Main banner for DTOI with title and URL centered and identical color Descartes torso and heads facing each other on either side of title on a rich dark blue background.

A Hyperlinked Pictorial Bibliography in multiple languages with links to scholars, references, images, full abstracts, and published reviews




Secondary Sources

The letters above represent the first letter of people’s last names in the Secondary Sources bibliography. Click on them to go to that alphabetical section. One can quickly return by hitting the blue box up arrow An enhanced image of the up arrow to the top of the page of a white arrow upside down wide "v" with no stem on a light blue background used to visually identify it. in the lower right corner, if located in the same webpage. OR, click on your browser’s back arrow located in the upper left corner to return to your previous page. Please be patient because these information rich webpages can take five seconds to load.



MacKenzie, Ann Wilbur (no known photo). “Descartes on Life and Sense.” Canadian Journal of Philosophy 19 (1989): 163–92.


MacKenzie, Ann Wilbur (no known photo). “Descartes on Sensory Representation: A Study of the Dioptrics.” Canadian Journal of Philosophy 20 (sup1), Supplementary Vol. 16: Canadian Philosophers: Celebrating Twenty Years of the CJP (January 1990): 109–47.

Alison Simmon’s A color photographic cutout used for identifying Alison Simmons with a slight smile and clutching her black and white shoulder strap bag.overview (2011): Fragments Cartesian sensory perception into (A) sensory perception of primary qualities (which are representational and non-phenomenal) and (B) sensations of secondary qualities (which are phenomenal and non-representational). The former aide in the search after the truth; the latter do not. Also offers a reconstruction of Cartesian representation as “range restricted natural indication” and covers issues of sensory representation.


MacKenzie, Ann Wilbur (no known photo). “The Reconfiguration of Sensory Experience.” In Reason, Will, and Sensation The green book cover with a white font for "Reasson, Will, and Sensation: Studies in Descartes's Metaphysics.", edited by John Cottingham An enhanced photographic color headshot cutout of John Cottingham facing forward wearing a white colored shirt with stripes and a blue suit jacket and sweater used to visually identify him., 251–72. Oxford: Clarendon Press Oxford, 1994.


Jean-Luc Marion An enhanced photographic cutout of Jean Luc Marion, wearing glasses and looking straight ahead, in full regalia with green floral leaf lapels, a white bow tie, and a red handkerchief on his left breast, is used for visual identification.. On Descartes’ Passive Thought: The Myth of Cartesian Dualism.


Markie, Peter A reversed enhanced colorized photographic headshot and upper torso of Peter Markie with a twisted head turned up to the sky to the right wearing a blue shirt used for visually identifying him.An enhanced colorized photographic headshot of an open mouth smiling Peter Markie wearing a blue shirt used for visually identifying him. An enhanced colorized photographic headshot and upper torso cutout of Peter Markie with a twisted head turned up to the sky to his left wearing a blue shirt used for visually identifying him.. “The Cogito and its Importance.” In The Cambridge Companion to Descartes The purple book cover of "The Cambridge Companion to Descartes.", edited by John Cottingham An enhanced photographic color headshot cutout of John Cottingham facing forward wearing a white colored shirt with stripes and a blue suit jacket and sweater used to visually identify him., 140–73. Cambridge: Cambridge, 1992.


Marrone, Francesco An enhanced colorized angle-adjusted photographic headshot cutout of a head tilted to his left glasses adorned Francesco Marrone wearing a brown jacket over a casual white and tan horizontally striped shirt used to visually identify him.. “Ontologia dei contenuti ideali. Essere oggettivo e realtà nel dibattito Descartes-Caterus.” [“Ontology of ideal content. Objective being and reality in the Descartes-Caterus debate.”] Quaestio 12 (2012): 25–77.

Abstract: The point of departure of this paper is a critical reconsideration of the debate on the concept of realitas obiectiva in the First Objections and Replies in Descartes’s Meditations on First Philosophy. The aim of the paper is, on the one side, to stress the role played by Descartes in the formulation of the modern concept of ‘reality’ and, on the other side, to inquire into the role that the Cartesian thought could have played in the historical formulation of the concept of intentionality too. Moving from this general perspective, the paper offers a description of the ontology of the ideal contents given by Descartes in his Meditations; then, it tries to clarify the relationship between this ontology and the doctrine of the intentionality; finally, it proposes an overall interpretation of the fundamental debate between Descartes and Caterus. The point is that the Cartesian doctrine of the realitas obiectiva marked a decisive step in the long history of the intentionality in so far as it stimulated a reflection on the ‘reality’ of the intentional objects considered as contained in the ideas.


Marrone, Francesco An enhanced colorized angle-adjusted photographic headshot cutout of a head tilted to his left glasses adorned Francesco Marrone wearing a brown jacket over a casual white and tan horizontally striped shirt used to visually identify him.. Realitas Obiectiva: elaborazione e genesi di un concetto. Bari: Edizioni di pagina, 2018. [GT: Realitas Obiectiva: development and genesis of a concept]

Publisher’s Blurb: The invention of the concept of realitas obiectiva has always been associated with the name of René Descartes. By integrating this notion into the first proof of the existence of God elaborated in his Meditationes de prima philosophia, Descartes would have sanctioned, according to a widespread opinion, the irruption of the vocabulary of realitas in the framework of modern metaphysics. Thus understood, in the perspective of ordinary interpretation, the Cartesian gesture would therefore be inaugural. However fascinating, this reading does not seem sufficiently well-founded. When Descartes first used the notion of realitas obiectiva, the latter could already boast of a centuries-old history – a story that, although characterized by important mediations, leads back to Duns Scoto and the main representatives of so-called formalist Scotism. The investigation conducted here is intended to give an account of this story that is still not adequately investigated. Through an examination of the Scotist vocabulary, the volume aims to reconstruct a genealogy of the notion of realitas obiectiva that allows to identify, before and regardless of Descartes, the theoretical context within which it was actually elaborated. (Google translate)


Marrone, Francesco An enhanced colorized angle-adjusted photographic headshot cutout of a head tilted to his left glasses adorned Francesco Marrone wearing a brown jacket over a casual white and tan horizontally striped shirt used to visually identify him.. “Res et realitas in Descartes : gli antecedenti scolastici del concetto cartesiano di “realitas objectiva“.” Caen, 2005. [GT:Res et realitas in Descartes : The scholastic antecedents of the Cartesian concept of “realitas objectiva.”]

