley: University of California Press, 1986.


Chávez-Arvizo, Enrique An enhanced photographic cutout of a smiling Biff wearing a bright green collared shirt used for visually identifying him.. “The History Corner—Descartes’ Concept of Sense-Perception: A Tribute in his Fourth Centenary.” Cogito 10, no. 1 (1996): 15–21.


Chignall, Andrew A color shoulders and headshot of a glasses wearing Andrew Chignall with a lavender colored collar under a black sweater used to identify him.. “Descartes on Sensation: A Defense of the Semantic-Causation Model.” Philosopher’s Imprint 9, no. 5 (June 2009): 1–22.

Abstract: Descartes’s lack of clarity about the causal connections between brain states and mental states has led many commentators to conclude that he has no coherent account of body-mind relations in sensation, or that he was simply confused about the issue. In this paper I develop what I take to be a coherent account that was available to Descartes, and argue that there are both textual and systematic reasons to think that it was his considered view. The account has brain states serving as occasions for the mind to produce in itself the sensations that it takes these brain states to signify. The relation between body and mind on this model is thus neither a standard efficient-causal relation, nor an occasionalist one, but rather a semantic-causal relation (i.e. a non-standard efficient causal relation that goes by way of natural signification). At the end of the paper I argue that the model does not undermine Descartes’ commitment to the self-transparency of the mind.


Clarke, Desmond An enhanced color photographic headshot and torso cutout of a glasses adorned Desmond M. Clarke wearing a blue suit with a white shirt and red tie facing forward used to visually identify him.. Descartes’s Theory of Mind A color photographic cutout of the yellow book cover turned to left so top white pages are visible of "Descartes's Theory of Mind" by Desmond M. Clarke used to visually identify it.. Oxford: Clarendon Press, 2003.


Clemenson, David Lee (no known photo). “Descartes’ Direct Realisms.” Unpublished manuscript, presented at the APA Pacific Division meeting, San Francisco, CA 2005.

Abstract: Yolton, Nadler, et al. claim that Descartes considered ideas of corporeal things to be (normally) acts rather than objects of perception. They also claim that Descartes cannot have held that (A) ideas can be really identical to mental modes on the one hand and to physical objects on the other. In this paper I argue that, on any plausible direct realist reading of Cartesian idea theory, proposition (A) is entailed by certain remarks in the Meditations. Fortunately for any future direct realist reading of Cartesian idea theory, (A) does not (as might be thought) obviously contradict Cartesian dualism. Just as being identical to a statue does not entail being necessarily statue-shaped (in spite of the fact that of necessity statues are statue-shaped), being identical to a mental mode does not entail being necessarily in the mind (in spite of the fact that of necessity mental modes are in the mind).


Clemenson, David L. (no known photo). Descartes’ Theory of Ideas The top half white and bottom half blue of David Clemenson's "Descartes' Theory of Ideas.". London: Continuum, 2007.


Clemenson, David L. (no known photo). “Review of Raffaella De Rosa’s Descartes and the Puzzle of Sensory Representation.” Notre Dame Philosophical Reviews. 2010.


Clemenson, David L. (no known photo). “Seventeenth Century Scholastic Philosophy of Cognition and Descartes’ Causal Proof of God’s Existence.” PhD diss., Harvard University, 1991. Available at ProQuest Dissertation Express, UMI publication number 9131929.


Clemenson, David L. (no known photo). Species, Ideas and Idealism: The Scholastic and Cartesian Background of Berkeley’s Master Argument. PhD diss., Rice University, Houston, TX, August, 2000. Major adviser: Mark Kulstad A reversed enhanced color enhanced teeth and eye whiteness of a glasses adorned smiling Mark Kulstad wearing a dark blue/gray collared shirt with his arms folded at his mid-chest used to visually identify him..


Cook, Monte An enhanced colorized photographic headshot cutout of a smiling Monte Cook wearing a dark blue with gray horizontal stripes used for visually identifying him.. “Descartes’ Alleged Representationalism.” History of Philosophy Quarterly 4, no. 2 (April, 1987): 179–95.


Costa, Michael J. (no known photo). “What Cartesian Ideas are Not.” Journal of the History of Philosophy 21, no. 4 (1983): 537–49.

Author’s Abstract: IT IS CLEAR that Descartes uses the term ‘idea’ in a number of different senses. One recent commentator, Anthony Kenny, claims that Descartes’s failure to identify clearly these different senses is not only confusing to the reader, it is also a major source of confusion in Descartes’s thought. Failure to keep track of “the ambiguity leads Descartes into inconsistencies and vitiates some of his arguments.” There is some justification for Kenny’s position. One certainly wishes that Descartes had kept better track of his uses of the term ‘idea,’ and it may be that his failure to do so is an occasional course of equivocation. Still, I think that Kenny distorts the nature of the ambiguity in Descartes’s use of ‘idea.’ Kenny virtually ignores a sense of ‘idea’ that, as I shall show, is very important to a proper understanding of Descartes’s thought; and Kenny reads a sense of ‘idea,’ in which it denotes an immaterial image or phenomenal object, that I claim is not present in Descartes’s thought. The sense of ‘idea’ that Kenny virtually ignores is that in which it is used to denote what Descartes often calls an “image in the corporeal imagination.” This ‘image’ is corporeal not only in the sense that it is an image of an extended object, but also in the sense that the image is itself corporeal and extended. The image is made up of material particles in a certain arrangement. In modern parlance, what Descartes refers to as an “image in the corporeal imagination” is a brain state.


Cottingham, John An enhanced color photographic headshot cutout of John Cottingham with his chin raised wearing a collared shirt and a gray sports coat used to visually identify him.. “A Brute to the Brutes: Descartes’ Treatment of Animals.” Philosophy 53 (1978): 551–59.


Cottingham, John An enhanced color photographic headshot and upper torso cutout of a glasses wearing John Cottingham with a green tie and a suit jacket and a tiny microphone clipped on his left lapel used to visually identify him., ed. The Cambridge Companion to Descartes. The purple book cover of "The Cambridge Companion to Descartes." Cambridge: Cambridge University Press, 1992.


Cottingham, John An enhanced color photographic headshot and upper torso cutout of John Cottingham with his arms out with palms up wearing a tie under a black sweater and a suit coat a green tie and a suit jacket used to visually identify him. . Descartes The colored book cover of "Descartes" by John Cottingham of the portrait of Descartes by Frans Hall on a brown background and the name Descartes underneath in yellow font.. Oxford: Basil Blackwell, 1986.

The image is an enhancement of the Table of Contents of “Descartes” (1986) by John Cottingham.


Cottingham, John An enhanced photographic color headshot cutout of John Cottingham facing forward wearing a white colored shirt with stripes and a blue suit jacket and sweater used to visually identify him. ed. Descartes The website uses an enhanced image of the purple book cover for “Descartes” (1998) by John Cottingham, with the title in white font for visual identification.. New York: Oxford University Press, 1998.

Table of Contents:

Introduction, John Cottingham An enhanced color photographic headshot cutout of John Cottingham with his chin raised wearing a collared shirt and a gray sports coat used to visually identify him.
I. Descartes and the Metaphysics of DoubtMichael Williams An enhanced color photograph of Michael Williams with glasses, wearing a black shirt under a dark brown suit coat, was used for visual identification.
II. The Cogito and its Importance, Peter Markie An enhanced colorized photographic headshot of an open mouth smiling Peter Markie wearing a blue shirt used for visually identifying him.
III. Clearness and Distinctness in Descartes, Alan Gewirth An enhanced colorized photographic headshot and upper torso cutout of a glasses adorned smiling late in life Alan Gewirth with his head mostly facing the viewer wearing a brown suit jacket with a dark cross hatched patterned tie used to visually identify him.
IV. Foundationalism, Epistemic Principles and the Cartesian Circle, James Van Cleve An enhanced color photograph of James Van Cleve smiling, wearing a blue beret and blue shirt is used for visual identification.
V. Descartes on the WillAnthony Kenny An enhanced color photographic cutout of an old Anthony Kenny wearing a collared light blue shirt under a brownish outer jacket used to visually identify him.
VI. Descartes’ Theory of Modality, Jonathan Bennett An enhanced colorized photographic cutout headshot of an old and white bearded glasses wearing Jonathan Bennett with a collared white shirt and floppy hat turned to his left used to visually identify him.
VII. The Epistemological Argument for Mind-Body Distinctness, Margaret Wilson An enhanced colorized photographic headshot cutout of a laughing Margaret D. Wilson turned to her left wearing an off-white collared shirt with a deep red scarf under a black leather jacket used to identify her visually.
VIII. Descartes and the Unity of Human Being, Geneviève Rodis-Lewis An enhanced and colorized photographic headshot cutout of Genieveve Rodis-Lewis used for visually identifying her.
IX. Descartes’ Theory of the PassionsStephen Gaukroger A reversed enhanced color photographic headshot cutout of Stephen Gaukroger in right profile wearing a white shirt with tie and black suit jacket used to visually identify him.
X. Descartes’ Treatment of Animals, John Cottingham An enhanced color photographic headshot and upper torso cutout of a glasses wearing John Cottingham with a green tie and a suit jacket and a tiny microphone clipped on his left lapel used to visually identify him.
XI. Descartes, Method and the Role of Experiment, Daniel Garber An enhanced color photographic headshot cutout of a glasses wearing Dan Garber with full beard and gray mustache wearing a blue shirt under a tan sports coat looking straight ahead used for visually identifying him.
XII. Descartes’ Concept of Scientific Explanation, Desmond Clarke An enhanced color photographic headshot cutout of a glasses adorned Desmond M. Clarke wearing a blue suit with a white shirt and red tie turning his head to his right used to visually identify him.
XIII. Force (God) in Descartes’ PhysicsGary Hatfield A reversed close colorized headshot of a rimless glasses wearing Gary Carl Hatfield with a full white beard and mustache and a dark shirt used for visually identifying him.

Notes on the Contributors
Bibliography
Table of Citations of Descartes’ Works
Index


Cottingham, John An enhanced color photographic headshot and upper torso cutout of a glasses wearing John Cottingham leaning forward with an open collar blue shirt and a dark suit jacket and used to visually identify him.. “Descartes on Colour.” Proceedings of the Aristotelian Society, n.s. 90, no. 3 (1989–90): 231–46.


Cottingham, John An enhanced photographic color headshot cutout of John Cottingham facing forward wearing a white colored shirt with stripes and a blue suit jacket and sweater used to visually identify him.. A Descartes Dictionary The purple book cover of "A Descartes Dictionary" by John Cottingham.. Cambridge, MA: Blackwell Publishing, 1993. Also available in full at Dirzon.com.


Cottingham, John An enhanced photographic color headshot cutout of John Cottingham facing forward wearing a white colored shirt with stripes and a blue suit jacket and sweater used to visually identify him.. “Descartes [and the Problem of Consciousness].” Consciousness and the Great Philosophers: What would they have said about our mind-body problem? An enhanced color book  cover of “Consciousness and the Great Philosophers,” edited by. Stephen Leach and James Tartaglia is used for visual identification., edited by Stephen Leach An enhanced color photographic headshot cutout of Stephen Leach wearing glasses and a lime green undershirt under a Forrest green collared shirt open by two buttons is used for visual identification. and James Tartaglia A reversed, enhanced, color closeup photographic headshot cutout of James Tartaglia with a mustache and the crook of his brass saxophone over his right shoulder is used for visual identification.. London: Routledge (2016): 63–72.


Cottingham, John An enhanced photographic color headshot cutout of John Cottingham facing forward wearing a white colored shirt with stripes and a blue suit jacket and sweater used to visually identify him.. “Descartes on Thought.” Philosophical Quarterly, 28, no. 112 (July, 1978): 208–14.


Cottingham, John An enhanced photographic color headshot cutout of John Cottingham facing forward wearing a white colored shirt with stripes and a blue suit jacket and sweater used to visually identify him.. “Intentionality or Phenomenology: Descartes and the objects of thought.” In History of the Mind-Body Problem The book cover for  "History of the Mind-Body Problem.", edited by Tim Crane A reversed, enhanced, color photographic upper torso and headshot cutout of Tim Crane, with a full dark and gray beard and mustache, wearing a white shirt under a gray sweater and a black suit coat, is used for visual identification. An enhanced color photographic headshot cutout of Tim Crane, with a full brown and gray beard and mustache, wearing glasses, a white shirt, a black tie, and a black jacket, is used for visual identification. An enhanced color photographic headshot cutout of Tim Crane with his arms folded and wearing a light purple-blue shirt open at the neck is used for visual identification. and Sarah Patterson A reversed, enhanced, color photographic headshot cutout of Sarah Patterson wearing a black sweater with a shoulder-wide gray stripe is used for visual identification.An enhanced color photographic headshot still shot cutout of a lecturing Sarah Patterson from YouTube.com is used for visual identification., 132–48. London: Routledge, 2000.


Cottingham, John An enhanced photographic color headshot cutout of John Cottingham facing forward wearing a white colored shirt with stripes and a blue suit jacket and sweater used to visually identify him.. “An Interview with John Cottingham.” Cogito 10, no. 1 (Spring 1996): 5–15.


Cottingham, John An enhanced photographic color headshot cutout of John Cottingham facing forward wearing a white colored shirt with stripes and a blue suit jacket and sweater used to visually identify him., ed. Reason, Will, and Sensation: Studies in Descartes’ Metaphysics The green book cover with a white font for "Reasson, Will, and Sensation: Studies in Descartes's Metaphysics.". Oxford: Clarendon Press, 1994.


Cottingham, John An enhanced photographic color headshot cutout of John Cottingham facing forward wearing a white colored shirt with stripes and a blue suit jacket and sweater used to visually identify him.. “Selection and Interpretation in Descartes: A Reply to Baker and Morris.” International Journal of Philosophical Studies 2, no. 1 (1994): 122–29.


Cover, Jan A. An enhanced colorized photographic headshot cutout of a leather hat adorned Jan A. Cover with glasses and a long brown with some gray streaks in a full beard and shoulder length long hair and a heavy overcoat used to visually identify him. and Mark Kulstad A reversed enhanced color photographic headshot cutout with enhanced teeth and eye whitening of a glasses adorned smiling gray-haired with gray mustached Mark Kulstad looking directly at viewer used to visually identify him. eds. Central Themes in Early Modern Philosophy: Essays Presented to Jonathon Bennett An enhanced pale yellow color book cover for "Central Themes in Early Modern Philosophy" (1990) edited by J. A. Cover and Mark Kulstad used to visually identify it.. Cambridge, MA: Hackett Publishing Co., 1990.


Cronin, Timothy J. Objective Being in Descartes and in Suarez. The book cover of "Objective Being in Descartes and in Suarez."Rome: Gregorian University Press, 1966. Volume 154 of Analecta Gregoriana. Series Facultatis philosophicae. Sectio A.N. 10.


Cronin, Timothy J. “Objective Reality of Ideas in Human Thought: Descartes and Suarez.” In Wisdom in Depth: Essays in Honor of Henri Renard, S. J. An enhanced blue color image of the dust jacket for "Wisdom in Depth: Essays in Honor of Henri Renard, S. J." edited by Vincent F. Daues, Maurice R. Holloway, Leo Sweeney with the main title in white font capital  letters.used to visually identify it., edited by Vincent F. Daues An enhanced, colorized, photographic entire body and head in left profile cutout of theologian Vincent F. Daues wearing a black clerical robe and priest’s collar is used for visual identification., Maurice Holloway (no known photo), and Leo J. Sweeney (no known photo), 68–79. Milwaukee, WI: The Bruce Publishing Co., 1966.


Cummins, Phillip (no known photo) and Guenter Zoeller An enhanced color photographic headshot cutout of a glasses adorned mustache and trim goateed Guenter Zoeller wearing a white collared shirt under a black jacket with an upturned collar at his neck used to visually identify him., eds. Minds, Ideas, and Objects: Essays on the Theory of Representation in Modern Philosophy The enhanced dark blue book cover for "Minds, Ideas, and Objects" edited by Phillip D. Cummins and Gunther Zoeller.. North American Kant Society Studies in Philosophy, Vol. 2. Atascadero, CA: Ridgeview Publishing Company, 1992.


Cunning, David A reversed and enhanced color photographic cutout of David Cunning used to visually identify him.. Argument and Persuasion in Descartes’ Meditations The enhanced color book cover of "Argument and Persuasion in Descartes' Meditations" by David Clemenson.. Oxford: Oxford University Press, 2010.


Cunning, David A reversed and enhanced color photographic cutout of a smirky smiling David Cunning wearing a white v-neck t-shirt and his head his slightly tilted to his right used to visually identify him. ed. The Cambridge Companion to Descartes’ Meditations The book cover in a dirty yellow color with a painting of a dark alcove with light streaming in from a window on the right of "A Cambridge Companion to Descartes' Meditations" edited by David Cunning used to visually identify it.. Cambridge: Cambridge University Press, 2014. Also readable from the University of Athens.


Cunning, David An enhanced color photographic cutout of a smirky smiling David Cunning wearing a white v-neck t-shirt and his head his slightly tilted to his left used to visually identify him.. Descartes The dark and light gray book cover for "Descartes" by David Cunning.. New York: Routledge, 2024.


Cunning, David A reversed and enhanced color photographic cutout of David Cunning used to visually identify him.. “Descartes on the Dubitability of the Existence of Self.” Philosophy and Phenomenological Research 74 (2007): 113–33.


Cunning, David A reversed and enhanced color photographic cutout of David Cunning used to visually identify him.. “Descartes on Sensations and Ideas of Sensations.” In An Anthology of Philosophical Studies, vol. I [or An Anthology of Philosophical Studies] An enhanced book cover of “An Anthology of Philosophical Studies,” vol. I, edited by Patricia Hanna, Adrianne L. McEvoy, and Penrlope Voutsina, is used for visual identification., edited by Patricia Hanna An enhanced color photographic headshot cutout of Patricia Hannah wearing glasses and a round-neck black top is used for visual identification., Adrianne Leigh McEvoy An enhanced color photographic close-up headshot cutout of Adrianne Leigh McEvoy with a closed-mouth smile is used for visual identification., and Penelope Voutsina An enhanced color photographic headshot cutout of Penelope Voutsina with a leather head scarf, a bunch of bead jewelry on a string, and a round-necked shirt under a jumper-like top is used for visual identification., 17–32. Athens, Greece: Atiner Publishing, 2006.

Author’s Abstract: In this paper I sketch and defend three theses. The first is that for Descartes there is a distinction between a sensation and an idea of a sensation. Sensations are qualia, and ideas of sensations are ideas of qualia. The second thesis is that ideas of sensations are ideas and so have objective reality and are representational. A Cartesian sensation is a mode of mind but not an idea. If it is representational, it is not representational in virtue of having objective reality but in virtue of something else. The third thesis is that some of the confusion surrounding the issue of Cartesian sensations is due to Descartes’ sometimes interchangeable use of the language of ‘sensations’ and the language of sensory ‘ideas’. 


Cunning, David A reversed and enhanced color photographic cutout of a smirky smiling David Cunning wearing a white v-neck t-shirt and his head his slightly tilted to his right used to visually identify him.. “True and Immutable Natures and Epistemic Progress in Descartes’ Meditations.” In British Journal for the History of Philosophy 11, no. 2 (2003): 235–48.


Curley, Edwin M. A reversed enhanced colorized photographic cutout of glasses adorned Edwin M. Curley with hi hand under chi and fingers on his right cheek used to visually identify him.. Descartes Against the Sceptics The brown book cover of “Descartes Against the Sceptics” by Edwin Curley with a large faded portrait of Descartes is used for visual identification. . Cambridge, MA: Harvard University Press, 1978.


Curley, Edwin M. An enhanced colorized photographic cutout of glasses adorned Edwin M. Curley wearing a white shirt with a blue tie under a dark blue sweater used to visually identify him.. “Analysis in the Meditations: The Quest for Clear and Distinct Ideas.” In Essays on Descartes’ Meditations The enhanced dark green book cover with white font in titles for "Essays on Descartes' Meditations" edited by Amelie Oksenberg Rorty used to visually identify it., edited by Amélie Oksenberg Rorty An enhanced color photographic headshot and shoulders cutout of a smiling glasses adorned Amelie O. Rorty with her head tilted to her right facing the camera wearing a black cowl neck under a autumn colored jacket used to visually identify her., 153–76. Berkeley, CA: University of California Press, 1986.


Curley, Edwin M. A reversed enhanced colorized photographic cutout of  Edwin M. Curley without glasses wearing a dark blue shirt with open neck used to visually identify him.. “The Cogito and the Foundations of Knowledge.” In The Blackwell Guide to Descartes’ Meditations An enhanced purple book cover of "The Blackwell Guide to Descartes's Meditations" edited by Stephen Gaukroger used to visually identify it., edited by Stephen Gaukroger An enhanced colorized  photographic headshot and upper torso cutout of a glasses adorned Stephen Gaukroger wearing a white shirt with dark blue and white striped tie under a dark blue sweater with a dark gray wool suit jacket used to visually identify him., 30–47. Malden, MA: Blackwell Publishing, 2006.


An advertising banner for the DTOI website consisting of a framed color photograph of a short suspension bridge leading into the jungle with prominent categories found in Descartes's theory of ideas sticking up along either side of the suspension wires.



Dalbiez, Roland An enhanced, colorized photographic headshot of Roland Dalbiez in middle age, wearing a white shirt, with his head in the right profile, is used for visual identification. A colorized photograph shows Roland Dalbiez as a young officer in the French military. He is wearing a dark blue military buttoned jacket with epaulets on his shoulders and is holding a sword in his left hand. This photograph is used to visually identify him. An enhanced colorized photographic headshot cutout of Roland Dalbiez in late life with his head turned to his left and wearing a dark blue suit jacket, white shirt, and a blue tie is used for visual identification. An enhanced, colorized photograph showing the full body of Roland Dalbiez, a young officer in the French military, wearing a dark blue military jacket with buttons and a sword hanging from his left side at his waist, is used for visual identification.. “Les sources Scolastiques de la theorie cartesienne de l’etre objectif a propos du ‘Descartes’ de M. Gilson” [”The Scholastic Sources of the Cartesian Theory of Objective Being in relation to Mr. Gilson’s ‘Descartes’”]. Revue d’Histoire de la Philosophie 34 (1929): 64–72.


Dardis, Anthony A reversed, colorized photographic cutout of Anthony Dardus, smiling with teeth exposed and wearing a blue collared shirt with white buttons, is used for visual identification.. “Is More Objective Reality Really Something More?.” Rhema. November 11, 2023.


Della Rocca, Michael Three transparent color headshots of Michael Della Rocca. . “Judgment and Will.” In The Blackwell Guide to Descartes’ Meditations An enhanced purple book cover of "The Blackwell Guide to Descartes's Meditations" edited by Stephen Gaukroger used to visually identify it., edited by Stephen Gaukroger An enhanced colorized  photographic headshot and upper torso cutout of a glasses adorned Stephen Gaukroger wearing a white shirt with dark blue and white striped tie under a dark blue sweater with a dark gray wool suit jacket used to visually identify him., 142–59. Malden, MA: Blackwell Publishing, 2006.


Della Rocca, Michael Three transparent color headshots of Michael Della Rocca.. “Taking the Fourth: Steps toward a New (Old) Reading of Descartes.” Midwest Studies in Philosophy 35 (2011): 93–110. Reprinted in Early Modern Philosophy Reconsidered An enhanced blue with white and black rectangle in the lower third of the book cover of “Early Modern Philosophy Reconsidered” edited by Peter A. French and Howard K. Wettstein is used for visual identification., edited by Peter A. French An enhanced color photographic headshot cutout of Peter A. French wearing a black cowboy hat and a dark cerulean blue shirt with white buttons open at the throat is used for visual identification., 221–39. London: Wiley-Blackwell, 2011.


De Rosa, RaffaellaA color photographic headshot of Rafaella De Rosa with a close cropped platinum blond haircut.. “Cartesian Sensations.” Philosophy Compass 4, The red logo for the “Philosophy Compass” journal is used for visual identification. no. 5 (September 2009): 780–92.

Abstract: Descartes maintained that sensations of color and the like misrepresent the material world in normal circumstances. Some prominent scholars have argued that, to explain this Cartesian view, we must attribute to Descartes a causal account of sensory representation. I contend that neither the arguments motivating this reading nor the textual evidence offered in its support is sufficient to justify such attribution. Both textual and theoretical reasons point in the direction of an (at least partial) internalist account of Descartes’ views on sensory representation.


De Rosa, Raffaella An enhanced color photographic headshot cutout of Raffaella De Rosa, wearing rose lipstick, glasses, large two metal disc earrings, and a black rounded collar shirt under a shiny black jacket, is utilized for visual identification.. “Descartes and the Curious Case of the Origin of Sensory Ideas.” Philosophy and Phenomenological Research (2017): 1–20. Also available at Academia.com.


De Rosa, Raffaella A colorized, reversed, enhanced photographic cutout of a young adult Rafaella De Rosa with glasses, earrings, and red lipstick at a podium is used for visual identification.. Descartes and the Puzzle of Sensory Representation The book cover of “Descartes & The Puzzle of Sensory Representation” by Raffaella De Rosa, with the title in orange and white font, is used for visual identification.. New York: Oxford University Press, 2010.


De Rosa, Raffaella A reversed, enhanced, colorized photographic upper torso and headshot cutout of Rafaella De Rosa, wearing glasses, dangling feather-like  earrings, and a black outfit open at her neck, is used for visual identification.. “Descartes on Sensory Misrepresentation: The Case of Materially False Ideas.” History of Philosophy Quarterly 21, no. 3 (2004): 261–80.


De Rosa, Raffaella An enhanced color photographic headshot cutout of Raffaella De Rosa, wearing rose lipstick, glasses, large two metal disc earrings, and a black rounded collar shirt under a shiny black jacket, is utilized for visual identification.. “Material Falsity and Error in Descartes’s Meditations (Review of Wee 2006). Journal of the History of Philosophy 46, no. 4 (2008): 641–42.


De Rosa, Raffaella A reversed enhanced, color photographic headshot cutout of Raffaella De Rosa, wearing vibrant coral lipstick, glasses, large metal wire earrings, and a black outfit with oversized outlined lapels, is used for visual identification.. “The Myth of Cartesian Qualia.” Pacific Philosophical Quarterly 88 (2007): 181–207.

Abstract: The standard view of Cartesian sensations (SV) is that they present themselves as purely qualitative features of experience (or qualia). Accordingly, Descartes’ view would be that in perceiving the color red, for example, we are merely experiencing the subjective feel of redness rather than seeming to perceive a property of bodies. In this paper, I establish that the argument and textual evidence offered in support of SV fail to prove that Descartes held this view. Indeed, I will argue that there are textual and theoretical reasons for believing that Descartes held the negation of SV. Qualia aren’t Descartes’ legacy.


De Rosa, Raffaella A reversed, enhanced, color photographic headshot cutout of Raffaella De Rosa, wearing vibrant coral lipstick, glasses, large metal wire earrings, and a black outfit with oversized outlined lapels, is used for visual identification.. “René Descartes: Sensory Representations.” Oxford Bibliographies. Last reviewed: July 24, 2019. Last modified: July 28, 2015.


De Rosa, Raffaella A reversed, enhanced, colorized photographic upper torso and headshot cutout of Rafaella De Rosa, wearing glasses, dangling feather-like  earrings, and a black outfit open at her neck, is used for visual identification.. “Replies to Vinci and Nelson.” Analytic Philosophy 54, no. 1 (March 2013): 117–28.

Opening paragraphs: In my Replies, I will focus on, and respond to, three main lines of criticisms emerging from both Thomas Vinci’s and Alan Nelson’s commentaries (although, on occasion, I may intersperse these replies with more specific responses to distinct points):
        Criticism 1: Color sensations, and the like, are still not representational;
        Criticism 2: Even if we concede that the texts discussing material falsity testify that Descartes held that sensations are misrepresentations (and so are representational),1 Descartes’ view in these texts is that ideas of secondary qualities are materially false because they represent a non-thing (i.e., a sensation) as a (material) thing rather than representing material things as resembling a color sensation (which is what I claim);
        Criticism 3: The fusion of an intellectual and phenomenal component is crucial to my descriptivist-causal account but raises a host of related worries: don’t qualia end up being constitutive parts of a more complex mental state? How is reference to particular material objects explained? Is the spatial articulation contained in sensory ideas due to the intellect or to the imagination?

Criticisms 1 and 2 are expressed in Vinci’s first three remarks (although Nelson himself, I take it, would be sympathetic to some aspects of these criticisms); and they take issue with two pivotal theses of my book, viz., (i) that Cartesian sensations are representational and (ii) that they are misrepresentational (as Vinci puts it). Although I defend (i) and (ii) extensively in the book (see especially Chapters 1 and 2), Vinci attacks some of the arguments offered in the book and provides additional evidence for his criticism. So, I begin my replies by explaining why, in my view, despite Vinci’s remarks, Cartesian sensations are still misrepresentational.2

1. The texts where Descartes discusses material falsity are Meditation Three and the Fourth Replies. Notice that agreeing that Descartes may have held that sensations are misrepresentations in the above texts is compatible with maintaining that he abandoned this view altogether in later writing such as the Principles. This is in fact Vinci’s view. See Vinci (1998), chapter 7.
2. I would like to clarify that my claim that for Descartes “representation is primarily presentation of an object to the mind in so far as representing something consists of putting the mind in cognitive content with extra-mental reality” (See De Rosa (2010), p. 12) has to be understood in the context of my discussion of ideas of secondary qualities. Descartes classifies the latter among ideas of body (see De Rosa (2010), p. 24). But I do not deny that, for Descartes, we can have ideas about ideas or sensations. Neither do I deny either Wilson’s or Vinci’s claims that the “as if-image” property of ideas, for Descartes, consists in making things (whatever their nature) cognitively accessible. This is clearly indicated, for example, in De Rosa (2010), p. 32 fn 33 (where I define the notion of referential content) and p. 56 (where I claim that presenting an object to the mind is enough to classify a mental state as representative).


De Rosa, Raffaella A reversed enhanced, color photographic headshot cutout of Raffaella De Rosa, wearing vibrant coral lipstick, glasses, large metal wire earrings, and a black outfit with oversized outlined lapels, is used for visual identification.. “Review of Cecilia Wee’s Material Falsity and Error in Descartes’s Meditations.” Journal of the History of Philosophy 46, no. 4 (2008): 641–42.


De Rosa, RaffaellaA colorized, reversed, enhanced photographic cutout of a young adult Rafaella De Rosa with glasses, earrings, and red lipstick at a podium is used for visual identification.. “A Teleological Account of Cartesian Sensations?.” Synthese (2007): 311–36.

Abstract: Alison Simmons, in Simmons (1999), argues that Descartes in Meditation Six offered a teleological account of sensory representation. According to Simmons, Descartes’ view is that the biological function of sensations explains both why sensations represent what they do (i.e., their referential content) and why they represent their objects the way they do (i.e., their presentational content). Moreover, Simmons claims that her account has several advantages over other currently available interpretations of Cartesian sensations. In this paper, I argue that Simmons’ teleological account cannot be sustained for both theoretical and textual reasons and that it does not have the advantages it is claimed to have.


Des Chene, Dennis An enhanced colorized photographic headshot cutout of Dennis Des Chene, with a full red mustache, glasses, and a light purple narrow vertical striped shirt, is used for visual identification.. “Material Falsity.” An enhanced color logo for Dennis De Chene’s “Philosophical Fortnight” website is used for visual identification. Philosophical Fortnights website. June 18, 2005 in History of Philosophy · Metaphysics & Epistemology · Reading Notes 


Detlefsen, Karen A mirror reversed enhanced colorized photographic cutout of Karen Detlefsen used for visually identifying her. . Descartes’ Meditations: A Critical Guide An enhanced image of the black and purple book cover of "Descartes' Meditations: A Critical Guide" edited by Karen Detlefsen used to visually identify it., edited by Karen Detlefsen An enhanced color photographic upper torso and headshot cutout of a lecturing Karen L. Detlefsen wearing a blue print blouse under a red sweater, her arms raised, and her glasses propped on top of her head is used to identify her visually. . New York: Cambridge University Press, 2013.

Review by Jean-Pascal AnfrayA reversed enhanced upper torso and  headshot photographic cutout of an unsmiling with glasses   of Jean-Pascal Anfray with his arms crossed at his waist and wearing a light purple collared shirt under a black v-neck sweater used to visually identify him. :

This volume presents itself, at least in its title, as a “guide” to the Meditationes and contains a series of articles signed by some of the best specialists in the Anglo-American field. The eleven essays that compose it are distributed in four sections which, without being directly identifiable to the particular Meditations, focus on specific issues emanating from the Cartesian text. Unlike other English-language introductions or guides (see for example the Blackwell Guide published by St. Gaukroger, Malden, 2006, BC XXXVII, 3.1.6; or the Introduction to Meditations of C. Wilson, Cambridge, 2003, BC XXXIV, 3.1.133), he thus focuses, more than on the Cartesian text, on a choice of themes related to it. Mobilizing a research methodology that wants to reconcile a “philosophical” approach and a reading that inserts philosophical works into their cultural and historical environment, this volume is a significant testimony to the philosophical problems that, in the Meditationes, are of most interest to the Anglo-American public. The book is composed of four sections.

(1) In a first section, devoted to skepticism, the article by T. Lennon and M. Hickson (“The Skepticism of the First Meditations”, pp. 9–24) discuss the problem of doubt and its extension. According to the A., the First Meditation meets requirements of rationality that, on the one hand, invalidate the figures of fools and the evil genius, but at the same time make it possible not to invalidate the cogito; from the presupposition (everything to be demonstrated) that the truth of the cogito requires the divine guarantee, they conclude that this knowledge does not fall into doubt, because doubting it would be unreasonable. D. Brown’s essay (“Descartes and content skepticism”, pp. 25–42) examines D.’s relationship with ancient skepticism, arguing that the novelty introduced in the Meditationes would be what the A. calls a “content skepticism”, that is, the invalidation of the very content of our representation in its conditions of possible veracity. This type of skepticism—which the A. identifies in the figure of the deceiving God (a little awkwardly referred to as “demon hypothesis”) and in the thesis of materially false ideas—still leaves room, according to D. Brown, for residual skepticism in the Meditations.