Author’s Abstract: The thesis presented examines the historical background of the realitas objectiva, its constitution, the posterity it knew in Descartes’ Meditationes. Absent from the immediate predecessors of the French philosopher, the phrase “realitas obiectiva” is present in a Scotist tradition that dates back to Ioannes Canonicus (Jean Marbres) via Martinus Meurisse, Pierre Tartaret, Antonius Trombetta, Antonius Syrectus. Chapters I and II try to explain:

(a) the notion of realitas obiectiva by an analysis of the lexical and semantic context in which it appears (realitas-formalitas-intelligibilitas);

(b) to place the notion of realitas obiectiva in the tradition in which it was invented, and

(c) to show the importance of a thinker such as Trombetta, who had the merit of ratifying, by explaining it, the vocabulary of realitas obiectiva.

In Chapter III, the author considers the first modern occurrence of the phrase in Pierre Tartaret in the context of the question of the univocity of the being, and renews the notion to its first occurrence in Ioannes Canonicus. Chapter IV considers the introduction of the vocabulary of the realitas obiectiva in the question of divine science (Meurisse), showing the relationship it has with the modern concept of ens reale. Chapter V seeks to show the permanence of the connection between realitas obiectiva and ens reale within the discussion on ens rationis and considers the posterity of the notions of realitas obiectiva in Descartes’s Meditations. (Google translate)


Maull, Nancy L. An enhanced colorized from waist up photographic cutout of a smiling and glasses adorned Nancy L. Maull wearing white blouse and  dark blue skirt while holding some white papers in her hands at waist level used to visually identify her.. “Cartesian Optics and the Geometrization of Nature.” The Review of Metaphysics 32, no. 2 (December, 1978): 253–73. Reprinted in Descartes: Philosophy, Mathematics and Physics The title page of "Descartes: Philosophy, Mathematics, and Physics" edited by Stephen Gaukroger used to visually identify it., edited by Stephen Gaukroger (1950– 2023) An enhanced colorized photographic headshot and upper torso cutout of a glasses adorned Stephen Gaukroger wearing a white shirt with dark blue and white striped tie under a dark blue sweater with a dark gray wool suit jacket used to visually identify him., 21–40. Sussex, UK: Harvester, 1980 or Englewood Cliffs, NJ: Barnes and Noble, 1980.


McRae, Robert F(orbes). An enhanced colorized photographic headshot cutout of Robert Forbes McRae wearing a dark blue military uniform with a dark blue military cap having a white insignia on the crown and white shirt and dark tie used for visually identifying him. . “Descartes’ Definition of Thought.” In Cartesian Studies An enhanced 3D green with a white square containing the black font title and author's name book cover for "Cartesian Studies by R. J. Butler used to visually identify it.An enhanced 3D green book cover spine facing viewer with a white square containing the black font title and author's name for "Cartesian Studies" by R. J. Butler used to visually identify it. , edited by Ronald J. Butler (no known photo), 55–70. Oxford: Blackwell, 1972.


McRae, Robert F. An enhanced reversed colorized photographic headshot cutout of Robert Forbes McRae wearing a dark blue military uniform with a dark blue military cap having a white insignia on the crown and white shirt and dark tie used for visually identifying him.‘Idea’ as a Philosophical Term in the Seventeenth Century.” Journal of the History of Ideas, 26, no. 2 (1965): 175–90.


McRae, Robert F. An enhanced colorized photographic headshot cutout of Robert Forbes McRae wearing a dark blue military uniform with a dark blue military cap having a white insignia on the crown and white shirt and dark tie used for visually identifying him.On Being Present to the Mind: A Reply.” Dialogue: Canadian Philosophical Review / Revue canadienne de philosophie 14 no. 4 , (December 1975): 664–66. Published online by Cambridge University Press: May 5, 2010.


Menn, Stephen An enhanced photographic cutout of Stephen Menn used for identifying him.. “The Greatest Stumbling Block: Descartes’ Denial of Real Qualities.” In Descartes and His Contemporaries: Meditations, Objections and Replies An enhanced color image of "Descartes and His Contemporaries: Meditations, Objections and Replies" edited by Roger Ariel and Marjorie Grene with the name Descartes in soft lavender font used to visually identify it. The back tan book cover of “Descartes and his Contemporaries: Meditations, Objections and Replies” edited by Roger Ariew and Marjorie Grene is used for visual identification. , edited by Roger Ariew A color photographic head shot of Roger Ariew wearing a red collared shirt. and Marjorie Grene An enhanced colorized photographic headshot cutout of a middle aged heavily framed black glasses adorned Marjorie Grene wearing lipstick and a black shirt with thin metal necklace on outside with shoulders turned back to her left used for visually identifying her., 182–207. Chicago:  University of Chicago Press, 1995.


The hyperlinked entries below are by Predrag Milidrag An enhanced color upper torso and headshot photographic cutout of Predrag Milidrag with black framed glasses and a brown mustache and trim beard with his head turned to his left while seated with interlaced fingers resting on unseen table while wearing a white shirt with snap shirt pickets and a small black microphone clipped to his shirt used to visually identify him. and are arranged in alphabetical order by the titles of the English translations of the original Serbo-Croatian as follows (see much below for details on each).


The blue hyperlinked titles are English translations of the original Serbo-Croatian language that you can translate into your favorite tongue using a translation program, such as Google Translate.

  1. Caterus and Descartes on Ideas, Causation, and Eternal Truths
  2. The Concept of Things (res) in Descartes
  3. Descartes on Esse Objectivum and Innate Ideas
  4. Descartes’s Idea and Representations of Things
  5. Descartes, Late Scholasticism and the History of Philosophy: The Case of the Theory of Ideas
  6. The Historians of Philosophy and Late Scholastics: The Case of Descartes’s Theory of Ideas
  7. ‘Like Images of Things’: The Foundations of Descartes’s Metaphysical Theory of Ideas
  8. Metaphysical Foundations of Causality and Its Universality in Descartes
  9. Objective Reality, Its Degrees and Formal Being (esse) in Descartes
  10. The Original Ambiguity/Ambivalence [bifocality] of Descartes’ Ideas
  11. The Principle of Non-Contradiction and Descartes’s God
  12. The Problem of Distinguishing Ideas of Things from Ideas of Non-things in Descartes
  13. Prolegomena for research on Descartes’ metaphysical theory of ideas (1): From substance to spirit
  14. Prolegomena for research on Descartes’ metaphysical theory of ideas (2): From spirit to ideas
  15. The Teaching of Nature and the Will in Descartes
  16. Whether and How Descartes’s Idea Represents


Milidrag, Predrag A reversed enhanced color photographic headshot cutout of Predrag Milidrag with glasses and a brown mustache and trim beard with his head slightly bent down wearing a dark suit jacket used to visually identify him.. “KATERUS I DEKART O IDEJAMA, UZROKOVANJU I VEČNIM ISTINAMA.” [“Caterus and Descartes on Ideas, Causation, and Eternal Truths”]. Theoria 55, no. 1 (2012): 45–69.