(2) The second section of the volume, focusing on substance and cause, opens with D. Garber’s article on the progressive development of the substance conception of the Meditationes at the Quartae Responsiones (“Descartes against materialists: how Descartes’ confrontation with materialism shaped his metaphysics”, pp. 45–63): A. insists on the role played by Hobbes’ objections for overcoming the ousiology proposed in the Meditationes and in the Secundae Responsiones: it was the IIIae Objectiones that would have pushed D. to develop the theory of the main attribute proposed for the first time in Arnauld. The analysis, precise and subtle, contributes significantly to highlighting an aspect that the critical literature has noticed in recent years: the maturation in progress of Cartesian metaphysics, from the composition of the Meditationes, to the Responsiones to finally reach the formulations of the Principia. Mr. Bolton’s essay (“Thinking: the nature of Descartes’ mental substance”, pp. 64–81) deals with the constitution of the substance, and in particular its relationship with its modes. The problem of the status of the thinking substance as such, that is, its distinction from its particular determinations, is addressed through an examination of the discussions that took place in the 17th century (Arnauld, Malebranche, Leibniz). According to the A., D.’s conception is part of a Neoplatonic matrix diffused in the 17th century, according to which an intrinsically indetermined being in a particular aspect can, under this same aspect, be determined by virtue of certain states he assumes. However, it will be regretted that this solution is proposed without any historical discussion both on Neoplatonism in the classical age and on the relationship between this current and D. The contribution of T. Schmaltz (“Causation and causal axioms”, pp. 82–100) deals with the three axioms on the cause set out in the Rationes more geometrico (AT VII 164-165): the author shows that their application in the Meditationes is subject to variations in relation to the contexts and that the Cartesian conception of causality is modified and clarified in the transition from the Meditationes to the Responsiones (one of the most significant examples is that of the causa sui, conceived in Meditation III under the model of efficiency, and then in the Quartae Responsiones under that of the formal cause).

(3) The third section opens with the article by J. Carriero (“Sensation and knowledge of body in Descartes’ Meditations”, 103–26), which discusses the validity of the thesis attributing to D. an indirect realism about sensitive knowledge: according to Carriero (who develops here lines of reflection from his Between Two Worlds, Princeton, 2008, BC XL, 3.1.32), the Cartesian thesis on the relationship between the ideas of the senses and the objects represented by them would still be marked by a direct realism: on the basis of this interpretation, the direct causal link between things and the ideas of the senses would still be respected, but not in terms of Resemblance between the idea and its cause. The direct link between the idea and material things would not be broken, but conceived from a distance that makes it impossible to interpret the qualities of objects on the basis of the sensitive, obscure and confused ideas that we have of them.

The case of material falsity in relation to the status of the representation is the subject of the article of G. Hatfield (“Descartes on sensory representation, objective reality, and material falsity”, 127–50). According to the A., the resemblance between the idea and its object is the paradigm from which D. thinks the representative status of the idea; the A. then questions the status of materially false ideas: they would not have, according to their own phenomenon, a representative status. But if we admit (as D. does in Dioptrics) that colors depend on the surface of material things that reflect light rays, then, according to Hatfield, we can admit that these ideas are, although in an obscure and confused way, representations of external things. This would make it possible to read more coherently the Cartesian theory of the idea, within which the case of materially false ideas would constitute only a borderline case.

(4) The last section, devoted to the human being, opens with the essay by K. Detlefsen (“Teleology and nature in Descartes’ Sixth Meditation”, 153–75) on the use of teleological arguments in the Sixth Meditation (cf. AT VII, 82–85). From a “conceptual background” concerning the differences between the Platonic and Aristotelian approach to teleological arguments (but again without any reference to the status of this type of argument in the 17th century), the A. proposes to consider the relationship between the mind and the body not according to a hylemorphic model, but from a relationship of satisfaction in which the soul recognizes a value proper and intrinsic to the body. L. Alanen’s essay (“The role of will in Descartes’ account of judgement”, 176–99) focuses on the will and on the relationship between indifference and determination towards the good in the voluntary act: the thesis defended consists in showing that the operation of the will is articulated in two moments: the pursuit of the good and the true fact, in itself, the object of a determination; and it is from this determination that the will is inclined towards the good. The A. concludes his analysis by highlighting the proximity—but also the distance—between the conceptions of D. and Spinoza. In his intervention (“God and meditation in Descartes’ Meditations”, 200–25), J. Secada proposes to show the relationship between the meditative style of the Cartesian work and the knowledge of God, which is one of its main objects. Reading the Meeitations as a “therapeutic manual,” it distances itself from any reading that insists on the formal aspect of the Cartesian argumentation: the validity of the theology of Meditations depends less on a series of arguments than on the contemplation of the idea of God, the real difficulty being in the discovery of this same idea. By considering Cartesian meditation as an “intellectual mysticism” (p. 211), he emphasizes that the meditative trial leads not only to the knowledge of some truths, but also to the highest happiness that can be enjoyed in this life (AT VII 52). The last essay, due to L. Shapiro (“Cartesian selves”, 226–42), proposes to take a closer look at the Cartesian conception of the self. According to the A., although valid, the thesis that makes the Cartesian subject consist of being a substance that thinks proves to be too poor and limited: if we consider that the meditative path contributes in an essential way to the constitution of the self, then, for the understanding of it, we will have to take into account the psychological determinations intrinsically involved in the exercise of meditation. The two main components, required for the ego to meditate well, are, according to Shapiro, the role of memory, which guarantees the unity in time of thought that meditates; the exercise of intellectual virtue that directs the subject towards the search for truth. The integration of these two elements allows, according to the A., a more complex and richer understanding, in which the psychological and personal dimension becomes an essential and constitutive factor of the self.

These studies are, in different capacities, original and well inserted in the context of the Anglo-American debate, of which they represent an important focus. Nevertheless, it seems legitimate to ask, precisely, to what extent the horizon of this context is essential for their understanding, whether it constitutes a merit or a limit: it all depends on what the reader asks of a “critical guide” of Meditations. In any case, it is significant that the bibliography is almost entirely in the English language, except in a few rare cases. The very choice of sections that divide the volume seems to put the interpretative perspective in the foreground in relation to the textual data, but this is a deliberate and conscious choice of the publisher.


Detlefsen, Karen A mirror reversed enhanced colorized photographic cutout of Karen Detlefsen used for visually identifying her.. “Teleology and Natures in Descartes’ Sixth Meditation.” In Descartes’ Meditations: A Critical Guide An enhanced image of the black and purple book cover of "Descartes' Meditations: A Critical Guide" edited by Karen Detlefsen used to visually identify it., edited by Karen Detlefsen An enhanced color photographic upper torso and headshot cutout of a lecturing Karen L. Detlefsen wearing a blue print blouse under a red sweater, her arms raised, and her glasses propped on top of her head is used to identify her visually., 153–75. New York: Cambridge University Press, 2013.


Dicker, Georges A reversed enhanced. color photographic headshot cutout of a glasses adorned white mustache and goateed Georges Dicker wearing a black suit jacket over a white shirt and red patterned tie used to visually identify him.. Descartes: An Analytical and Historical Introduction An enhanced brown book cover for "Descartes: An historical and Analytical  Introduction" 2nd ed. by Georges Dicker used to visually identify it.. Oxford: Oxford University Press, 1993.


Doig, James C. A reversed colorized photographic headshot cutout of a glasses adorned full yellow beard and mustache looking up and to his left with camera angle shooting up from his chest of Dr. James C. Doig wearing a dark blue suit and open collared light blue shirt used to visually identify him.. “Suarez, Descartes, and the Objective Reality of Ideas.” The New Scholasticism 51, no. 3 (1977): 350–71.


Doney, Willis (no known photo). Descartes: A Collection of Critical Essays An enhanced white with bright orange bottom square of the book cover of “Descartes: A Collection of Critical Essays” edited by Willis Doney is used for visual identification. . New York: Random House, 1967.


Downing, Lisa n enhanced color photographic headshot of Lisa Downing used to identify her.. “Sensible Qualities and Material Bodies in Descartes and Boyle.” In Primary and Secondary Qualities: The Historical and Ongoing Debate An enhanced color book cover in swirling cloud-like blues and greens with title inside of a black rectangle with white font of "Primary and Secondary Qualities: The Historical and Ongoing Debate" edited by Lawrence Nolan used to visually identify it., edited by Lawrence Nolan A reversed enhanced colorized photographic headshot cutout of Lawrence Nolan wearing a blue shirt is used for visual identification., 109–35. Oxford: Oxford University Press, 2011.

Alison Simmons’s overview (2015): Lisa Downing’s fine contribution, “Sensible Qualities and Material Bodies in Descartes and Boyle,” gets at some of the deepest issues in Descartes’s metaphysics and epistemology. She reconstructs three arguments that he might offer in defense of his thesis that our ideas of sensible qualities don’t represent anything in bodies: first, because on inspection it turns out that they don’t represent anything at all; second, because we can’t manage to conceive of how these qualities inhere in bodies; and, third, because we can’t conceive of these qualities as determinations of the essence of bodies. Downing argues that these arguments aren’t sound. Her evaluations are fair, reasonable, and, I think, right, but they aren’t obviously right. I can imagine someone reading her paper and deciding to take up the mantle of Cartesian metaphysics.


Doyle, John An enhanced color photographic headshot cutout of John Doylee wearing glasses, a white shirt, and a tie under a black suit coat is used for visual identification. . “Prolegomena to a Study of Extrinsic Denomination in the Work of Francis Suarez.” Vivarium XXII, no. 2, 121–60.



Patricia Easton A reversed enhanced photographic cutout of Patricia Easton wearing a wide, rounded neck, deep dark blue shirt under a cool leather mottled jacket, and small round blue earring studs is used for visual identification.. “Decoding Descartes’ ‘myth’ of mind.” In Philosophy of Mind: The Key Thinkers An enhanced color book cover of “Philosophy of Mind: The Key Thinkers” (2014), edited by Andrew Bailey, is used for visual identification.. Edited by Andrew Bailey A reversed enhanced photographic cutout of Andrew Bailey wearing glasses and a cross-hatched white shirt with tan hatching stripes is used for visual identification.. New York: Bloomsbury Academic, 2013, 17–36.


Edberg, Walter A reversed, enhanced color photograph of Walter Edberg, showing him with a gray goatee and wearing a blue jeans shirt with white buttons, is used for visual identification.. “The Fifth Meditation.” The Philosophical Review 99 (1990): 493–533.


Eshleman, Matthew C. For visual identification, a reversed, enhanced, colorized photographic headshot cutout of Matthew C. Edelman looking at the viewer with teeth exposed is used. For visual identification, a reversed, enhanced, colorized photographic headshot cutout of Matthew C. Edelman looking at the viewer wearing a blue watch cap, glasses, and a round-necked blue shirt under a dark blue outerwear coat is used.. “The Cartesian Unconscious.” History of Philosophy Quarterly 24, no. 2 (April 2007): 169–87 or 297–315.



Field, Richard W. A reversed enhanced photographic headshot cutout of a glasses adorned Richard W. Fields with a full gray beard and mustache wearing a beige shirt and a dark tan sports coat used for visually identifying him.. “Descartes on the Material Falsity of Ideas.” The Philosophical Review 102, no. 3 (July 1993): 309–33.


Filho, Raul Landim An enhanced color photographic headshot cutout of Raul Landim Filho wearing a dark blue checkered shirt with his arms folded on an unseen table and his body turned to his left used to visually identify him.An enhanced colorized photographic upper torso and headshot cutout of a full brown bearded and mustached Raul Landim Filho wearing a light gray polo shirt with his arms on a table holding a piece of paper used to visually identify him.An enhanced colorized photographic headshot cutout of a glasses wearing and full white  bearded and mustached Raul Landim Filho wearing a white rounded neck t-shirt used to visually identify him.. “Descartes: Ideia e Representação: Um caso enigmático: As Ideias Materialmente Falsas Ideia e Representação” [Academia English translation: “Descartes: Idea and Representation: An Enigmatic Case: The Materially False Ideas and Representation“]. Analytica 20, no. 1 (2016): 11–40. Downloadable and copyable version.

Original Portugese Abstract: Os aspectos centrais da noção de ideia cartesiana (operação mental representativa, ser objetivo, realidade objetiva e objeto) parecem ser postos em questão pela noção de ideia materialmente falsa: ideia sensível, obscura e confusa que representa “uma não-coisa como se fosse uma coisa.” Estas ideias seriam falsas representações, pois nada representariam, ou seriam representações equivocadas? Para responder a esta pergunta, o artigo analisa os textos canônicos das Meditações Metafísicas sobre esse tema e as objeções de Arnauld; extrai e interpreta as articulações desse debate e conclui que as ideias sensíveis obscuras e confusas, isto é, as ideias materialmente falsas, têm como conteúdo sensações ou, elas próprias, são sensações. Em razão de serem intencionais, as sensações são consideradas ideias de objetos, mas, em razão da sua natureza, elas não são conformes aos objetos de que são ideias. Portanto, elas têm uma função referencial, mas não seriam representativas de seus objetos.

Published English Abstract: The central aspects of the cartesian notion of idea (representative mental operation, objective being, objective reality, and object) seem to be called into question by the notion of materially false idea: a sensible, obscure and confused idea that represents “a non-thing as a thing.” Would these ideas be false representations, because they would not represent anything, or would they be misrepresentations? In order to answer this question, I analyze the canonical texts of metaphysical meditations on this theme and also the objections of Arnauld. I draw the articulations of this debate and interpret them. I then conclude that obscure and confused sensitive ideas, that is to say, materially false ideas, either have as their content sensations or are themselves sensations. Because they are intentional, sensations are considered as ideas of objects, but, due to their nature, they are not in accordance with the objects of which they are ideas. Therefore, they have a referential function, but they are not representative of their objects. [bold not in original]

Google Translation Abstract: The central aspects of the notion of a Cartesian idea (representative mental operation, objective being, objective reality, and object) seem to be questioned by the notion of materially false idea[s]: a sensible, obscure, and confused idea that represents “a non-thing as if it were a thing.” Are these ideas false representations because they represent nothing, or are they misrepresentations? To answer this question, the article analyzes the canonical texts of the metaphysical meditations on this subject and Arnauld’s objections; it extracts and interprets the articulations of this debate and concludes that the obscure and confused sensible ideas, that is, the materially false ideas, have sensations as their content or are sensations themselves. Because they are intentional, sensations are considered ideas of objects, but due to their nature, they do not conform to the objects of which they are ideas. Therefore, they have a referential function, but would not be representative of their objects. [bold not in original]

Merlin/ChatGPT 4.0 Translation Abstract: The central aspects of the Cartesian idea (representative mental operation, objective being, objective reality, and object) seem to be questioned by the notion of materially false idea: a sensible, obscure, and confused idea that represents “a non-thing as if it were a thing” (represent non-things as things). Would these ideas be false representations, as they would represent nothing, or would they be misrepresentations? To answer this question, the article analyzes the canonical texts of the metaphysical meditations on this subject and Arnauld’s objections; it extracts and interprets the articulations of this debate and concludes that the sensible, obscure, and confused ideas, i.e., the materially false ideas, have sensations as their content or are sensations themselves. Because they are intentional, sensations are considered ideas of objects, but due to their nature, they do not conform to the objects they are ideas of. Therefore, they have a referential function but would not be representative of their objects. [bold not in original]


Filho, Raul Landim An enhanced color photographic headshot cutout of Raul Landim Filho wearing a dark blue checkered shirt with his arms folded on an unseen table and his body turned to his left used to visually identify him.An enhanced colorized photographic upper torso and headshot cutout of a full brown bearded and mustached Raul Landim Filho wearing a light gray polo shirt with his arms on a table holding a piece of paper used to visually identify him.An enhanced colorized photographic headshot cutout of a glasses wearing and full white  bearded and mustached Raul Landim Filho wearing a white rounded neck t-shirt used to visually identify him.. “Ideia, Ser Objetivo e Realidade Objetiva nas “Meditações” de Descartes” [Academia English translation:Idea, Objective Being and Objective Reality in Descartes’ ‘Meditations’.”] Kriterion: Philosophy Magazine 55 (2014): 669-90.


Filho, Raul Landim An enhanced color photographic headshot cutout of Raul Landim Filho wearing a dark blue checkered shirt with his arms folded on an unseen table and his body turned to his left used to visually identify him.An enhanced colorized photographic upper torso and headshot cutout of a full brown bearded and mustached Raul Landim Filho wearing a light gray polo shirt with his arms on a table holding a piece of paper used to visually identify him.An enhanced colorized photographic headshot cutout of a glasses wearing and full white  bearded and mustached Raul Landim Filho wearing a white rounded neck t-shirt used to visually identify him.. “Idée et Répresentation” [”Idea and Representation”]. In Descartes: Objecter et répondre An enhanced light tan/yellow paper book cover of “Descartes: Objecter et Responder,” edited by Jean-Marie Beyssade and Jean-Luc Marion, with a centered brown square containing the book’s title, is used for visual identification. An enhanced light gray  paper book cover of “Descartes: Objecter et Responder,” edited by Jean-Marie Beyssade and Jean-Luc Marion, with a thin red border containing the book’s title, is used for visual identification. An enhanced orange with a ourplecut cornerat top right book cover of “Descartes: Objecter et Responder,” edited by Jean-Marie Beyssade and Jean-Luc Marion, is used for visual identification. (1994): 187–203. Another English translation by Google Translate.


Flage, Daniel E. A reversed enhanced color photographic headshot and torso cutout of a glasses adorned Daniel E. Flage wearing a white collared shirt facing camera used to visually identify him. An enhanced color photographic headshot cutout of a glasses adorned old smiling Daniel E. Flage wearing a gray suit and tie facing camera used to visually identify him., and Clarence A. Bonnen (no known photo). Ch. 2 “Analysis: the Clarification of Ideas.” In Descartes and Method: A Search for a Method in the Meditations For visual identification, an enhanced teal and gray book cover of “Descartes and Method: A Search for a Method in Meditations” by Daniel E. Flage and Clarence A. Bonnen, with a black-and-white portrait of Descartes, is used., 45–71. London and New York: Routledge, 1999. 

Abstract of Ch. 2: If Descartes chooses analysis as his method, then analysis applies equally to all types of inquiry. In the last chapter we discussed how analysis proceeded in the search for natural laws. Since clear and distinct ideas represent the essences of things (AT 7: 78, CSM 2: 54), and since “according to the laws of true logic, we must never ask about the existence of anything until we first understand its essence” (AT 7: 107-8, CSM 2: 78), a clear and distinct idea is prior in the epistemic order to any judgments one might make regarding the existence of a thing of a specific kind. Thus the method of analysis is germane to finding clear and distinct ideas, or, as we shall show, how ideas are clarified.

Table of Contents of book

Part I Descartes’s Method

          1. Analysis: The Search for Rules

          2. Analysis: The Clarification of Ideas

          3. Causation

Part II Descartes’s Meditations on First Philosophy

          4. Meditation I: Doubts and Suppositions

          5. Meditation II: The Beginning of the Ascent

          6. Meditation III: Reaching the Peak, or Variations on the Existence and Idea of God

          7. Meditation IV: Truth and Falsity: Reflections from the Summit

          8. Meditation V: The Beginning of the Descent

          9. Meditation VI: The World Restored

          10. Circles


Frankfurt, Harry An enhanced colorized photographic headshot cutout of a broadly smiling thin full white beard and mustache wearing an open collared white shirt and dark suit jacket slightly turned to his left used for visually identifying him. An enhanced colorized photographic headshot cutout of a slightly  smiling thin full white beard and mustache wearing an open collared blue shirt and grayish suit jacket facing viewer straight on used for visually identifying him. A reversed enhanced colorized photographic headshot cutout of a slightly smiling fairly full white beard and mustache  and wearing glasses and a blue collared shirt underneath a black and dark blues patterned sweater looking up to his right used for visually identifying him.. Demons, Dreamers and Madmen: the Defense of Reason in Descartes’ Meditations. Indianapolis: Bobbs-Merrill, 1970.


An orange, red, and dull green scrolly capital letter "G" surrounded by green vine-like scroll work used as an alphabetical organizer for  bibliographical entries.

Garber, Daniel An enhanced colorized  head and upper torso photographic cutout of a glasses adorned Dan Garber with full beard and mustache wearing a shirt and maroon tie under a red sleeveless v-neck vest sweater used for visually identifying him.. Descartes Embodied: Reading Cartesian Philosophy through Cartesian Science The green with a white title book cover of "Descartes Embodied: Reading Cartesian Philosophy Through Cartesian Science" edited by Daniel Garber used to visually identify it. . Cambridge: Cambridge University Press, 2001.


Garber, Daniel An enhanced colorized head and upper torso photographic cutout of a glasses adorned Dan Garber with full beard and mustache wearing a white shirt with no tie  under a red v-neck  sweater under a dark blue suit coat jacket used for visually identifying him.. Descartes’ Metaphysical Physics The light yellow book cover of "Descartes' Metaphysical Physics" by Daniel Garber with a schematic maroon drawing of a church used to visually identify it. . Chicago: University of Chicago Press, 1992.


Garber, Daniel A reversed enhanced colorized headshot  photographic cutout of a glasses adorned Dan Garber with full beard and mustache wearing a gray green shirt under a tan sports coat with his right hand up by the dude of his face used for visually identifying him.. “Descartes and Occasionalism.” In Causation in Early Modern Philosophy: Cartesianism, Occasionalism, and Preestablished Harmony The color book cover for ''Causation in Early Modern Philosophy.", edited by Steven Nadler, 9–26. University Park, PA: Pennsylvania State University Press, 1993.


Garber, Daniel An enhanced color photographic cutout of a full bearded and mustached Daniel Garber with glasses wearing a blue shirt and dark colored tie under a maroon v-neck sweater and dark gray suit jacket used to visually identify him.. “Formes et qualités dans les ‘Sixièmes Réponses‘.” In Descartes: Objecter et répondre An enhanced color book cover of "Descartes: Objecter et Répondre" edited by Jean-Marie Beyssade and Jean-Luc Marion with a thin red border on gray paper used to visually identify it., edited by Jean-Marie Beyssade A reversed, enhanced, and colorized photographic headshot cutout of Jean-Marie Beyssade used for visually identifying him., Jean-Luc Marion An enhanced reversed photographic cutout of glasses wearing Jean-Luc Marion with a collared shirt and bow tie and a dark brown suit coat used to visually identify him., and Lia Levy An enhanced colorized photographic headshot cutout of a glasses wearing Lia Levy with her right hand's folded fingers touching her chin wearing a black v-neck shirt under a blue plush sweater used to visually identify her., 449-69.

Actes du colloque ‘Objecter et répondre’ organisé par le Centre d’études cartésiennes à la Sorbonne et à l’Ecole normale supérieure du 3 au 6 octobre 1992, à l’occasion du 350 anniversaire de la seconde édition des Meditationes. Paris: Presses Universitaires de France, 1994. [Proceedings of the symposium ‘Objections and Answers’ organized by the Center for Cartesian Studies at the Sorbonne and the Ecole Normale Supérieure from October 3 to 6, 1992, on the occasion of the 350th anniversary of the second edition of the Meditations. Paris: Presses Universitaires de France, 1994.]

Reprinted in English as “Forms and Qualities in the Sixth Replies” in Descartes Embodied: Reading Cartesian Philosophy through Cartesian Science The green with a white title book cover of "Descartes Embodied: Reading Cartesian Philosophy Through Cartesian Science" by Daniel Garber used to visually identify it., edited by Daniel Garber An enhanced color photographic headshot cutout of a glasses wearing Dan Garber with full beard and gray mustache wearing a blue shirt under a tan sports coat looking straight ahead used for visually identifying him., 257–73. London: Cambridge University Press, 2001.


Garber, Daniel An enhanced colorized head and upper torso photographic cutout of a glasses adorned Dan Garber with full beard and mustache wearing a shirt and maroon tie under a red sleeveless v-neck vest sweater used for visually identifying him. and Michael Richard Ayers An enhanced photographic upper torso and headshot cutout of a glasses wearing Michael Ayers wearing a light purple turtleneck under a black zippered jacket unzipped to center chest used to visually identify him., eds. The Cambridge History of Seventeenth-Century Philosophy The blue-gray book cover for "The Cambridge History of Seventeenth Century Philosophy.". Cambridge: Cambridge University Press, 1998.


Garber, Daniel A reversed enhanced colorized headshot photographic cutout of a glasses adorned Dan Garber with full beard and mustache wearing a gray green shirt under a tan sports coat with his right hand up by the dude of his face used for visually identifying him. and Stéphane Bornhausen (no known photo). La Physique Métaphysique de Descartes An enhanced color photographic cutout of the yellow book cover of "La physique métaphysique de Descartes" (1999) by Daniel Garber used to visually identify it.. Paris: Presses Universitaires de France, 1999.


García, Claudia Lorena A reversed enhanced color photographic cutout of a glasses adorned young adult mother Claudia-Lorena Garcia wearing a spaghetti straps black top and necklace used for visually identifying her.. “Atomism and Substances in Descartes.” Criticism 29, 1997.


Garcíaa, Claudia Lorena An enhanced color photograph of a young adult glasses adorned Claudia Lorena-Garcia wearing a black spaghetti straps top with a necklace and large round turquoise pendant used for identifying her.. “Descartes: las ideas y su falsedad” [“Descartes: Ideas and their Falsity” – translated]. Diánoia 40, no. 40 (1994): 123–42.


Garcíaa, Claudia Lorena A reversed, enhanced, color photographic cutout of Claudia-Lorena Garcia wearing a white top with a red beaded necklace is used for visual identification.. “Descartes: Ideas and the Mark of the Mental.” Philosophiegeschichte und logische Analyze [History of Philosophy & Logical Analysis] 3, no. 1 (2000): 21–53. Also available at Academia.com.


García, Claudia Lorena An enhanced, colorized, photographic headshot cutout of a closed-mouthed Claudia-Lorena Garcia with her head turned slightly to her left, wearing glasses, a blue denim shirt, and necklaces, is used for visual identification.. “Descartes: Innate Ideas, Faculties, and Scholastic Causes.” History of Philosophy and Logical Analysis 3, no. 1 (2000): 21–53. doi:10.30965/26664275-00301004.


García, Claudia Lorena A reversed enhanced color photographic cutout of a glasses adorned blonde haired middle aged lipstick wearing Claudia-Lorena Garcia wearing a v-neck white sweater and head turned hard to her right dark used for visually identifying her.. “Descartes: La Imaginación El Mundo Físico” [“Descartes: the Imagination and the Physical World” – untranslated]. Diánoia, 41 (1995): 65–82.


García, Claudia Lorena A reversed enhanced color photographic cutout of a glasses adorned long draping haired late middle aged Claudia-Lorena Garcia wearing a dark blue jean jacket used for visually identifying her.. “Descartes: La teoría de las ideas y el cambio científico.” en Cuadernos de Filosofía (Universidad de Buenos Aires) 45 (1999): 24–55. [“Descartes: The Theory of Ideas and Scientific Change” – untranslated]. Cuadernos de Filosofía (University of Buenos Aires) 45 (1999): 24–55.]


Garca, Claudia Lorena A reversed, enhanced, color photographic cutout of a young adult Claudia Lorena-Garcia wearing glasses, a black spaghetti strap top with a necklace and large round turquoise pendant used for visual identification.. “Descartes y Suárez: sobre la falsedad no judicativa.” Analogía Filosófica 12, no. 2 (1998): 125–50. In Francisco Suarez (1548–1617): Tradição e Modernidade A colorized front book cover of “Francisco Suárez (1548-1617). Tradição e Modernidade,” edited by Antonio Martins, is used for visual identification. , edited by Antonio Martins, 187–206. Lisbon: Philosophy Center of the University of Lisbon, 1999.


García, Claudia Lorena An enhanced, colorized, photographic headshot cutout of Claudia-Lorena Garcia turned to her left wearing glasses, a blue denim shirt, and necklaces are used for visual identification.. “The Falsity of Non-Judgmental Cognitions in Descartes and Suarez.” The Modern Schoolman, 77 (2000): 199–216.


García, Claudia Lorena An enhanced, colorized, photographic headshot cutout of a talking  Claudia-Lorena Garcia with her head turned slightly to her left wearing glasses, a blue denim shirt, and necklaces are used for visual identification.. “Ideas innatas, esencias y verdades eternas en Descartes [“Innate Ideas, Essences and Eternal Truths in Descartes” – untranslated]. Latin American Journal of Philosophy (Argentina) 23, no. 2 (1997): 273–93.


García, Claudia Lorena A reversed, enhanced, color photographic cutout of Claudia-Lorena Garcia wearing a white top with a red beaded necklace is used for visual identification.. “El innatismo de Descartes: esencias y contenidos” [”Descartes’ innatism: essences and contents”]. Diánoia Revista de filosofía (1998): 63–83.


García, Claudia Lorena An enhanced, colorized, photographic headshot cutout of a closed-mouthed Claudia-Lorena Garcia with her head turned slightly to her left, wearing glasses, a blue denim shirt, and necklaces, is used for visual identification.. “Transparency and Falsity in Descartes’ Theory of Ideas.” International Journal of Philosophical Studies 7, no. 3 (1999): 349–72.

Abstract: Here I develop an interpretation of Descartes’ theory of ideas which differs from the standard reading in that it incorporates a distinction between what an idea appears to represent and what it represents. I argue that this interpretation not only finds support in the texts but also is required to explain a large number of assertions in Descartes which would otherwise appear irremediably obscure or problematic. For example, in my interpretation it is not puzzling that Descartes responds to Arnauld’s difficulty concerning the notion of material falsity by drawing a distinction between that to which an idea conforms (that of which the idea truly is) and that to which it refers. Furthermore, my interpretation also explains how Descartes can intelligibly reject the view that saying that something is clear and distinct is equivalent to saying that it is obvious. Finally, I argue that my interpretation allows Descartes’ view that we have some sort of internal access to the objects actually represented by an idea.


Gaukroger, Stephen ed. A reversed enhanced color photographic headshot cutout of Stephen Gaukroger in right profile wearing a white shirt with tie and black suit jacket used to visually identify him.. The Blackwell Guide to Descartes’ Meditations An enhanced purple book cover of "The Blackwell Guide to Descartes's Meditations" edited by Stephen Gaukroger used to visually identify it.. Malden, MA: Blackwell Publishing, 2006.


Gaukroger, Stephen An enhanced colorized  photographic headshot and upper torso cutout of a glasses adorned Stephen Gaukroger wearing a white shirt with dark blue and white striped tie under a dark blue sweater with a dark gray wool suit jacket used to visually identify him.. Descartes: An Intellectual Biography For visual identification, an enhanced color book cover of “Descartes: An Intellectual Biography” by Stephen Gaukroger is used.. Oxford: Clarendon Press, 1995.


Gaukroger, Stephen An enhanced colorized photographic headshot and upper torso cutout of a glasses adorned Stephen Gaukroger wearing a white shirt with dark blue and white striped tie under a dark blue sweater with a dark gray wool suit jacket used to visually identify him., ed. Descartes: Philosophy, Mathematics and Physics The title page of "Descartes: Philosophy, Mathematics, and Physics" edited by Stephen Gaukroger used to visually identify it.. Sussex: Harvester, 1980.


Gaukroger, Stephen An enhanced colorized  photographic headshot and upper torso cutout of a glasses adorned Stephen Gaukroger wearing a white shirt with dark blue and white striped tie under a dark blue sweater with a dark gray wool suit jacket used to visually identify him.. Descartes’ System of Natural Philosophy An enhanced various dark blue book cover for "Descartes's System of Natural Philosophy" (2002) by Stephen Gaukroger with an ugly bearded Descartes sitting at his desk on. the cover used to visually identify it.. Cambridge, UK: Cambridge Univversity Press, 2002.


Gaukroger, Stephen. “Introduction: the Background to the Problem of Perceptual Cognition.” In Antoine Arnauld: On True and False Ideas, translated by Stephen Gaukroger An enhanced colorized photographic headshot and upper torso cutout of a glasses adorned Stephen Gaukroger wearing a white shirt with dark blue and white striped tie under a dark blue sweater with a dark gray wool suit jacket used to visually identify him., 1–41. Manchester, UK: Manchester Press, 1990.


Gaukroger, Stephen An enhanced colorized photographic headshot and upper torso cutout of a glasses adorned Stephen Gaukroger wearing a white shirt with dark blue and white striped tie under a dark blue sweater with a dark gray wool suit jacket used to visually identify him., John A. Schuster, and John Sutton (eds.). Descartes’ Natural Philosophy The light blue book cover of "Descartes' Natural Philosophy" edited by Stephen Gaukroger, John Shuster, and John Sutton used to visually identify it.. New York: Routledge, 2000.


Gaukroger, Stephen A reversed enhanced color photographic headshot cutout of Stephen Gaukroger in right profile wearing a white shirt with tie and black suit jacket used to visually identify him., and Catherine Wilson An enhanced color photographic cutout of a smiling Catherine Wilson used to visually identify her. (eds.). Descartes and Cartesianism: Essays in Honour of Desmond Clarke An enhanced burnt yellow book cover of "Descartes and Cartesianism: Essays in Honor of Desmond Clarke" with his color headshot as an insert in upper right corner used to visually identify it.. Oxford: Oxford University Press, 2017.


Gewirth, Alan An enhanced colorized photographic headshot and upper torso cutout of a glasses adorned Alan Gewirth with his body turned back to his left with head mostly facing the viewer wearing a gray suit jacket with a black tie with repeated images of a manned Viking ship used to visually identify him. An enhanced colorized photographic headshot and upper torso cutout of a glasses adorned smiling late in life Alan Gewirth with his head mostly facing the viewer wearing a brown suit jacket with a dark cross hatched patterned tie used to visually identify him.. “Clearness and Distinctness in Descartes.” Philosophy 18, no. 69 (April 1943): 17–36. Published online by Cambridge University Texts, 2009.