Summary: In the article, the writer’s objections on Caterus’s Meditations on Descartes’ understanding of the objective reality of ideas and Descartes’ First Replies are analyzed. Caterus’s critique is based on the late scholastic understanding of the act of comprehension and its objective limit (terminus) and the derived concepts of esse objectivum and realitas objectiva. Since these are external marks of the represented thing, Caterus concludes that there is no place for the question of their cause. Despite his own late scholastic background and not knowing about Descartes’ teaching on the creation of eternal truths, he realizes that for Descartes, the degree of the objective reality of ideas is an internal mark of the essence of things that requires efficient causation, equivalent to the creation of eternal truths. Against the late scholastic understanding, Descartes contrasts his new “ontology of the possible,” according to which intramental essences of things exist in the human mind, whose objective existence cannot be reduced to an external mark, and requires actual efficient causation. Hence, he asserts that the very conceivability and intelligibility of essences must have an actual efficient cause, which is equivalent to the creation of eternal truths. (Translated by Merlin using ChatGPT 4.0)

Summary: The article analyzes the objections of Johannes Caterus, the author of the First Objections on Meditations, concerning Descartes’ understanding of the objective reality of ideas, as well as Descartes’ First Replies. Caterus’ critique rests on late Scholastics understanding of the act of conceiving and its objective terminus, and subsequent notions esse objectivum and realitas objectiva. Since they are extrinsic denominations of extramental represented thing, Caterus concludes that there is no room for the question about their cause. Despite his late Scholastics background, and without knowing for Descartes’ doctrine about the creation external truths, Caterus realized that for Descartes the degree of the objective reality of ideas is intrinsic denomination of the essence of thing, that requires efficient cause and that is equivalent with the creation of eternal truths. In his response, Descartes contrasts late Scholastics understanding with his new “ontology of the possible” according to which there are intramental essences of things, with objective being (esse objectivum) which cannot be reduced to extrinsic denomination (“non nihil”) and which requires actual efficient cause. From that he concludes that very conceivability and intelligibility of essences requires efficient cause.

GT: Summary: The article analyzes the remarks of the writer of the First Remarks on the Meditations by J. Caterus on Descartes’ understanding of the objective reality of ideas, and Descartes’ First Answers. Caterus’ criticism rests on the late scholastic understanding of the act of understanding and its objective limit (terminus) and the terms esse objectivum and realitas objectiva derived from it. Since these are external marks of the thing represented, Caterus concludes that there is no room for questioning their cause. Despite his own late scholastic background and not knowing that Descartes’ teaching about the creation of eternal truths, he realizes that the degree of objective reality of ideas for Descartes is an internal mark of the essence of things that requires effective causation, and that this is equivalent to the creation of eternal truths. Descartes contrasts his new “ontology of the possible” with the late scholastic understanding, according to which the intramental essences of things exist in the human mind, whose objective existence cannot be reduced to an external label, and which requires actual effective causation. Hence, he claims that the very comprehensibility and intelligibility of essences must have an actual effective cause, which is equivalent to the creation of eternal truths.


Milidrag, Predrag An enhanced color photographic torso and headshot cutout of Predrag Milidrag with glasses and wearing an orange undershirt under a dark blue jean jacket with a logo on left breast pocket used to visually identify him.. “Pojam stvari (res) kod Dekarta.” [“The Concept of Things (res) in Descartes.”] Philosophy and Society 25, no. 3 (2014): 223–46.

Summary/AbstractThe article analyzes the meaning of the concept of res in Descartes’ metaphysics. The basic meaning is that thing is an essence that could have even real existence. Through the analysis of Descartes’ works that meaning has made more precise against the background of the rational distinction between essence and existence. The relations among the thing and the notions of reality (realitas), the degrees of reality and the modes of reality were shown. The special attention is dedicated to the relation between the thing and the causality, i.e., to the problems how the things could cause and what is the cause of things. The problem of causality is connected with Descartes’ teaching concerning the creation of eternal truths; that connection expresses the difference between his and scholastics’ concept of thing, which is obvious in his concept of the causation of the degrees of reality. At the end the late, scholastics’ notion of supertranscendental meaning of thing is shown in Descartes.

Abstract: The relationship between the concept of reality and existence is analyzed in Descartes’ metaphysics. Primarily, the concept of being as substance that can exist independently is discussed. The analysis of Descartes’ texts refines this meaning considering the rational distinction between essence and existence. The relation of objects to the concepts of reality (realitas), degrees of reality, and modes of reality is demonstrated. A special section is dedicated to the relationship between objects and causality, addressing what and how objects can cause and what causes objects, and highlighting the connection of this issue with Descartes’ doctrine of the reality of eternal truths. This connection represents a fundamental difference between Descartes’ and scholastic concepts of reality, clearly visible in his concept of degrees of reality causation. Finally, the super transcendental concept of reality in Descartes is briefly presented, against its late scholastic background.

Translated by Merlin using ChatGPT 4.0

Milidrag, Predrag A reversed, enhanced color photographic headshot cutout of Predrag Milidrag, with a slight smile, black-framed glasses, and a brown mustache and beard, with his head looking straight forward, wearing a gray shirt with a rounded collar, is used to identify him visually.. “DEKART O ESSE OBJECTIVUM I UROĐENIM IDEJAMA” [“Descartes on Esse Objectivum and Innate Ideas”]. Belgrade Philosophical Annual 24 (2011) An enhanced color image of the dark gray and yellow font titles of the "Belgrade Philosophical Annual" (2011) used to visually identify it. : 173–94. [NOTE: After clicking on the article title, you will get two warnings that say the connection to the article is unsafe. If you still want to read the original Serbian, approve it both times, and you can read the article.]