Gilson, Etienne An enhanced colorized photographic headshot cutout of a brown framed glasses adorned Etienne Gilson with his head turned to his left wearing a brown suit jacket over a white shirt and grided patterned tie used to visually identify him. An enhanced colorized photographic headshot and upper torso cutout of a glasses free Etienne Gilson with his head turned facing viewer wearing a blue suit jacket over a white shirt and a  blue tiny white dotted tie used to visually identify him. . Etudes Sur le Role de la Pensees Medievale dans la Formation du Systeme Cartesien. Paris: J. Vrin, 1930.


Gorham, Geoffrey A reversed enhanced colorized photographic headshot cutout of a young adult smiling and glasses adorned Geoffrey Gorham wearing a dark shirt used to visually identify him. A reversed enhanced colorized photographic headshot cutout of a young adult glasses adorned Geoffrey Gorham wearing a vertical stripes off yellow shirt and tan sports coat  used to visually identify him. A reversed enhanced colorized photographic headshot cutout of an older adult glasses adorned Geoffrey Gorham wearing a black shirt with white buttons under a tan sports coat used to visually identify him. A reversed enhanced colorized constructed photographic headshot cutout of an older adult glasses adorned Geoffrey Gorham looking grumpy wearing a brown  jacket used to visually identify him.. “Descartes on the Innateness of All Ideas.” Canadian Journal of Philosophy 32, no. 3 (2002): 355–88.


Graham, Claire (no known photo). “Descartes’ Imagination: Unifying Mind and Body in Sensory Representation.” PhD diss., Durham: Durham University, 2013. Available at CORE – Aggregating the World’s Open Access Research Papers. Also downloadable.


Greenberg, SeanAn enhanced photographic headshot cutout of Sean Greenberg wearing a collared light purple shirt with two buttons undone at neck used for visually identifying him. An enhanced photographic cutout of Sean Greenberg wearing a silver watch on his gesticulating raised outstretched right hand seated leaning forward on his elbows wearing a collared light purple shirt with two buttons undone at the neck (obscured)  used for visually identifying him. An enhanced photographic cutout of Sean Greenberg wearing a silver watch on his  right wrist bent at elbow hugging himself with his eyes closed and head back laughing wearing a collared blue shirt with two buttons undone at the neck used for visually identifying him. An enhanced photographic cutout of Sean Greenberg leaning forward on his elbows turned to his right with shoulders slightly hunched wearing a collared blue shirt with two buttons undone at the neck used for visually identifying him.. “Descartes on the Passions: Function, Representation and Motivation.” Noûs 41 no. 4 (2007): 714–34.

Alison Simmon’s overview (2011): Challenges the (relatively new) assumption that Cartesian passions are representational states, arguing that Descartes conceives of them as motivational states, arguing that while the passions do respond to representations, they function to focus the attention of the mind on thing represented by the senses and to motivate choice and action.


Grene, Marjorie An enhanced colorized photographic headshot cutout of a late middle aged glasses adorned Marjorie Greene wearing a black speckled shirt and facing forward used for visually identifying her.. Descartes. The yellow top half with Descartes's head facing right on bottom half book cover of Marjorie Grene's "Descartes" (1985). Brighton, Sussex, UK: The Harvester Press, 1985.


Grene, Marjorie An enhanced colorized photographic headshot cutout of an old glasses adorned Marjorie Greene seated at a desk wearing a metal necklace over a black, tan, and gray patterned sweater used for visually identifying her.An enhanced colorized photographic headshot and torso cutout of an old glasses adorned Marjorie Greene seated at a desk facing forward wearing a metal necklace over a black, tan, and gray patterned sweater used for visually identifying her.. Descartes Among the Scholastics (Aquinas Lecture) The brown book cover of "Descartes Among the Scholastics (Aquinas Lecture)" by Marjorie Grene used to visually identify it.. Milwaukee: Marquette University Press, 1991.


Gueroult, Martial A reversed enhanced colorized photographic headshot cutout of Martial Gueroult wearing a red shirt used for visually identifying him.A reversed enhanced colorized photographic headshot cutout of Martial Gueroult wearing a black shirt used for visually identifying him.. Descartes jjnhselon L’Ordre des Raisons. Vol 1: The Soul and God (first five Meditations) (1952) and Vol. 2: The Soul and Body (Sixth Meditation) (1968). Paris: Aubier, 1952 & 1968. Translated by Roger Ariew A reversed color photographic headshot of Roger Ariew, with a full gray beard and a red collared shirt, is used for visual identification. as Descartes’ Philosophy Interpreted According to the Order of Reasons, Vol. 1: The Soul and God and Descartes’ Philosophy Interpreted According to the Order of Reasons, Vol. 2: The Soul and the Body. Minneapolis, MN: University of Minnesota Press, 1984. The brown and orange book covers for Martial Gueroult's "Descartes' Philosophy Interpreted According to the Order of Reasons, Vol. 1:  The Soul and God" and "Descartes' Philosophy Interpreted According to the Order of Reasons, Vol. 2:  The Soul and the Body" translated by Roger Ariew (1985).




Haag, Johannes An enhanced color photographic headshot cutout of Johannes Haag used for visually identifying him. An enhanced and mirror reveresed closeup color headshot of Dr. Johannes Haag used for visually identifying him.. “Sinnliche Ideen. Descartes über sinnliche und begriffliche Aspekte der Wahrnehmung.” In Sehen und Begreifen: Wahrnehmungstheorien in der frühen Neuzeit For visual identification, an enhanced color book cover in dark blue, orange, and brown with a white font title of “Sehen und Begreifen,” edited by Dominik Perler and Markus Wild, is used. , edited by Dominik Perler A enhanced color photographic headshot cutout of a smiling Dominik Perlerr with glasses and wearing a blue polo shirt used to visually identify him. and Markus Wild An enhanced photographic headshot cutout of Marcus Wild with a full gray and brown beard and mustache, wearing glasses and a heavy jacket with an orange liner zipped up, with his head turned to his right, is used for visual identification., 95–121. Berlin: de Gruyter, 2007.


Hamelin, Octave An enhanced colorized photographic headshot cutout of Octave Hamelin (1856–1907) in right profile with his head turned to his right, wearing a white shirt and tie under a gray suitcoat, is used for visual identification. (1856–1907). Le Système de Descartes A enhanced 3D image showing the spine and front cover for sn old and moldy tan book cover of the Spanish translation for Octave Hamelin's "El Sistema de Descartes" (1911) used to visually identify it. 2nd edition. Paris: F. Alcan, 1921.

Le Système de Descartes

An enhanced and filtered background to white of pages 186–87 from "Le Système de Descartes" by Octavio Hamelin.

Translated by Merlin with ChatGPT 4.0: . . . it seems that adventitious ideas are powerless, which leads Descartes to turn to innate ideas. Secondly, when he turns to innate ideas, he once again combats sensible realism, recognizing that such realism cannot be justified by [the] natural light. We must keep this second point in mind.

Descartes thus embarks on a new path. He explicitly indicates this with a characteristic transition whose importance cannot be overstated: “But another way presents itself to investigate whether among the things of which I have ideas in me, there are any that exist outside of me” (C. 272 [405] [G §10]). This new path is no longer that of adventitious ideas, nor, undoubtedly, of realism. There are two types of reality to distinguish in the idea as an idea. First, the idea is a mode of thinking, a fact of thought, an exercise of our faculty of thinking. As such, as a fact, it has a formal or actual reality, for act or fact, it’s the same thing. Secondly, the idea represents or is supposed to represent an object, and this act of conceiving which is the idea is at the same time the conception of something; in other words, the idea has content. This content is, in its way, something real. Insofar as the idea contains it, it has an objective reality. Descartes borrows these terms precisely from the School and they are very clear. The objective reality of the idea is certainly in the representative if one admits that the representative is the container of the representation; but it is in the representative what it contains, and thus it is opposite to the subject and on the side of the object: which makes it very aptly named objective. The objective reality of ideas, Descartes continues, is not the same in all ideas, but each idea has its proper degree of objective reality. The richer the content of the idea is in terms of the number or importance of characteristics, the more the idea has objective reality, and notably, among ideas, those that represent substances to me are undoubtedly something more, and contain in themselves, so to speak, more objective reality, that is, they participate by representation in more degrees of being or perfection than those that represent only modes or accidents. (C. 272 [4012] [G. §10]). We must not let this comparison and this union under the same genus with a simple difference of degree, of substantial reality and the reality of attributes or qualities pass unnoticed—it is the prelude to the ontological proof.

Each idea has a formal reality and a certain degree of objective reality. The formal reality of the idea wants to be explained, and we explain it by saying that we ourselves are the cause of it as we exercise our faculty of thinking. But the objective reality also requires an explanation; for, “imperfect as this manner of being by which a thing is objectively or by representation in the intellect through its idea may be, it cannot be said nevertheless that this manner and way of being is nothing, nor consequently that this idea takes its origin from nothing.” (C. 274 seq. [4116] [G. S 14]).

Now, what must a cause or reason be to be explanatory? This is what [the] natural light teaches us: or, in other words, it is what we can discern from the consideration of one of these pure and simple ideas, one of those simple natures that doubt does not touch, from the consideration of the idea of the cause: “ . . . and it is manifest through natural light that there must be at least as much reality in the efficient and total cause as in its effect: for where can the effect draw its reality from if not from its cause; and how could this cause communicate it to him if it did not have it in itself? And from there it follows not only . . .


Hanson, John Arndt An enhanced and reveresed color photographic headshot cutout of John Arndt Hanson used to visually identify him. An enhanced color photographic headshot cutout of John Arndt Hanson wearing a blue collared shirt with his left hand crossing his torso near his right shoulder is used for visual identification purposes.. “Descartes on Representation, Presentation, and the Real Natures.” PhD diss in Philosophy, Program in History and Philosophy of Science, University of Notre Dame, December 2021.

Author’s Abstract: This dissertation concerns two controversial aspects of Descartes’ philosophy. The first is the meaning of the distinction between the material and objective senses of the word “idea.” The second is an alleged tension between the Fifth Meditation’s claim that the real natures are mind-independent and the claim of the Principles that universals are mind-dependent.

In the first chapter, I take up the material sense, and argue against those interpretations which see it as a category for the contentless ontology of ideas. I argue that the textual evidence points to the material sense being Descartes’ category for phenomenological description of how things seem to be to a given mind when it has a given idea. In particular, I argue that he deploys the material sense in his discussions of abstractions and that this points to the material sense being a category for content that lacks existential implication for the extramental world.

In the second chapter, I take up the ontology of the real natures, and suggest that there is no tension between the Fifth Meditation and the Principles because Descartes accepts two things under the term “nature,” namely, universals and individual essences. I suggest Descartes is committed to Platonism about individual essences in the Fifth Meditation, and that in the Principles he is concerned only with universals, about which he is a conceptualist. I further suggest that individual essences play key roles in both singular and universal thought.

In the third chapter, I take up the objective sense, and the widespread interpretation of this sense of ideas as concerning current presentational or phenomenological content. I suggest that this account struggles with cases where there is stability in the object of thought paired with changes in the associated phenomenology. I propose that we ought to reject a straightforward equation of the objective sense with current presentational content, and instead adopt a scheme according to which what has objective being in an idea is the sum total of thinkable, essential features of the object, and that when an idea is clear and distinct, what we perceive has objective being in the idea. [bold and bold italic not in original]


Harrison, Peter A color photographic mirror reversed cutout of Peter Harrison Professorial Research Fellow and the Director of the Institute for Advanced Studies in the Humanities at the University of Queensland, Australia used to visually identify him.. “Descartes on Animals.” Philosophical Quarterly 42 (1992): 291–327.


Hatfield, Gary Carl . “The Cognitive Faculties.” In The Cambridge History of Seventeenth-Century Philosophy The blue-gray book cover for "The Cambridge History of Seventeenth Century Philosophy.", edited by Daniel Garber An enhanced colorized head and upper torso photographic cutout of a glasses wearing Dan Garber sitting sideways with full beard and mustache wearing a blue shirt with no tie under a red sweater under a tan sports coat  used for visually identifying him. and Michael Ayers An enhanced photographic upper torso and headshot cutout of a glasses wearing Michael Ayers wearing a light purple turtleneck under a black zippered jacket unzipped to center chest used to visually identify him., 953–1002. Cambridge: Cambridge University Press, 1998.


Hatfield, Gary Carl . Ch. 14: “Descartes.” In The Cambridge History of French Thought. Edited by Michael Moriarty An enhanced colorized photographic headshot cutout of a middle-aged Michael Moriarty, with glasses facing forward and a light tan collared shirt open at his neck, is used to visually identify him. and Jeremy Jennings An enhanced color photographic headshot cutout of Jeremy Jennings wearing glasses, a starched collared white shirt, a black tie with white patterns, and a black suit jacket is used for visual identification.. Cambridge: Cambridge University Press (2019): 124–34.


Hatfield, Gary A reversed enhanced colorized photographic headshot cutout of Gary Hatfield looking straight ahead with rimless glasses and a full brown and gray beard and mustache and wearing a blue shirt and tie under a dark blue suit coat used for visual identification.. Descartes and the Meditations The uneven orange  book cover for "Routledge Philosophy Guidelines to Descartes and the Meditations" (2003) by Gary C. Hatfield with a white font title used to visually identify it.. New York: Routledge, 2003.


Hatfield, Gary An enhanced colorized photographic upper torso and headshot cutout of Gary Hatfield looking to his right with his left end extended and palm facing up as if he just tossed something in the air. He is wearing a dark blue suit jacket over a black vest and a dark blue shirt used for visual identification.. “Descartes’ Naturalism About the Mental.” In Descartes’ Natural Philosophy An enhanced light blues book cover of "Descartes' Natural Philosophy" edited by Stephen Gaukroger, John Schuster, and John Sutton used to visually identify it., edited by Stephen Gaukroger An enhanced colorized photographic headshot and upper torso cutout of a glasses adorned Stephen Gaukroger wearing a white shirt with dark blue and white striped tie under a dark blue sweater with a dark gray wool suit jacket used to visually identify him., John A. Schuster An enhanced color photographic headshot cutout of a sparsely mustached John A. Schuster with round glasses and a stern expression on his face, wearing a dark mauve shirt under a dark brown sports coat, was used to identify him visually., and John Sutton A reversed, enhanced color photographic headshot cutout of John Sutton with his chin up wearing a blue round neck t-shirt under a dark forrest green collared shirt is used for visual identification., 630–58. New York: Routledge, 2000.


Hatfield, Gary A reversed enhanced colorized photographic headshot cutout of Gary Hatfield looking straight ahead with rimless glasses and a full brown and gray beard and mustache and wearing a blue shirt and tie under a dark blue suit coat used for visual identification.. “Descartes: New Thoughts on the Senses.” British Journal for the History of Philosophy 25, no. 3 (2016): 443–64.

ABSTRACT: Descartes analysed the mind into various faculties or powers, including pure intellect, imagination, senses, and will. This article focuses on his account of the sensory power, in relation to its Aristotelian background. Descartes accepted from the Aristotelians that the senses serve to preserve the body by detecting benefits and harms. He rejected the scholastic Aristotelian sensory ontology of resembling species, or ‘forms without matter’. For the visual sense, Descartes offered a mechanistic ontology and a partially mechanized account of sensory processes, including some previously ascribed to judgement. He did this in the context of his theory of brain signs that prompt sensations. The article contends that Descartes’s use of the sign-relation was modelled on standard discussions of non-resembling signs in commentaries on Aristotle’s De interpretatione. It follows three uses of the sign-relation: brain states that cause colour sensations; brain states that cause experiences of spatialized contents, such as shapes; and brain states that realize a ‘natural geometry’. It argues that Descartes’s natural geometry does not involve mental operations but physiological mechanisms that co-vary with the distance to seen objects. While retaining the language of sensory powers, Descartes offered a partial mechanization of those powers.


Hatfield, Gary This is a reversed enhanced colorized photographic headshot cutout of Gary Hatfield looking straight ahead with rimless glasses, a full brown and gray beard and mustache, and an all-black outfit used for visual identification.. “Descartes’ Physiology and its Relation to his Psychology.” In The Cambridge Companion to Descartes The purple book cover of "The Cambridge Companion to Descartes.", edited by John Cottingham An enhanced photographic color headshot cutout of John Cottingham facing forward wearing a white colored shirt with stripes and a blue suit jacket and sweater used to visually identify him.. Cambridge: Cambridge University Press (1992): 335–70.


Hatfield, Gary A reversed close colorized headshot of a rimless glasses wearing Gary Carl Hatfield with a full white beard and mustache and a dark shirt used for visually identifying him.. “Descartes on Sensory Representation, Objective Reality, and Material Falsity.” In Descartes’ Meditations: A Critical Guide An enhanced image of the black and purple book cover of "Descartes' Meditations: A Critical Guide" edited by Karen Detlefsen used to visually identify it., edited by Karen Detlefsen An enhanced color photographic upper torso and headshot cutout of a lecturing Karen L. Detlefsen wearing a blue print blouse under a red sweater, her arms raised, and her glasses propped on top of her head is used to identify her visually. .Cambridge University Press:  February 5, 2013.