Abstract: The article analyses Descartes’ notion of esse objectivum against the background of his theory of ideas. The Introduction deals with the notion of idea, thing (res), being (esse) and the difference between ideas of things and ideas of beings of reason. It is argued that there are two meanings of the notion of objective being in Descartes. The first meaning comprises essences of things as represented, as well as beings of reason as represented, and it could be reduced to extrinsic denomination being-as-being-of-object-of-consciousness. Second meaning refers only to the essences of things and expresses their genuine intramental being (esse) in the intellect, whether they are represented by the ideas or not. This second sense is the basis for understanding of Descartes’ innate ideas. Finally, it is shown that, seen on this way, innate ideas are the structures of very thinking (ideas of thing or truth). Nevertheless, in Descartes’ they have to be understood as intramental essences of things (ideas of triangle or mind). The idea of God is exceptional because it functions in both ways.


Milidrag, Predrag A reversed enhanced color photographic headshot cutout of Predrag Milidrag as a young man with glasses and his head tilted to his left shoulder wearing an orange undershirt under a light mauve collared shirt used to visually identify him.. “DEKARTOVA IDEA I REPREZENTACIJE STVARI.” [“Descartes’s Idea and Representations of Things”]. Filozofija i društvo/Philosophy and Society 22, no. 3 (September 16, 2011): 235–66. Belgrade, Serbia. Source is . Also available at Academia.com. Download here. Also available at Central and Eastern European Online Library logo is used for visual identification. Central and Eastern European Online Library.

Abstract: On the basis of the analysis of relevant passages from Descartes’ writings, the article shows that Descartes’ ideas represent things in mind, but that he is not a representationalist in a Malebranchean sense: in Descartes, represented object is perceived, not the very representation of that object. Hereafter, three senses of idea in Descartes were analyzed, objective, formal and material, as well as the notions conceptus formalis and conceptus objectivus of Francisco Suárez who is direct historical source of Descartes’ theory of ideas. In the conclusion the centrality of the notion of idea in formal sense in Descartes’ theory of ideas is shown, and it is claimed that the representationalism and direct realism are equivalent in Descartes. At the end, the survey of influence and transformation of understanding of ideas in early modern philosophy is presented. (bold not in original)

(GT) Summary: Based on the analysis of relevant places from Descartes’ writings, the article shows that Descartes’ ideas represent things in the spirit, but that he is not a representationalist in the Malbranchian sense: with Descartes, the represented object is perceived and not the representation of the object. After that, the three senses of idea in him are analyzed, objective, formal and material, and then the understanding of the terms conceptus formalis and conceptus objectivus in Francisco Suarez, which constitutes an immediate historical-philosophical source of Descartes’ theory of ideas. In the conclusion, the centrality of the notion of idea taken formally is highlighted and the reasons for the claim that within Decat’s theory of ideas, representationalism and direct realism are equivalent are presented. Finally, a summary overview of the influence and transformation of the understanding of ideas in early modern philosophy is given. Key words: theory of ideas, direct realism, representationalism, conceptus formalis, conceptus objectivus, Francisco Suárez, early modern philosophy.


Milidrag, Predrag An enhanced color photographic headshot cutout of Predrag Milidrag with black framed glasses and a brown mustache and trim beard with his head slightly turned to his right wearing a bright yellow polo shirt used to visually identify him.. “.An enhanced color photographic torso and headshot cutout of Predrag Milidrag without glasses and a dark brown mustache and trim beard with his head slightly bent down and arms crossed wearing a purple-blue shirt and orange tie used to visually identify him.MISTORIÈARI FILOZOFIJEI KASNA SHOLASTIKA:SLUÈAJ DEKARTOVE TEORIJE IDEJA” [“The Historians of Philosophy and Late Scholastics: The Case of Descartes’ Theory of Ideas“]. Filozofija i drustvo 21 [Philosophy and Society 21], no. 1 (January 2010): 187–206.

Summary: The article delves into the evolution of historical-philosophical research on the late-scholastic sources of Descartes’ theory of ideas, critically examining the long-held belief among historians of philosophy that Descartes’ theory is fundamentally epistemological. This view, deeply rooted in neo-Kantianism, began to shift with the emergence of a new wave of scholars who explored non-metaphysical facets of Descartes’ thought, alongside novel interpretations of late scholastic philosophy. The analysis reveals the specific relevance of late scholasticism to Descartes, particularly over figures like Thomas Aquinas, and underscores Francisco Suarez’s distinct significance within the context of Descartes’ theory of ideas.

Summary (Translation of Serbo-Croatian Abstract): The article analyzes the development of the research of late scholastics sources of Descartes’ theory of ideas. In the first part, it analyzes long time dominant opinion among the historians of philosophy that Descartes’ theory of ideas is an epistemology in its essence. The reasons for abandoning of such, mainly neo-kantian image were the appearance of the new generation of the historians of philosophy that investigated the non-metaphysical areas of Descartes’ thought, as well as the new interpretations of the very late scholastics philosophy. In second part of the essay, it is shown why late scholastics is relevant for Descartes, and not, for example, Thomas Aquinas and why Francisco Suarez is especially important in the context of Descartes theory of ideas.

GT: Summary: The article analyzes the development of the historical-philosophical research of the late scholastic sources of Descartes’ theory of ideas. The first part analyzes the long-standing dominant position among historians of philosophy that Descartes’ theory of ideas is essentially epistemology. The reasons for abandoning such a picture, largely conditioned by neo-Kantianism, were the appearance of a new generation of historians of philosophy who researched non-metaphysical areas of Descartes’ thought, as well as work on late scholastic philosophy itself. In the second part, it is shown why late scholasticism is relevant for Descartes, and not, for example, Thomas Aquinas, and why Francisco Suarez stands out among late scholastic thinkers in terms of importance.
Key words: theory of ideas, late scholasticism, Francisco Suárez, Norman J. Wells, conceptus formalis.


Milidrag, Predrag A reversed enhanced color photographic headshot cutout of Predrag Milidrag with black framed glasses and a black mustache and trim beard with his head slightly turned to his right wearing a bright yellow polo shirt used to visually identify him.. Poput slika stvari“: Temelji Dekartove metafizičke teorije ideja An enhanced color book cover of "Poput slika stvari: Temelji Dekartove metafizičke teorije ideja" by Predrag Milidrag used to visually identify it.. [“‘Like Images of Things’: The Foundations of Descartes’ Metaphysical Theory of Ideas”] The title page of "Poput slika stvari: Temelji Dekartove metafizičke teorije ideja" by Predrag Milidrag used to visually identify it.. Belgrade: Institute for Philosophy and Social Theory, IP “Filip Višnjić,” 2010. Click on the titles or the book cover to read the entire book in Serbo-Croatian. Also readable in Serbo-Croatian from Scribd or from Dokumen (it might time out) or Academia.com. See the “Table of Contents” translated into English by Google Translate below.