Abstract: This chapter considers Descartes’ systematic doctrines on the nature of the mind and its ideas. It combines Descartes’ statements on sensation and perception for hints about how to apply such principles. Outside the Meditations and Principles, Descartes discusses the anatomy, physiology, and mental operation of the senses in the Dioptrics and Passions. Descartes further develops the notion of ideas as images by explaining that differences in the objective reality of ideas amount to differences in what those ideas represent. The author favors an interpretation in which, for Descartes, all sensory ideas represent by resemblance, different kinds of sensory ideas vary in cognitive value, externalization arises through spatial localization, and, with sensory ideas of color and the like, as materially false they do not intrinsically misrepresent but afford occasion for false judgments, which arise as merely apparent, and so not actually legitimate, teachings of nature.


Hatfield, Gary A reversed enhanced colorized photographic upper torso and headshot cutout of Gary Hatfield looking to his right with his left end extended and palm facing up as if he just tossed something in the air. He is wearing a dark blue suit jacket over a black vest and a dark blue shirt used for visual identification.. “Did Descartes Have a Jamesian Theory of the Emotions?.” Philosophical Psychology 20 (2007): 413–40.


Hatfield, Gary This is a reversed enhanced colorized photographic headshot cutout of Gary Hatfield looking straight ahead with rimless glasses, a full brown and gray beard and mustache, and an all-black outfit used for visual identification.. “L’Homme in Psychology and Neuroscience.” In Descartes’ Treatise on Man and Its Reception For visual identification, an enhanced color image of the front and back dark blue covers of “Descartes’ Treatise on Man and its Reception,” edited by Delphine Antoine-Mahut and Stephen Gaukroger, is used., edited by Stephen Gaukroger An enhanced colorized photographic headshot and upper torso cutout of a glasses adorned Stephen Gaukroger wearing a white shirt with dark blue and white striped tie under a dark blue sweater with a dark gray wool suit jacket used to visually identify him.and Delphine Antoine-Mahut For visual identification, a reversed, enhanced color photographic cutout of Delphine Antoine-Mahut wearing dangling earrings, a metal necklace, and a black V-neck shirt is used.. New York: Springer (2016): 269–85.


Hatfield, Gary Carl . “First Philosophy and Natural Philosophy in Descartes*.” In Philosophy, Its History and Historiography, edited by A(lan). J(ohn). Holland (no known photo), 149–64. Dordrecht: D. Reidel Publishing, 1985.

Opening two paragraphs: Descartes was both metaphysician and natural philosopher. He used his metaphysics (among other things) to ground portions of his physics (or natural philosophy, or science of nature). However, as should be a commonplace but is not, he did not think he could spin all of his physics out of his metaphysics a priori, and in fact he both emphasized the need for appeals to experience in his methodological remarks on philosophizing about nature and constantly appealed to experience in describing his own philosophy of nature. It remains unclear exactly what he took to be amenable to empirical support, and how his appeal to experience was squared with his notorious demand for absolute certainty in matters philosophical.

It is illuminating to consider Descartes’ exploits in physics and metaphysics against the background of scholastic Aristotelianism. By focusing on what was novel in Descartes from this perspective, there emerges a different than usual picture of his work and its significance. For, while it may be that to the present-day philosophical mind the most troublesome and perplexing side of Descartes’ dualistic ontology is the purported existence of a special mind-stuff, when Descartes first proposed his division of creation into mind and matter, the most troublesome claim for his scholastic audience would have been the conception of matter as a substance whose sole essence is extension. Descartes not only promoted the existence of such a substance, but he contended that all of nature is nothing but passive, inert, extended substance, thus denying in one fell swoop the scholastic Aristotelian conception of nature as populated with active principles and substantial forms. This radical rejection of the scholastic ontology not only embodied a substantively new conception of nature; it carried with it a new conception of the relationship among the three traditional branches of theoretical philosophy—physics, mathematics, and metaphysics—as well as a new ideal of ‘scientific’ reasoning about natural things.


Hatfield, Gary A reversed enhanced colorized photographic headshot cutout of Gary Hatfield looking straight ahead with rimless glasses and a full brown and gray beard and mustache and wearing a blue shirt and tie under a dark blue suit coat used for visual identification.. “Mental Acts and Mechanistic Psychology in Descartes’ Passions.” In Descartes and the Modern The book cover of "Descartes and the Modern" features an enhanced robin egg blue color with a black vertical stripe on the left side. The title is in black font at the top, and the book is edited by Neil Robertson, Gordon McQuat, and Tom Vinci and used for visual identification., edited by Neil Robertson An enhanced color photographic upper torso and headshot cutout of Neil Robertson wearing glasses, a white shirt with subtle vertical stripes, and a yellow tie under a dark gray suit coat is used for visual identification. , Gordon McOuat A reversed, enhanced color photographic headshot cutout of Gordon McQuat wearing a yellow open-collared shirt under a gray suit coat is used for visual identification. , and Tom C. Vinci A reversed, enhanced,  colorized photographic headshot cutout of Tom C. Vinci's head tilted to his right with a full white beard and darker gray mustache wearing a networked patterned  shirt used to visually identify him.. Newcastle upon Tyne: Cambridge Scholars Publishing (2007): 49–71.

Abstract: This chapter examines the mechanistic psychology of Descartes in the Passions, while also drawing on the Treatise on Man. It develops the idea of a Cartesian “psychology” that relies on purely bodily mechanisms by showing that he explained some behaviorally appropriate responses through bodily mechanisms alone and that he envisioned the tailoring of such responses to environmental circumstances through a purely corporeal “memory.” An animal’s adjustment of behavior as caused by recurring patterns of sensory stimulation falls under the notion of “learning,” behavioristically conceived. Indeed, Descartes’s animal-machine hypothesis may well be a distant ancestor to Watsonian behaviorism, via T. H. Huxley (1884). The final two sections of the chapter take stock of what psychological capacities Descartes ascribed to mind, body, or both, and consider those capacities that we might now plausibly construe as being explicable by nonmentalistic mechanisms as opposed to those that at present remain unreducedly mentalistic. This chapter derives from a lecture delivered at the University of King’s College (Halifax, Nova Scotia) as part of a year-long series on Descartes and the Modern. The lecture series was co-sponsored by the programs in History of Science and Early Modern and Contemporary Studies.


Hatfield, Gary A reversed enhanced colorized photographic upper torso and headshot cutout of Gary Hatfield looking to his right with his left end extended and palm facing up as if he just tossed something in the air. He is wearing a dark blue suit jacket over a black vest and a dark blue shirt used for visual identification.. “The Passions of the Soul and Descartes’s Machine Psychology.” Studies in History and Philosophy of Science Part A 38, no. 1 (2007): 1–35.


Hatfield, Gary Carl . “Rationalist theories of sense perception and mind-body relation.” In A Companion to Rationalism (Blackwell Companions to Philosophy) For visual identification, the enhanced orangey-beige cream book cover of “A Companion to Rationalism,” edited by Alan Nelson, with a dark purple Paul Klee-styled inset painting, is used. , edited by Alan Nelson An enhanced color headshot of Alan Nelson from his University of North Carolina at Chapel Hill website identifying his face.. Blackwell Publishing (2005): 31–60.

Abstract: This chapter compares rationalist theories of sense perception to previously held theories of perception (especially of vision) and examines rationalist accounts of sensory qualities and sensory representation, of the role of the sense-based passions in guiding behavior, of the epistemological benefits and dangers of sense perception, and of mind–body relations. Each section begins with Descartes, the first major rationalist of the seventeenth century. The other major rationalists, Malebranche, Spinoza, and Leibniz, and also lesser known figures such as Pierre Regis, Jacques Rohault, and Antoine Le Grand, were well acquainted with Descartes’ work. Indeed, the first three were each deeply influenced by Descartes in their early years before developing their own philosophical systems, and the latter three were all advocates of Descartes’ philosophy (perhaps with slight revision). Each of the major rationalists, while sharing some positions in common, developed a distinctive metaphysics of perception and of the mind–body relation. Earlier sections chart these differences and a final section sums up common features and touches on the continuing significance of their views.


Hatfield, Gary Carl An enhanced color photographic headshot cutout of Gary Hatfield shot from behind on his right side with him wearing a cap, glasses, and a sleeveless brown striped sweater vest is used for visual identification.René Descartes.” In The Blackwell Guide to the Modern Philosophers—From Descartes to Nietzsche The white background with a blue picture of uplifted severe rocks book cover of “The Blackwell Guide to Modern Philosophers: From Descartes to Nietzsche” (1991), edited by Stephen M Emmanuel, is used for visual identification., edited by Steven M. Emmanuel. Malden, Mass.: Wiley-Blackwell (1991): 1-27.

Summary: Descartes is the most notorious of modern philosophers. His philosophical teachings have been so influential that they cannot be avoided, whether one agrees with them or not. The extreme skeptical doubt brought on by the “evil deceiver” can seem easy to dismiss, or hard to shake. Descartes’s way out of this skepticism, through the famous phrase “I think, therefore I am,” finds many uses in one-line humor. It seems funny that anyone would need to prove that they exist – especially to themselves. His theory that mind and body are independent substances, which is known as “mind-body dualism,” has provoked the greatest philosophical response. Few now accept the philosophical theory that mind is a substance independent of body. But Descartes is still much invoked in the philosophy of mind, as hero or villain, by those who admire or disparage his realism about the mental. Some blame him for many modern ills, contending that his dualism caused thinkers to devalue the body and emotions. Others find cause to celebrate his high achievements in mathematics, natural philosophy (or natural science), and metaphysics.


Hatfield, Gary A reversed enhanced colorized photographic upper torso and headshot cutout of Gary Hatfield looking to his right with his left end extended and palm facing up as if he just tossed something in the air. He is wearing a dark blue suit jacket over a black vest and a dark blue shirt used for visual identification.. “Rethinking Descartes on the Senses.” Presentation talk at the 2014 South Central Seminar in Early Modern Philosophy.

Abstract: Since the time of Berkeley, a predominant interpretation of Descartes’ theory of vision is that it begins with a bare sensation in two-dimensions, with the third dimension being inferred by unnoticed or habitual processes of reasoning. There have been various challenges to this view, including my own recent argument that, in the Treatise on Man, Descartes developed a sophisticated account of a physiological mechanism to “compute” the results of what he terms “natural geometry.” Accordingly, the triangle of convergence (involving the two eyes focused on a distant point) does not involve mental computation but physiomechanical computation. Without attributing representations to the bodily states, he treats them as informational in a Gibsonian sense: certain bodily states are correlated with distal states of affairs, and they produce in the mind a representation of that state of affairs-in this case, of a location in space at a distance. Thus, in at least some cases, depth and distance are phenomenally immediate sensory representations and not the product of mental inference. In this talk, I will extend this sort of account to other areas of Descartes’ theory of visual perception, including the perception of colors in bodies and of the potential benefits and harms of external objects. Drawing on the Treatise and the Passions, I will suggest that Descartes envisioned, in these cases, brain states that correlate with external states of affairs such as physical color in bodies and potentially beneficial or harmful properties of bodies, and that these brain states then cause mental representations of surface colors, things that are edible, dangerous animals, and the like.


Hatfield, Gary A reversed enhanced colorized photographic headshot cutout of Gary Hatfield looking straight ahead with rimless glasses and a full brown and gray beard and mustache and wearing a blue shirt and tie under a dark blue suit coat used for visual identification.. Routledge Philosophy Guidebook to Descartes and the Meditations An enhanced orangey-red with the title in white font of "Routledge Philosophy Guidebook to Descartes and the Meditations" (2014) by Gary Hatfield is used for visual identification.. New York: Routledge, 2014.


Hatfield, Gary A reversed close colorized headshot of a rimless glasses wearing Gary Carl Hatfield with a full white beard and mustache and a dark shirt used for visually identifying him.. “Transparency of the Mind: The Contributions of Descartes, Leibniz, and Berkeley to the Genesis of the Modern Subject.” In Departure for Modern Europe: A Handbook of Early Modern Philosophy (14001700) Bbb, edited by Hubertus Busche A reversed, enhanced, color photographic headshot cutout of a smiling Hubertus Busche with glasses and a blue collared shirt under a dark blue suit coat is used for visual identification., 361–75. Hamburg: Felix Meiner Verlag, 2001. Also readable at Academia.com.

Abstract: The chapter focuses on attributions of the transparency of thought to early modern figures, most notably Descartes. Many recent philosophers assume that Descartes believed the mind to be “transparent”: since all mental states are conscious, we are therefore aware of them all, and indeed incorrigibly know them all. Descartes, and Berkeley too, do make statements that seem to endorse both aspects of the transparency theses (awareness of all mental states; incorrigibility). However, they also make systematic theoretical statements that directly countenance “unnoticed” thoughts or mental states, that is, thoughts or mental states of which the subject is unaware and has no knowledge.

Descartes, having identified the essence of mind with thought or representation, distinguishes bare states of mind from states of which we have reflective awareness, thereby providing a theoretical tool for understanding both his seeming endorsement of transparency and his actual denial of it: Descartes distinguished between a basic perceptual state, or a basic awareness, and reflectively conscious states that involve explicit noticing and cognizing on the part of the subject.

Leibniz (as is better known) directly endorsed a similar distinction between bare perception and reflective consciousness, using the term “perception” for the first and “apperception” for the second. In these cases, bare perceptions are not transparently available to the subject, and so in fact the subject does not have knowledge, hence does not have incorrigible knowledge, of all its occurrent mental states. This chapter gives evidence to support these claims; elaborates the complex psychology of the subject found in Descartes and other early moderns; and notes some ways in which these early moderns contributed to the genesis of the modern subject.

Finally, it compares McDowell’s conception of the Cartesian mind with the conceptions of mind found in the writings of Descartes, Berkeley, and Leibniz, finding that his characterization caricatures the positions of early modern philosophers. McDowell’s characterization has four elements: consciousness as essence of mind; intentionality as exclusively mental; the veil of perception; and the transparency of mind. Only the second point, about intentionality, fully fits Descartes. As a consequence of his own misdirection, McDowell misses the actual basis of his difficulty in connecting mind with world, which arises from a point of agreement between him and Descartes: the removal of intentionality from material sensory systems. But whereas Descartes could relocate (nonconceptual) sensory intentionality in mental states, McDowell is left to account for it with his overly cognitivized scheme of perceptual content as exclusively conceptual. (Paper first given at the European Society for Early Modern Philosophy, 2007.)


Hausman, David An enhanced colorized photograph of a David Hausman with glasses and full dark beard and mustache wearing a light blue collared shirt under a dark blue sweater used to visually identify him. and Alan Hausman (no known photo). Descartes’s Legacy: Mind and Meaning in Early Modern Philosophy An enhanced dark blue book cover for "Descartes's Legacy: Mind and Meaning in Early Modern Philosophy" (1997) by David and Alan Hausman used to visually identify it.. Toronto: University of Toronto Press, 1997. Also available at Internet Archive An enhanced black  book cover for "Descartes's Legacy: Mind and Meaning in Early Modern Philosophy" (1997) with a young Descartes face on the cover by David and Alan Hausman used to visually identify it..


Hausman, David An enhanced colorized photograph of a David Hausman with glasses and full dark beard and mustache wearing a light blue collared shirt under a dark blue sweater used to visually identify him. and Alan Hausman (no known photo). “Descartes’s Secular Semantics.” Canadian Journal of Philosophy 22, no. 1, March, 1992, 81–104.


Heller, Mark A color photographic cutout of Mark Heller of Syracuse University used for visually identifying him.. “Painted Mules and the Cartesian Circle.” Canadian Journal of Philosophy, 26, no. 1 (1996): 29–55.


Hennig, Boris A reversed and enhanced color photographic cutout headshot of a young beardless slightly smiling Boris Hennig used to visually identify him. . “Cartesian Conscientia.” British Journal for the History of Philosophy 15, no. 3 (2007): 455–84. Also readable here.


Hennig, Boris A reversed and enhanced color photographic cutout headshot of a middle aged red mustache and long  goatee slightly smiling Boris Hennig used to visually identify him.. “Conscientia bei Descartes.” Zeitschrift für philosophische Forschung 60, no. 1 (Jan.–Mar., 2006): 21–36.


Hennig, Boris A color photographic headshot of Boris Hennig with a mustache and long haired goatee and wearing a black shirt is used for visual identification.. “‘Insofar as’ in Descartes’ Definition of Thought.” Studia Leibnitiana 43, no. 2 (2011): 145–59. Read the Abstract in English.


Hight, Marc A. This is a reversed enhanced color photographic cutout of Marc A. Hight from the waist up, with glasses and a white collared shirt with a hard-to-see gray grid pattern used for visual identification.. Idea and Ontology. An Essay in Early Modern Metaphysics of Ideas An enhanced light yellow/tan book cover of “Idea and Ontology: An Essay on Early Modern Metaphysics of Ideas” by Marc A. Hight is used for visual identification.. University Park, The Pennsylvania State University Press, 2008.