Milidrag, Predrag An enhanced color photographic torso and headshot cutout of Predrag Milidrag without glasses and a dark brown mustache and trim beard with his head slightly bent down and arms crossed wearing a purple-blue shirt and orange tie used to visually identify him..”Metafizički temelji uzročnosti i njene univerzalnosti kod Dekarta“. U Danilo N. Basta, Časlav D. Koprivica, Bogoljub Šijaković (prir.), Filosofija u vrtlogu našega vremena. Svečanik u čast 80. rođendana akademika Mihaila Đurića, Gutenbergova galaksija, Beograd (2005): 287–310.

[“Metaphysical Foundations of Causality and Its Universality in Descartes”. U Danilo N. Basta, Časlav D. Koprivica, Bogoljub Šijaković, eds. Philosophy in the maelstrom of our time. Celebration in honor of the 80th birthday of academician Mihail Đurić. Belgrade: Gutenberg’s Galaxy (2005): 287–310.]


Milidrag, Predrag A reversed enhanced color photographic headshot cutout of Predrag Milidrag with black framed glasses and a brown mustache and trim beard with his head slightly turned to his right wearing a bright yellow polo shirt used to visually identify him.. “Objektivna stvarnost, njeni stupnjevi i formalno bivstvovanje (esse) kod Dekarta” [“Objective Reality, Its Degrees and Formal Being (esse) in Descartes”]. Philosophical Yearbook 25 (2012): 113–32.


Milidrag, Predrag An enhanced color photographic headshot cutout of Predrag Milidrag with black framed glasses and a brown mustache and trim beard with his head slightly turned to his right wearing a bright yellow polo shirt used to visually identify him.. “Izvorna dvožižnost Dekartovih ideja” [“The Original Ambiguity/ambivalence of Descartes’ Ideas”] [”The genuine bifocality of Descartes’ ideas”]. Filozofski Godišnjak 10 (1997): 87–115. [Belgrade Philosophical Annual 10 (1997): 87–115.]

Abstract: In this paper, two meanings of the notion of ‘idea’ are analyzed, as Descartes defined them in the Preface to Meditations (AT VII 8): idea in the material sense (idea as a mode of the thinking substance, representational activity and perception) and idea in the objective sense (idea as thing represented in the intellect, as form, essence and concept of the thing). In connection with the idea taken objectively there is the notion of the degrees of the objective reality, by which the ontological dependence of the essences represented by idea is expressed, the essences which have a perfection of possible formal existence. The objective reality differs from objective being: the former is a degree of perfection of essence, the latter is the way of existence of that essence. On the basis of these two meanings of idea cited above, Descartes’ idea can be defined as perception of the object and as object of perception too; these characterizations are complementary and elementary as well. They express the always actual dyadic relation at the self-conscious mind toward itself and toward the object in the consciousness. Therefore, it could be said that Descartes’ idea has [a] relational nature. All other meanings of the idea taken materially or objectively are the ways in which the mind alone understands these two elementary relations. In Descartes’ notion of ‘idea’ three kinds of causality are clearly recognizable: formal, material and efficient. Besides these, and some other scholastics sources, Descartes radically breaks with traditional platonic and scholastic basic characterization of [an] idea as [an] exemplar; in his philosophy, the essential feature of [an] idea is its representativeness.


Milidrag, Predrag An enhanced photographic upper torso and headshot cutout of a clean shaven Predrag Milidrag sitting at a table with a computer monitor – keyboard looking down while wearing a gray long sleeved shirt used to visually identify him.. “Princip neprotivrecnosti i Dekartov Bog.” [“The Principle of Non-Contradiction and Descartes’ God.”] Theoria 53, no. 4 (2010): 15–33. Also available at Scribd.

Abstract: The article analyzes the status of the principle of non-contradiction as an eternal truth in Descartes’ metaphysics, trying to answer whether it was also created. After distinguishing between created and uncreated eternal truths, one comes to the conclusion that the principle of non-contradiction is also a created eternal truth. He, as such, applies this to God as well, but only under his determination “the most comprehensive being.” Its more fundamental determinations, absolute that is. causa sui remain outside the domain of validity of this principle because it is about the area of ​​the absolute identity of God’s essence and his existence. Since man can only think with the principle of incommensurability, he must also observe God’s infinity with regard to that principle. However, since the principle of negation does not apply to the absolute identity of God, human partial rationality interprets its absence as its negation, and it appears to it as self-negation. In the end, the (partial) weightiness of Leibniz’s criticism of Descartes regarding the ontological proof is shown.

NOTE: This entry is not clearly in the theory of ideas.



Milidrag, Predrag A reversed enhanced color photographic headshot cutout of  Predrag Milidrag as a young man with glasses and his head tilted to his left shoulder wearing an orange undershirt under a light mauve collared shirt used to visually identify him. . “Problem razlikovanja ideja stvari od ideja nestvari kod Descartesa” [“The Problem of Distinguishing Ideas of Things from Ideas of Non-things in Descartes“]. Philosophical Research 32, no. 2 (2012): 261–78. Also available at Central and Eastern European Online Library logo is used for visual identification. Central and Eastern European Online Library.

Summary/Abstract: The paper begins with the analysis of [the] Third Meditation, and it is shown that there is no difference between any objects of the representations as such. Descartes’ understanding relies on Late Scholastics concept of simple conception. By the example of two ideas of sun and the idea of self it is shown that Descartes could argue that some ideas certainly do not represent just beings of reason, but that is not enough. Using his other writings the conclusion is that, in fact, there are two problems: how to distinguish between the essences of things from beings of reason and how to make a demarcation within very beings of reason between possible and impossible constructs. In the second part of the paper, Leibniz’s critique of Descartes’ ontological argument is analyzed. The historic cause of the problem is Descartes’ use of mutually irreconcilable concepts of human mind and divine ideas, and the cause within his metaphysics is dualism and his insufficiently clear notion of clarity and distinctness of ideas.