“Conventional wisdom, like the early modern tale, holds René Descartes responsible for effecting a revolutionary break from the Scholastic tradition, particularly in the theory of ideas. Although he applied the term “idea” in a new way and built an innovative mechanistic theory of perception that capitalizes on this new use, it is not at all obvious that Descartes advanced a new and clear theory of the ontological status of ideas. We are, in the main, still in familiar conceptual territory. He tells Hobbes in the Third Replies that “I used the word ‘idea’ because it was the standard philosophical term . . . “


Hoffman, Paul David An enhanced and colorized headshot of Paul Hoffman used for identifying him.. “Cartesian Passions and Cartesian Dualism.” Pacific Philosophical Quarterly 71, no. 4 (December 1990): 310–33.


Hoffman, Paul An enhanced photographic close-up headshot cutout of a smiling Paul Hoffman with rimless glasses was used for visual identification.. “Descartes.” In A Companion to the Philosophy of Action, Chapter 59, edited by Timothy O’Connor and Constantine Sandis. Oxford: Blackwell Publishing (2010): 481–89.


Hoffman, Paul A reversed enhanced color photographic cutout of a smiling Paul Hoffman in a black wetsuit with blue shoulders was used for visual identification.. “Descartes on Misrepresentation.” Journal of the History of Philosophy 34, no. 3 (July 1996): 357–81. Also downloadable from The red, blue, and lime green logo for ZLIBRARY.TO..

Abstract: I examine Descartes’s theory of cognition, taking as a starting point his account of how misperception is possible. In the Third Meditation Descartes introduces the hypothesis that there are ideas (such as the idea of cold) which seem to be of something real but which in fact represent nothing (if, for example, cold is a privation or absence of heat, rather than the presence of a positive quality). I argue, against Margaret Wilson, that Descartes does not think there are any such ideas and that he introduces the hypothesis only in order to formulate an objection to his argument for the existence of God. I argue further that while he agrees with Arnauld in accepting the Aristotelian account of cognition according to which the very objects in the world that we perceive exist in the soul or its ideas objectively, he still has a satisfactory response to Arnauld’s objection that since an idea can represent only what it appears to be of, all error must reside solely in our judgment. I claim that Arnauld’s objection that an idea represents what it appears to be of is based on the assumption that an idea appears to be of what exists in it objectively. But Descartes makes room for the possibility of misrepresentation by distinguishing between what exists objectively in an idea and what that idea appears to be of. First, he thinks that it is at least coherent to suppose that an idea lacking objective reality could appear to be of something in virtue of its material reality. Since an idea lacking objective reality would not represent any thing that exists in the world, Descartes concedes that it would not misrepresent any actually existing thing, but it could still appear to be of some thing and in that way misrepresent the way the world is. Second, there is reason to claim that like some of his Aristotelian predecessors Descartes holds that what exists in the soul objectively can appear to be other than it is. This interpretation has the implication that Descartes’s theory of ideas, in contrast to sense datum theories, is not driven by the motive of finding some entity which is exactly as it appears to serve as the object of immediate awareness


Hoffman, Paul An enhanced and colorized headshot of Paul Hoffman used for identifying him.. “Direct Realism, Intentionality and the Objective Being of Ideas.” Pacific Philosophical Quarterly, 83 (2002): 163–79. Also downloadable from The red, blue, and lime green logo for ZLIBRARY.TO..


Hoffman, Paul. An enhanced photographic close-up headshot cutout of a smiling Paul Hoffman with rimless glasses was used for visual identification.. Essays on Descartes An enhanced butter color 3D image of the hard book cover dust jacket for "Essays on Descartes" by Paul Hoffman used to visually identify it.. New York: Oxford University Press, 2009. Also downloadable from The red, blue, and lime green logo for ZLIBRARY.TO..


Hoffman, Paul A reversed enhanced color photographic cutout of a smiling Paul Hoffman in a black wetsuit with blue shoulders was used for visual identification.. “The Passions and Freedom of the Will.” In Essays on Descartes, (Oxford: Oxford University Press, 2009), 210–36. Also published in Passion and Virtue in Descartes An enhanced faded gray over Descartes's headshot with his back to the right side over a brown stripe at bottom using black font for title in gray area and white font for editors in brown strip at bottom of "Passion and Virtue in Descartes" edited by Byron Williston and André Gombay used to visually identify it., edited by Byron Williston A reversed color photographic shoulders and headshot of a glasses wearing Byron Williston with a salt and pepper colored beard and mustache and wearing a dark gray shirt open at the neck ever a round necked black undershirt used to visually identify him. and André Gombay A reversed enhanced photographic cutout of André Gombay from the waist up with his head tilted to his left wearing a black round collared shirt with a centered red emblem and a medium dar blue long sleeved shirt with a dark gray thick sweater tied to his waist used for visually identify him., 261–99. New York: Humanity Books, 2003.


Hoffman, Paul An enhanced and colorized headshot of Paul Hoffman used for identifying him.. “St. Thomas Aquinas on the Halfway State of Sensible Being.” The Philosophical Review XCIX, 1, 73–92, 1990.


Hoffman, Paul An enhanced photographic close-up headshot cutout of a smiling Paul Hoffman with rimless glasses was used for visual identification.. Three Dualist Theories of the Passions.” Philosophical Topics 19, no. 1 (Spring 1991): 153–201. An excerpt of just the Descartes part of this paper is in Hoffman’s collection, Essays on Descartes An enhanced butter color 3D image of the hard book cover dust jacket for "Essays on Descartes" by Paul Hoffman used to visually identify it.. New York: Oxford University Press (2009): 179–95.


Holbrook, Daniel (no known photo). “Descartes on Mind-Body Interaction.” Southwest Philosophical Studies 14 (1992): 74–83.


Hooker, Michael Kenneth (1945–1999) An enhanced color photographic cutout of Michael K. Hooker used to visually identify him. ed. Descartes: Critical and Interpretive Essays The yellow book cover for "Descartes: Critical  and Interpretive Essays.". Baltimore: Johns Hopkins University Press, 1978.


Huemer, Michael A reversed, enhanced,  color photographic cutout of Michael Huemer wearing glasses, a thin microphone headset, looking down, and wearing a red collared shirt and brown sports coat is used for visual identification.. “On Objective Being in the Intellect.” Unpublished graduate seminar paper, Rutgers University, 1996.

ChatGPT 4o Summary: Michael Huemer, in his paper “Descartes: Objective Being,” explores Descartes’s concept of ideas as they exist in the intellect, particularly the notion of “objective being.” Huemer identifies a distinction Descartes makes between two senses of ideas: ideas in the material sense (ideasm), which are operations of the intellect, and ideas in the objective sense (ideaso), which are the things represented by these operations.

Huemer critiques three interpretations of Descartes’s notion of objective being:

  1. Literal Existence Interpretation (a): This interpretation suggests that the sun, as a physical object, literally exists in the mind when thought about. Huemer argues that this aligns with Descartes’s idea of objective being as a lower-grade form of existence, distinct from formal, physical existence. This interpretation, while initially counterintuitive, fits Descartes’s metaphysics, where objects can exist in various grades of being.
  2. Representationalism (b): Huemer describes representationalism as the view that perception is always indirect; we are directly aware of mental phenomena (ideas) that represent external objects. He links this interpretation to Descartes’s Meditations, arguing that Descartes adopts a form of representationalism where ideas resemble external objects. Huemer points out problems with this interpretation, such as the impossibility of ideas resembling physical objects due to their fundamentally different natures.
  3. Metaphorical Existence Interpretation (c): This view suggests that objective being in the intellect is metaphorical and just means being thought of or understood. Huemer attributes this reading to Arnauld, who saw objective being as no more than an expression of the intellect’s awareness of an object without invoking a third entity between the mind and the object. Huemer argues that this view fails to account for Descartes’s project in the Meditations, which relies on the presence of a mediating object to differentiate between knowledge of mind and knowledge of bodies.

Huemer ultimately defends the Literal Existence Interpretation, claiming that Descartes’s metaphysics allows for objects to exist in the mind in a diminished, objective mode of being. This interpretation resolves several puzzles in Descartes’s philosophy:

  • It explains why Descartes would say the sun exists in the intellect but only objectively, aligning with his idea of varying grades of existence.
  • It provides a framework for understanding how ideas can represent external objects while avoiding the pitfalls of traditional representationalism.
  • It supports Descartes’s Ontological Argument by suggesting that God’s existence in the mind can still be considered a form of real existence, allowing for meaningful discourse on God’s perfection even under atheistic assumptions.
  • It makes sense of Descartes’s need for arguments proving the existence of external objects, as perception only confirms their attenuated existence in the mind, necessitating further proof of their external reality.

Huemer’s analysis challenges common readings of Descartes, arguing that Descartes indeed believed in the literal but diminished existence of objects in the intellect, a position that offers a coherent, albeit complex, interpretation of Descartes’s notion of objective being.


Humber, James M. (no known photo). “Recognizing Clear and Distinct Perceptions.” Philosophy and Phenomenological Research 41, no. 4 (June 1981): 487–507.


Hwang, Joseph W.(ook) An enhanced photographic upper torso and headshot cutout of Joseph W. Hwang with shoulder length black hair and wearing a white long sleeved shirt under a black short sleeved t-shirt with his left arm bent at elbow used to visually identify him.. “Descartes and the Aristotelian Framework of Sensory Perception”. Midwest Studies in Philosophy 35 (2011), 111–48.


Hwang, Joseph W.(ook) An enhanced photographic upper torso and headshot cutout of Joseph W. Hwang with shoulder length black hair and wearing a white long sleeved shirt under a black short sleeved t-shirt with his left arm bent at elbow used to visually identify him.. Descartes and the Metaphysics of Sensory Perception. Ph.D. diss. UCLA 2008.

Abstract: The primary aim of my dissertation is to give a comprehensive account of Descartes’ view on sensory perception. In the dissertation, I examine his views in relation to scholastic views on sensation, his own mechanistic science, and other related issues such as the mind-body union. I argue that the view on sensory perception adopted by Descartes is a scholastic view that has been tailored to fit his physics, and that his view on sensation in general can be understood only by taking seriously his scholastic roots and by appreciating the importance of his physics.


Hwang, Joseph W.(ook) An enhanced photographic upper torso and headshot cutout of Joseph W. Hwang with shoulder length black hair and wearing a white long sleeved shirt under a black short sleeved t-shirt with his left arm bent at elbow used to visually identify him. . “Perceiving Ideas.” Archiv für Geschichte der Philosophie A bright lime colored book cover of "Archiv für Geschicte der Philosophie" 100, no. 3 2018 used to visually identify it. 100, no. 3 (2018): 286–310.

Abstract: At the heart of Descartes’s theory of cognition is the act of perceiving an idea. However, it remains unclear what precisely an idea is, what the act of perceiving ideas amounts to, and how that act contributes to the formation of cognition under Descartes’s view. In this paper, I provide an account of perceiving ideas that clarifies Descartes’s notion of an idea and explains the fundamental role that the perceiving of ideas occupies in his theory of cognition. At the end of the paper, I will address an issue that arises regarding the objective reality of ideas and the unity of mind.




James, SusanA reversed enhanced color photographic headshot cutout of a smiling Susan James wearing drop elongated pearl earrings with a purple necklace over a black rounded neck shirt under a dark gray coat used to visually identify her.. Action and Passion An enhanced brown color book cover for "Passion and Action: The Emotions in Seventeenth-Century Philosophy" by Susan James used to visually identify it.. New York: Oxford University Press, 1997.


Jan, Matija A reversed, enhanced color photographic headshot cutout of a smiling Matija Jan leaning forward with a big mustache, wearing a black Slovenia cap twisted on his head to his left, and wearing a white rounded-neck shirt under a white sheepskin collared jacket is used for visual identification.. “VROJENOST JASNIH IN RAZLOČNIH IDEJ” [“The Innateness of Clear and Distinct Ideas”]. Platforma 3 Zbornik študentk in študentov Podiplomske šole ZRC SAZU [Platform 3 Proceedings of the ZRC SAZU Graduate School]. First edition, first printing Ljubljana 2022.


Matija Jan An enhanced color photographic headshot cutout of a smiling Matija Jan leaning forward with a big mustache, wearing a black Slovenia cap twisted on his head to his left, and wearing a white rounded-neck shirt under a white sheepskin collared jacket is used for visual identification. . “Narava idej pri Descartesu” [”The Nature of Ideas in Descartes”]. Filozofski vestnik [Philosophical Bulletin] XLIII, Številka [no.] 1, (2022): 21–48. doi: 10.3986/fv.43.1.02*.

Abstract: The article defines the problem of the nature of ideas in Descartes’s philosophy according to the ontology of substances. First, it illuminates Descartes’s relation to antecedent theories of ideas (as platonic forms or as corporal images) and demonstrates that, in opposition to them, Descartes conceives ideas as modes of thinking substance. Then, it develops two possible explanations of his theory. The first one understands an idea as a complex consisting of perception and its necessary internal object, which enables the representation of external objects. The second one understands it as an act with intrinsic representative structure. By using Arnauld’s analysis of Descartes’s texts, it demonstrates that in accordance with the second model, an idea is a singular mode of thinking substance, which should at the same time be understood as an act of mind and as a representation of objects.


Jolley, Nicholas A reversed and enhanced color photographic cutout of Nicholas Jolley used for visually identifying him.. The Light of the Soul: Theories of Ideas in Leibniz, Malebranche, and Descartes An enhanced rich blue book cover of "The Light of the Soul: Theories of Ideas in Leibniz, Malebranche, and Descartes" by Nicholas Jolley used to visually identify it.. Oxford: Clarendon Press, 1990.


Jolley, Nicholas An enhanced color photographic cutout of Nicholas Jolley wearing a purple and white vertical striped collared shirt under a dark gray suit coat used for visually identifying him.. Causality and Mind: Essays on Early Modern Philosophy An enhanced light tan brown book cover of "Causality and Mind: Essays on Early Modern Philosophy" by Nicholas Jolley used to visually identify it.. Oxford: Oxford University Press, 2013.


Jorgensen, Larry M. A reversed, enhanced color photographic headshot cutout of Larry M. Jorgensen wearing glasses with a full brown beard and mustache and a white collared shirt under a black sweater is used for visual identification.A reversed, enhanced color photographic headshot cutout of Larry M. Jorgensen wearing glasses with a full brown beard and mustache and a soft gray collared shirt is used for visual identification.. “2.1 Descartes on Consciousness.” In “Seventeenth-century Theories of Consciousness,” Stanford Encyclopedia of Philosophy (Spring 2020 Edition), edited by Edward NZalta An enhanced color photographic headshot cutout of Edward N. Zalta, wearing glasses, a full white beard and mustache, and a vertically striped shirt with a lanyard around his neck, looking to his left, was used for visual identification., 2020.



Kaufman, Dan A reversed, enhanced, and blended colorized photographic cutout headshot of a young adult Dan Kaufman used for visually identifying him. An enhanced color headshot of an unsmiling Dan Kaufman wearing a red shirt with tight white stripes used for identifying him.. “Descartes on the Objective Reality of Materially False Ideas.” Pacific Philosophical Quarterly 81, no. 4 (2000): 385–408.


Kaufman, Dan, ed. A reversed, enhanced, and blended colorized photographic cutout headshot of a young adult Dan Kaufman of warmer tones used for visually identifying him. A color photographic headshot cutout of an unsmiling Dan Kaufman used for visually identifying him. The Routledge Companion to Seventeenth Century Philosophy The dark green book cover for "The Routledge Companion to Seventeenth Century Philosophy" (2017) edited by Dan Kauffman used to visually identify it.. New York: Routledge, 2018.


Keating, Laura An enhanced color photographic cutout of Laura Keating used to visually identify her.. “Mechanism and the Representational Nature of Sensation in Descartes.” Canadian Journal of Philosophy 29 (1999): 411–30.


Kemmerling, Andreas An enhanced color photographic cutout if Andreas Kemmerling used to visually identify him.. “Cartesische Ideen” [”Cartesian Ideas” translated by Merlin With ChatGPT]. Archiv für Begriffsgeschichte 36 (1993): 43–94.


Kemmerling, Andreas An enhanced color photographic cutout if Andreas Kemmerling used to visually identify him.. “’As It Were Pictures’: On the Two-Faced Nature ofCartesian Ideas.” In Perception and Reality: From Descartes to the Present The book cover for "Perception and Reality: From Descartes to the Present.", edited by Ralph Schumacher A reversed, enhanced color photographic torso and headshot cutout of Ralph Schumaker, wearing glasses and a collared white shirt, is used to visually identify him., 43–68. Paderborn, DE: Mentis, 2004.


Kemmerling, Andreas An enhanced color photographic cutout if Andreas Kemmerling used to visually identify him.. René Descartes: Meditationen Uber Die Erste Philosophie An enhanced light blue book cover of "Meditationen über die Erste Philosophie" edited by Dr. Andreas Kemmerling with a black and white insert of the Franz Hals portrait in the lower right quadrant used to visually identify it.. Volume 37 of the Classics Auslegen series. Berlin: Akademie Verlag, 2009.