Author’s Abstract: The text begins with an analysis of the Third Meditation, where it is shown that there is no difference between the objects of representation as such. This understanding of Descartes relies on the late scholastic concept of simple understanding. Then, on the example of the two ideas of the sun and the idea of the Self, it was shown that Descartes can claim that some ideas certainly do not represent rational beings, but that this is not enough. On the basis of his other writings, the existence of two problems was demonstrated: distinguishing the essence of things from the being of reason and the demarcation within the being of reason between possible and impossible constructs. The second part of the text deals with Leibniz’s criticism of Descartes’ ontological proof. The historical-philosophical cause of the problem is that Descartes used mutually irreconcilable late scholastic concepts of the human spirit and divine ideas, and the cause within his metaphysics is dualism and an insufficiently thought-out criterion of clarity and [distinctness]. (Translated by Google Translate from the original Serbo-Croatian)


Milidrag, Predrag A reversed enhanced color photographic upper torso and headshot cutout of Predrag Milidrag as a young man with glasses and his head tilted to his left shoulder wearing a purple collared shirt used to visually identify him. (unknown photo source). “Prolegomena za istraživanje Dekartove metafizičke teorije ideja (1): Od supstancije do duha.” Filozofski godišnjak 12 (1999): 27–57. [“Prolegomena for research on Descartes’ metaphysical theory of ideas (1): From substance to spirit.” Philosophical Yearbook 12 (1999): 27–57.]

Abstract: The subject of this article is an analysis of the fundamental notions of Descartes’ metaphysics, which are relevant to an understanding of his theory of ideas. It begins with the notions of substance as such and thing (res) as such. The notion of thing is defined as follows: an essence with the predicate ‘the possibility of existing even outside of thinking.’ On this notion Descartes builds his notion of reality (realitas) and its degrees. The degrees of reality are defined as intrapredicate determination[s] of an essence and they refer to the degree of independence of an essence’s possible existence even outside of thinking. The degree of reality can be either substantial or modal, i.e., such can be the existence of the essences of things. After that, the place from Meditation Two is interpreted where Descartes states that the ‘I’ is a thing which is real and which is truly exists (res vera et vere existens, AT VII 25). It is done against the background of the notion of the real essence (essentia realis) in the philosophy of late Scholastics philosopher and theologian Francisco Suarez, S.J.. The conclusion is that the ‘I’ is a real essence, and that the notions of ‘thing’ and ‘real essence’ are equivalent. The real essence, which is in the thinking, is named a potential real essence, because it is in thinking and has a potentiality for existing even out of it; if it exists out of thinking the essence is actual real essence. The very actuality or non-actuality of the potentiality in question is only a characteristic (accidence) of an essence, not it’s predicate. This is a consequence of Descartes’s (as well as Suarez’s) understanding of the difference between essence and existence of being (ens), as merely a conceptual one. Therefore it is necessary to distinguish between two questions about related to the existence of the essence: if it exists actually (its accidence) and how it can exist (its predicate: whether it is substantial or modal).


Milidrag, Predrag An enhanced color photographic headshot cutout of Predrag Milidrag with black framed glasses and a brown mustache and trim beard with his head slightly turned to his right wearing a bright yellow polo shirt used to visually identify him.. “Prolegomena za istraživanje Dekartove metafizičke teorije ideja (2): Od duha do ideja.” Filozofski godišnjak 13 (2000): 40–70. [“Prolegomena for research on Descartes’ metaphysical theory of ideas (2): From spirit to ideas.” Philosophical Yearbook 13 (2000): 40–70.]

Abstract: This part of the “Prolegomena” considers Descartes’s understanding of [the] constitution of thoughts as such. Every thought as such, either some kind of volition or some idea, has three elements: the operation, the form/object, and self consciousness. The process of constitution of the thoughts is seen as the process of actualization, which could be divided into two stages. First, the thinking as a potential real essence is actualized; it does God by the preservation of the thinking substance in the existence. The result of this actualization is some ‘naked’ thinking activity, that is an operation (some substantial existing perception or volition) and it could be seen as a matter of the thoughts. Then to this ‘naked’ thinking activity something comes up (from the res or from the non-res) which could be seen as a form and it is an object of that thought. The third element of a thought, the consciousness of the thought, always carries in itself the consciousness of the operation, of the object of the thought and of the mind itself. The consciousness and the thinking do not coincide: at any time we have the consciousness of all three elements of the thought, but we need not think about all of them (at some particular time, during which we have that thought). Thanks to attention, the mind can direct itself to thinking about just one of the three elements. Everything that the mind is conscious of when it is conscious of a thought could become the object of the thinking. The actual contents of consciousness are potential objects of the thinking. Besides these problems, in this part of the “Prolegomena” the relations are considered between the thoughts and the[ir] duration, the thoughts and the thinking as an actual real essence, as well as the relation between the thoughts and thinking substance. Also, relevant passages from Arnauld’s objections and Descartes’s replies from their 1648 letters (AT V, 213–14, 221) are interpreted in the context of the relation between the thinking as an essence and the thoughts as an actualization of that essence. Finally, it is shown how the analyses from this “Prolegomena” can be used in the interpretation of [the] essential Descartes’s statements about ideas.


Milidrag, Predrag A reversed enhanced color photographic headshot cutout of Predrag Milidrag with glasses and a brown mustache and trim beard with his head slightly bent down wearing a dark suit jacket used to visually identify him.. “UČENJA PRIRODE I VOLJA KOD DEKARTA” [“The Teaching of Nature and the Will in Descartes”]. Theoria 51, no. 2 (2008): 79–98.

Abstract: The paper analyzes Descartes’ notion of learning nature as a consequence of the union of the spirit with the body, and in the context of determining the will. Also, paragraphs 3-5 of the Second Meditation are interpreted with regard to the teachings of nature that appear in them about what man is.


Milidrag, Predrag An enhanced color upper torso and headshot photographic  cutout of Predrag Milidrag with black framed glasses and a brown mustache and trim beard with his head  turned to his left while seated with interlaced fingers resting on unseen table while wearing a white shirt with snap shirt pickets and a small black microphone clipped to his shirt used to visually identify him.. “Da li i kako Descartesova ideja reprezentuje‘” [“Whether and How Descartes’s Idea ‘Represents‘”]. ODJEK – Revija za umjetnost, nauku i društvena pitanja 63, no. 3 An enhanced color image of the cover of the 2010 edition of "Odjek" with a brown eyed exposed female wearing a white surgical mark used to visually identify it. (2010): 14–27. [Echo — Review for art, science and social issues 63, no. 3 (2010): 14–27.]


Moran, Dermot A color photographic cutout of Dermot Moran wearing a blue sports coat and powder blue shirt and blue and green striped tie used to visually identify him.. “Descartes on the Formal Reality, Objective Reality, and Material Falsity of Ideas: Realism through Constructivism?.” In Realism, Science, and Pragmatism An enhanced dark blue with white streaks book cover of "Realism, Science, and Pragmatism" edited by Kenneth R. Westphal used to visually identify it., edited by Kenneth R. Westphal An enhanced colorized photographic headshot cutout of Kenneth R. Westphal with a white and brown beard and mustache and wearing a black shirt used to visually identify him., 67–92. New York & London: Routledge, 2014.