Overview: With his six Meditations Descartes tries to give modern science a suitable metaphysical foundation. He considered the school philosophy of his time based on Aristotle to be wrong in central points. Worse still: Since scholastic teachings were woven deep into the theologies of that time, they were also an obstacle to scientific progress and a threat to free research. This was clear to Descartes since the condemnation of Galileo and the burning of his writings in 1633. It required a new metaphysics that was able to substantiate the new science without questioning the Christian faith. In the autumn of 1639, he began working on this work. Half a year later it was completed. It finally appeared in the summer of 1641, extended by a number of objections from other scholars and his own responses to them. The Meditations are undoubtedly a milestone and a masterpiece of Western philosophy. Through it, Descartes became the ‘father of modern philosophy’—and epistemology became the fundamental discipline of philosophy for centuries. To this day, no classical work is better suited to experience for yourself what philosophical thinking is—and how it works—in dealing with the argumentation processes of a classic. The nine chapters of this comment are original contributions. They should accompany students and lecturers during reading and help to increase the intellectual pleasure in the depth (and also beauty) of the Meditations. With contributions from: Lilli Alanen, Gary Hatfield, Andreas Hüttemann, Andreas Kemmerling, Tobias Rosefeldt, Andreas Schmidt and Hans-Peter Schütt. (Translation from German into English done by Google translate)

Contents: [NOTE: Click on “Contents” for page numbers of articles. After clicking on titles below, the German is on the left with the English translation on the right.]

  1. Einleitung” [”Introduction“] — Andreas Kemmerling An enhanced color photographic cutout if Andreas Kemmerling used to visually identify him.
  2. Erste Meditation: Strategischer Zweifel” [“First Meditation: Strategic Doubt“] — Dominik Perler A enhanced color photographic headshot cutout of a smiling Dominik Perlerr with glasses and wearing a blue polo shirt used to visually identify him.
  3. Zweite Meditation: Die Existo und die Natur des Geistes” [“Second Meditation: The Cogito and the Nature of the Mind“] — Andreas Kemmerling An enhanced color photographic cutout if Andreas Kemmerling used to visually identify him.
  4. Dritte Meditation: Gott und die Idee des Geiste” [“Third Meditation: God and the Idea of the Mind“] — Andreas Schmidt An enhanced colorized photographic headshot cutout of Andreas Schmidt wearing rimless, oval glasses, with his head tilted to the left and clad in a green collared shirt, is utilized for visual identification.
  5. Vierte Meditation: The Metaphysics of Error and Will” — Lilli Alanen A enhanced reversed colorized photographic headshot cutout of Lilli Alanen with glasses wearing a dark bluejacket with a gray scarf hanging down from around her neck with her left hand touching her left cheek used to visually identify her.
  6. Fünft Meditation: Descartes’ ontologischer Gottesbeweiss” [”Fifth Meditation: Descartes’ Ontological proof of God“] — Tobias Rosefeldt A reversed, enhanced, color photographic cutout headshot of Tobias Rosefeldt wearing a light gray shirt is used for visual identification.
  7. Sechste Meditation: Mind-Body Relation, External Objects, and Sense Perception” — Gary Hatfield . Read about this chapter.
  8. Die Stellung die Meditationen im Gesamtwerk Descartes’” [“The Position of the Meditations in the Complete Work of Descartes.“] — Hans-Peter Schütt (no known photo)
  9. Die Grundlegung der Cartesischen Physik in den Meditationen,” [“The Foundation of Cartesian Physics in the Meditations“] — Andreas Hüttemann For visual identification, a reversed, enhanced, color photographic headshot cutout of Andreas Hüttemann wearing clear-framed glasses, a yellow polka-dotted shirt under a black sweater, and a black suit is used.
  10. Zur Wirkungsgeschichte der kartesianischen Meditationen” [“On the History of the Influence of the Cartesian Meditations“] — Hans-Peter Schütt (no known photo)

Kendrick, Nancy A reversed, enhanced, color photographic torso and headshot cutout of Nancy Kendrick wearing sunglasses, a red and orange scarf  around her neck under a fitted outerwear jacket with orange piping unzipped to her breasts is used for visual identification.. “Why Cartesian Ideas of Sense are Innate.” The Southern Journal of Philosophy, Vol. 38, No. 3 (September 2000), pp. 413-428.


Kenny, Anthony John Patrick An enhanced color photographic cutout of an old Anthony Kenny wearing a collared light blue shirt under a brownish outer jacket used to visually identify him.. ”Descartes on Ideas.” In Descartes: A Collection of Critical Essays, An enhanced white with bright orange bottom square of the book cover of “Descartes: A Collection of Critical Essays” edited by Willis Doney is used for visual identification. , edited by Wilis Doney, 227–49. New York: Random House, 1967.


Kenny, Anthony John Patrick An enhanced color photographic cutout of an old Anthony Kenny wearing a collared light blue shirt under a brownish outer jacket used to visually identify him.. Descartes: A Study of his Philosophy An enhanced dark brien book cover of "Descartes: A Study of His Philosophy" by Anthony Kenny with the name "DESCARTES' broken up into three groups of three in orange used to visually identify it.. New York: Random House, 1968. Also, Descartes: A Study of His Philosophy. South Bend, Ind.: St. Augustine’s Press, 1968.


King, Peter A reversed enhanced color photographic headshot cutout of a glasses adorned full gray beard and mustache facing forward Peter King wearing a blue collared shirt buttoned to the top button under a dark blue suit jacket used for visually identifying him. A reversed enhanced color photographic headshot cutout of a glasses adorned full gray beard and mustache facing forward Peter King wearing a vertically thin striped off yellow shirt under a black suit jacket used for visually identifying him. A reversed enhanced color photographic headshot cutout of a glasses adorned full gray beard and mustache facing to the right Peter King wearing a white  shirt under a black v-neck sweater with a black suit jacket and white flower boutonnière used for visually identifying him.. “Rethinking Representation in the Middle Ages.” In Representation and Objects of Thought in Medieval Philosophy The royal purple book cover for "Representation and Objects of Thought in Medieval Philosophy.", edited by Henrik Lagerlund A reversed enhanced color photographic headshot cutout of an eye's smiling full brown beard and mustache Henrik Lagerlund wearing a light purple colored collared shirt under a black suit jacket used for visually identifying him., 83–102. Aldershot: Ashgate, 2005. Also see “Rethinking Representation in the Middle Ages.”


Kremer, Elmar Joseph An enhanced. olorized rotated photographic headshot cutout of a white haired Elmar J. Kremer wearing a gray and black shirt under a black jacket used for visually identifying him., ed. Interpreting Arnauld An enhanced colorized book cover of "Interpreting Arnauld" edited by Elmar J. Kremer used to visually identify it.. Toronto and Buffalo: University of Toronto Press, 1996.


Kuczynski, John-Michael A reversed enhanced color photographic headshot cutout of a scowling John-Michael Kuczynski turned to. his right with his head turned back towards the left wearing a buttoned down  collar blue. shirt under a dark blue suit jacket used to visually identify him.. Guide to Descartes’ Meditations An enhanced color image of the cover for the  audiobook "Guide to Descartes' Meditations" by John M. Kucznsky with his picture in lower left corner, Descartes's Franz Hals portrait in lower right corner, and three young male buddhists wearing orange robes at other spots used to visually identify it. , 2017.


Kukla, André A reversed enhanced colorized photographic headshot and upper torso cutout of Andre Kukla with a full black  beard and mustache wearing a villa red shirt with a dark outerwear jacket used for visually identifying him. An enhanced colorized photographic headshot and upper torso cutout of a sunglasses adorned clean shaven Andre Kukla seated with his arms on table (unseen) with right hand on top of his left hand wearing a black v-neck shirt under a brown herringbone patterned suit jacket used for visually identifying him. and Joel Walmsley An enhanced colorized photographic headshot and torso cutout of a lecturing Joel Walmsley with both arms bent at elbows lifted to his left wearing a black sweater vest used for visually identifying him. An enhanced colorized photographic headshot  cutout of Joel Walmsley with a mustache holding up a human brain in his left hand while wearing a blue sports coat over a finely meshed blue and white grided shirt used for visually identifying him.. Mind: A Historical and Philosophical Introduction to the Major Theories A color book cover of " MIND: A Historical & Philosophical Introduction to the Major Theories" edited by André Kukla and Joel Walmsley with shrouded figures on five poles on the cover used to visually identify it.. Indianapolis: Hackett, 2006.



Lagerlund, Henrik A reversed enhanced color photographic headshot cutout of an eye's smiling full brown beard and mustache Henrik Lagerlund wearing a light purple colored collared shirt under a black suit jacket used for visually identifying him., ed. Representation and Objects of Thought in Medieval Philosophy. The royal purple book cover for "Representation and Objects of Thought in Medieval Philosophy." Aldershot: Ashgate, 2005.


Lähteenmäki, Vili An enhanced reversed photographic cutout of Vili Lähteenmäki with glasses and an open-collared white shirt under a dark gray suit coat is used for visual identification.. “Orders of Consciousness and Forms of Reflexivity in Descartes.” In Consciousness: From Perception to Reflection in the History of Philosophy An enhanced blue and gray book cover of “Consciousness: From Perception to Reflection in the History of Philosophy” (2007), edited by Sara Heinämaa, Pauliina Remes, and 
Vili Lähteenmäki is used for visual identification., edited by Sara Heinämaa For visual identification, a reversed enhanced photographic cutout of Sara Heinämaa leaning to her left, wearing an off-white V-neck sweater and a double strand of pearls draping down around her neck, is used., Vili Lähteenmäki, and Pauliina Remes A reversed enhanced photographic cutout of Pauliina Remes leaning to her left, wearing rounded wedge earrings looking like half lemon slices, is used for visual identification.. New York: Springer (2007): 177–201.

An enhanced Table of Contents for “Consciousness: From Perception to Reflection in the History of Philosophy” (2007), edited by Sara Heinämaa, Pauliina Remes, and Vili Lähteenmäki is used for visual identification.


Landucci, Sergio A reversed enhanced colorized photographic headshot and torso cutout of a cartoonized glasses adorned Sergio Landucci wearing a black zippered soft jacket used for visually identifying him.. La Mente in Cartesio The blue book cover for "La Mente in Cartesio" by Sergio Landucci used to visually identify it.. Milan: Franco Angeli, 2002.


Larmore, Charles An enhanced color photographic headshot cutout of a slightly smiling Charles Larmore wearing a colored shirt underneath a black sweater used for visually identifying him.. “Descartes’ Empirical Epistemology.” In Descartes: Philosophy, Mathematics and Physics The title page of "Descartes: Philosophy, Mathematics, and Physics" edited by Stephen Gaukroger used to visually identify it., edited by Stephen Gaukroger An enhanced colorized photographic headshot and upper torso cutout of a glasses adorned Stephen Gaukroger wearing a white shirt with dark blue and white striped tie under a dark blue sweater with a dark gray wool suit jacket used to visually identify him., 6–22. Sussex: Harvester, 1980.


Lennon, Thomas Michael A reversed enhanced color photographic cutout headshot of Thomas Lennon wearing a dark blue shirt and glasses used for visually identifying him.. “The Inherence Pattern and Descartes’ Ideas.” Journal of the History of Philosophy, 12 (1974): 43–52.


Lennon, Thomas Michael A reversed enhanced color photographic cutout headshot of Thomas Lennon wearing a dark blue shirt and glasses used for visually identifying him.. “Representationalism, Judgment and Perception of Distance: Further to Yolton and McRae.” Dialogue 19, no. 1 (1980): 151–62.


Levy, Lia An enhanced colorized photographic headshot cutout of a glasses wearing Lia Levy with her left hand in a fist under. her chin and a black shirt used to visually identify her..  “Notas sobre o conceito de atenção em Descartes” [“Notes on the concept of attention in Descartes“]. The purple cover of “Modernos & Contemporâneos” Vol. 1, no. 2, 2017 is used for visual identification. Modernos e Contemporâneos 1, no. 2 (July/Dec. 2017): 46–56.

Google Translate Abstract: This article seeks to highlight the exegetical advantages of a broader study on the concept of attention in Descartes’ philosophy and preliminarily advance some hypotheses about its meaning and function. More precisely, an approximation of the concepts of attention and time is suggested, so that the first would be defined – not as an incommunicable subjective experience, or as a quality of that experience – but in relation to the Cartesian concept of duration, both in its connection with the human mind and independently of this connection. Attention would not primarily designate a dispositional psychological state (which would dispose the mind to knowledge). On the contrary, the concept of attention could assume this derived sense only to the extent that it is conceived as a certain configuration of the existence of the soul, which is properly a temporal duration.

Abstract: This text aims to show the importance and the exegetical benefits of a study about the sense and the role of attention in Descartes’ philosophy. There will also be a preliminary suggestion on some hypothesis about this theme. I propose that attention means primarily, for Descartes, a configuration of the mind’s temporal duration and, therefore, a metaphysical notion and not just a psychological one.


Levy, Lia An enhanced colorized photographic shoulders and headshot cutout of a glasses wearing Lia Levy with a light blue inner hood under a dark blue hooded parka used to visually identify her. . “Sujeito e Representação: o Conceito Cartesiano de idéia.” In Verdade, Conhecimento e Ação. Ensaios em Homenagem a Guido Antônio de Almeida e Raul Landim Filho An enhanced orange book cover of "Verdade, conhecimento e ação: Ensaios em homenagem a Guido Antonio de Almeida e Raul Landim Filho" (1999)with dark brown title and red font editor's names used to visually identify it., [“Subject and Representation: the Cartesian Concept of Idea.” In Truth, Knowledge and Action. Essays in Tribute to Guido Antônio de Almeida and Raul Landim Filho], edited by Edgar Marques An enhanced color photographic headshot cutout of a glasses wearing Edgar Martinez wearing a pink dress shirt used to visually identify him., Ethel Rocha,An enhanced color photographic headshot cutout of a smiling Ethel Rocha turned towards her left with her head slightly. bent down wearing a blue shirt. with. a round opening partially revealing her collarbones used to visually identify her. , Marcos A. Gleizer An enhanced color  photographic headshot cutout of Edgar Marquez with glasses and wearing a dark purple dress shirt used to visually identify him., Lia Levy An enhanced colorized photographic headshot cutout of a glasses wearing Lia Levy with her left hand in a fist under. her chin and a black shirt used to visually identify her., and Ulysses Pinheiro A reversed enhanced color photographic headshot cutout of Ulysses Pinheiro with glasses and wearing a collared shirt barely visible under a black round necked sweater used to visually identify him., 233–46. Sao Paulo: Edições Loyola, 1999.

Abstract: The Cartesian notion of idea is the focal point of this paper, which aims to determine whether this concept entails (a) the proposition that ideas are the immediate objects of perception, or (b) the proposition that ideas are the immediate perception of objects, or (c) both. Merely examining the Cartesian texts raises this question, as there are passages that seem to support all these positions. This discussion is not original, as it delves into one of the key questions that Cartesian philosophy posed to the philosophical discourse on the problem of knowledge in the seventeenth century and beyond, an inquiry that continues to reverberate in contemporary commentaries and studies on these theories. The hypothesis that I propose to defend is as follows: once the foundational principle of clarity and distinctness is established, it is necessary to affirm that the subject perceives the objects represented in the ideas that serve as the basis for true judgments, without excluding the proposition that the subject also perceives the ideas themselves. In other words, it is essential to consider that the Cartesian concept of idea encompasses both the object immediately perceived and, in certain cases, the immediate perception of the object.


LoLordo, Antonia An enhanced color photographic cutout of Antonia LoLordo used for visually identifying her.. “Descartes and Malebranche on Thought, Sensation, and the Nature of the Mind.” Journal of the History of Philosophy 43 (2005): 387–402.


LoLordo, AntoniaAn enhanced photographic  cutout of Antonia LoLordo wearing her name badge on a lanyard around her neck and with her hands in her pockets used to visually identify her.. “Theories of Sense Perception.” In The Routledge Companion to Seventeenth Century Philosophy The dark green book cover for "The Routledge Companion to Seventeenth Century Philosophy" (2017) edited by Dan Kauffman used to visually identify it., edited by Dan Kaufman An enhanced color headshot of an unsmiling Dan Kaufman wearing a red shirt with tight white stripes used for identifying him.. London: Routledge, 2017:


LoLordo, Antonia An enhanced photographic cutout of Antonia LoLordo wearing her name badge on a lanyard around her neck and with her hands in her pockets used to visually identify her.. Chapter 3, “Descartes’ Philosophy of Mind and Its Early Critics.” In Philosophy of Mind in the Early Modern and Modern Ages: The History of the Philosophy of Mind, volume 4 The enhanced color book cover of "Philosophy of Mind in the Early Modern and Modern Ages.", edited by Rebecca (Becko) CopenhaverA reversed enhanced photographic upper torso and headshot cutout of a smiling with glasses Rebecca (Becko) Coperhaver wearing a patterned blouse with material at elbow end holding her fingers at her waist and with a red beaded necklace used to visually identify her.. London: Taylor & Francis, 2018.