Mori, Gianluca An enhanced color photographic cutout headshot of Gianluca Mori with his head looking down wearing a dark blue shirt used to visually identify him. An enhanced color photographic cutout headshot of Gianluca Mori with his head looking straight at viewer and with the sun on his left reflecting off of his forehead and left. side of his face wearing a gray jacket seen up around his neck used to visually identify him. An enhanced color photographic cutout headshot of Gianluca Mori with his head looking at viewer  wearing a light blue collared shirt under a dark blue suit jacket used to visually identify him.. “Hobbes, Descartes, and Ideas: A Secret Debate.” Journal of the History of Philosophy 50, no. 2 (2012): 197–212.


Morris, Katherine J. An enhanced and mirror reversed photographic headshot cutout of Katherine J. Morris used for identifying her.. “Intermingling and Confusion.” International Journal of Philosophical Studies 3 (1995): 290–97.


Myrdal, Peter An enhanced color photographic cutout of Peter Myrdal's head and torso used to visually identify him. and Arto Repo A reversed enhanced color closeup photographic cutout headshot of Arto Repo wearing an orange pull cap and orange jacket with dark collar used to visually identify him.. “Ideas and Reality in Descartes” (ultimate version). “Ideas and Reality in Descartes” (penultimate version). In Mind, Body, and Morality: New Perspectives on Descartes and Spinoza   The blue-green geometric patterned book cover for "Mind. Body, and Morality: New Perspectives on Descartes and Spinoza.", edited by Martina Reuter (no known photo) and Frans Svensson An enhanced photographic headshot cutout of a glasses wearing Frans Svensson with his arms crossed and a watch on his right wrist while wearing a black colored shirt used to visually identify him.. London: Routledge, 2019. Read the editor’s “Introduction” to the book, or a partial version with hyperlinks.

Author’s Abstract: This chapter explores some key issues within Descartes’s theory of cognition. The starting-point is a recent interpretation, according to which Descartes is part of a tradition of theorizing about human cognition, beginning from the idea that we are in principle capable of articulating or grasping the basic order of reality. Earlier readings often take Descartes to question whether we have any cognitive access to reality at all. On the new reading, Descartes instead defends a robust conception of our cognitive relation to reality—our cognition needs to be “determined by reality” as John Carriero puts it. One important element of Carriero’s interpretation is that Descartes’s notion of idea is to be understood along the lines of the Aristotelian doctrine of formal identity between cognizer and cognized. Here it is argued that retaining the latter doctrine faces some difficulties, given the novel conception of the structure of reality defended by Descartes. This chapter proposes that he needs an alternative account of what it is for a cognizer to be determined by reality. Attending to some important differences between the innate idea of extension and that of God, the chapter concludes that Descartes may not have a fully worked-out account of his own. Considering some of the problems inherent in his views can, however, shed light on the, from our contemporary perspective, peculiar role both Spinoza and Leibniz give to God in accounting for cognition.



Nadler, Steven An enhanced color photographic cutout of a smiling Steven Nadler wearing glasses used to visually identify him.. Arnauld and the Cartesian Philosophy of Ideas An enhanced photographic headshot cutout of the red and white book cover of "Arnauld and the Cartesian philosophy of ideas" by Steven M. Nadler used to visually identify it.. Manchester: Manchester University Press, 1989.


Nadler, Steven An enhanced colorized photographic headshot cutout of Steven Nadler, wearing glasses and a dark green and dark brown plaid shirt, was used for visual identification. , ed. Causation in Early Modern Philosophy: Cartesianism, Occasionalism, and Preestablished Harmony The color book cover for ''Causation in Early Modern Philosophy.". University Park, PA: Pennsylvania State University Press, 1993.


Nadler, Steven An enhanced color photographic cutout of a smiling Steven Nadler wearing glasses and a round neck white t-shirt under a round neck dark blue sweater was used for visual identification. .”The Doctrine of Ideas.” In The Blackwell Guide to Descartes’ Meditations. An enhanced purple book cover if "The Blackwell Guide to Descartes's Meditations" edited by Stephen Gaukroger used to visually identify it., edited by Stephen Gaukroger A reversed enhanced color photographic headshot cutout of Stephen Gaukroger in right profile wearing a white shirt with tie and black suit jacket used to visually identify him., 86–103. Malden, MA: Blackwell Publishing, 2006. See basic information at “The Doctrine of Ideas” in The Blackwell Guide to Descartes’ Meditations.


Nadler, Steven An enhanced color photographic cutout of a smiling Steven Nadler wearing glasses used to visually identify him.. “Occasionalism and the Mind-Body Problem.” In Occasionalism: Causation Among the Cartesians A color book cover of "Occasionalism: Causation Amongst the Cartesians" edited by Steven Nadler with an old man with a white beard with his left hand  below over a  partially naked  prone woman's face while fending off an angel with rings from above used to visually identify it., edited by Steven Nadler A reversed enhanced color photographic cutout of a smiling Steven Nadler wearing glasses and a black colored shirt with one white button showing under a black sweater used to visually identify him., 6–28. New York: Oxford University Press, December 2010.


Nelson, Alan An enhanced color headshot of Alan Nelson from his University of North Carolina at Chapel Hill website identifying his face.. “Descartes’s Ontology of Thought,” Topoi 16 (1997): 163–78.


Nelson, Alan An enhanced color headshot of Alan Nelson from his University of North Carolina at Chapel Hill website identifying his face.. “The Falsity in Sensory Ideas: Descartes and Arnauld.” In Interpreting Arnauld An enhanced colorized book cover of "Interpreting Arnauld" edited by Elmar J. Kremer used to visually identify it., edited by Elmar J. Kremer An enhanced. olorized rotated photographic headshot cutout of a white haired Elmar J. Kremer wearing a gray and black shirt under a black jacket used for visually identifying him., 13–32. Toronto: University of Toronto Press, 1996.


Nelson, Alan An enhanced color headshot of Alan Nelson from his University of North Carolina at Chapel Hill website identifying his face.. “The Structure of Cartesian Sensations.” Analytic Philosophy 54, no. 1 (March 2013): 107–16.


Newman, LexAn enhanced photographic cutout of Lex Newman used to visually identify him.. “Descartes’ Rationalist Epistemology.” In A Companion to Rationalism An enhanced color book cover of "A Companion to Rationalism edited by Alan Nelson with blue green purple abstract art and a beige cover used to visually identifying it., edited by Alan Nelson An enhanced color headshot of Alan Nelson from his University of North Carolina at Chapel Hill website identifying his face., 179–204. Oxford, UK: Blackwell, 2005.


Newman, LexAn enhanced photographic cutout of Lex Newman used to visually identify him.. “Ideas, Pictures, and the Directness of Perception in Descartes and Locke.Philosophy Compass  4, no. 1 (2009): 134–54.

Abstract: How are we to understand philosophical claims about sense perception being direct versus indirect? There are multiple relevant notions of perceptual directness, so I argue. Perception of external objects may be direct on some notions, while indirect on others. My interest is with the sense in which ideas count as perceptual mediators in the philosophy of Descartes and Locke. This paper has two broader aims. The first is to clarify four main notions of perceptual directness. The second is to support my contention that in the texts characterizing ideas as immediate objects of perception, Descartes and Locke are invoking the notion of directness I call ‘objectual’. This notion is modeled on the way a picture mediates perception of the pictured object. The upshot of my account is that—with respect to the objectual notion of directness—Descartes and Locke each hold an indirect theory of perception.


Newman, LexAn enhanced photographic cutout of Lex Newman used to visually identify him.. “Sensory Doubts and the Directness of Perception in the Meditations.” Midwest Studies in Philosophy 35 (2011): 205–22.


Newman, LexAn enhanced photographic cutout of Lex Newman used to visually identify him.. “Theories of Ideas.” In The Routledge Companion to Seventeenth Century Philosophy The color book cover of "The Routledge Companion to Seventeenth Century Philosophy.", edited by Dan Kaufman A reversed, enhanced, and blended colorized photographic cutout headshot of a young adult Dan Kaufman used for visually identifying him., 195–223. London: Routledge Publishing, 2017.


Newman, LexAn enhanced photographic cutout of Lex Newman used to visually identify him.. “Unmasking Descartes’s case for the Bête Machine doctrine.” Canadian Journal of Philosophy 31, no. 3 (2001): 389–426.


Nolan, Lawrence A reversed enhanced colorized photographic headshot cutout of Lawrence Nolan wearing a blue shirt is used for visual identification.. The Cambridge Descartes Lexicon An enhanced color image of the cerulean blue book cover for "The Cambridge Descartes Lexicon" edited by Lawrence Nolan used to visually identify it.. Cambridge, UK: Cambridge University Press, 2016.


Nolan, Lawrence A reversed enhanced color photographic headshot cutout of a smiling Lawrence Nolan with a mustache and goatee with sunglasses propped on the top of his head and wearing a dark gray polo style shirt used to visually identify him.. “Descartes on What We Call ‘Color’.” In Primary and Secondary Qualities: The Historical and Ongoing Debate An enhanced color book cover in swirling cloud-like blues and greens with title inside of a black rectangle with white font of "Primary and Secondary Qualities: The Historical and Ongoing Debate" edited by Lawrence Nolan used to visually identify it., edited by Lawrence Nolan A reversed enhanced colorized photographic headshot cutout of Lawrence Nolan wearing a blue shirt is used for visual identification., 81–108. New York: Oxford University Press, 2011.


Nolan, Lawrence An enhanced color photographic cutout of a headshot of a smiling Lawrence Nolan with sunglasses propped on the top of his head used to visually identify him. , ed. Primary and Secondary Qualities: The Historical and Ongoing Debate An enhanced color book cover in swirling cloud-like blues and greens with title inside of a black rectangle with white font of "Primary and Secondary Qualities: The Historical and Ongoing Debate" edited by Lawrence Nolan used to visually identify it.. New York: Oxford University Press, April 2011.


Nolan, Lawrence An enhanced colorized photographic headshot cutout of Lawrence Nolan wearing a blue shirt is used for visual identification. and John Whipple A reversed enhanced color photographic headshot cutout of a clean shaven John Whipple turned to his left wearing an open neck collared shirt under a dark brown sports coat used to visually identify him.. “The Dustbin Theory of Mind: A Cartesian Legacy?.” In Oxford Studies in Early Modern Philosophy An enhanced mostly black book cover with a tan rectangle at bottom containing "Volume III" with the title just above in the black of "Oxford Studies in Early Modern Philosophy" edited by Daniel Garber and Steven Nadler used to visually identify it., vol. 3, ch. 2, edited by Daniel Garber An enhanced color photographic cutout of a full bearded and mustached Daniel Garber with glasses wearing a blue shirt and dark colored tie under a maroon v-neck sweater and dark gray suit jacket used to visually identify him. and Steven Nadler A reversed enhanced color photographic cutout of a smiling Steven Nadler wearing glasses and a black colored shirt with one white button showing under a black sweater used to visually identify him., 33–55. Oxford: Clarendon Press, 2006.


Normore, Calvin An enhanced color photographic cutout of Calvin J. Normore used for visually identifying him.. “Meaning and Objective Being: Descartes and His Sources.” In Essays on Descartes’ Meditations The enhanced dark green book cover with white font in titles for "Essays on Descartes' Meditations" edited by Amelie Oksenberg Rorty used to visually identify it., edited by Amélie O. Rorty An enhanced color photographic headshot and shoulders cutout of a smiling glasses adorned Amelie O. Rorty with her head tilted to her right facing the camera wearing a black cowl neck under a autumn colored jacket used to visually identify her., 223–41. Berkeley: University of California Press, 1986.


Normore, Calvin An enhanced color photographic cutout of Calvin J. Normore used for visually identifying him.. “The Matter of Thought.” In Representation and Objects of Thought in Medieval Philosophy The royal purple book cover for "Representation and Objects of Thought in Medieval Philosophy.", edited by Henrik Lagerlund A reversed enhanced color photographic headshot cutout of an eye's smiling full brown beard and mustache Henrik Lagerlund wearing a light purple colored collared shirt under a black suit jacket used for visually identifying him., 117–33. Burlington, VT: Ashgate Publishing Co., 2007.



Olgiati, Francesco An enhanced colorized photographic headshot cutout of a glasses adorned Francesco Oligiati with his shoulders turned towards his left wearing a priests white collar and dark blue robe used to visually identify him.An enhanced color photographic full body photographic cutout of a glasses free Francesco Oligiati looking straight forward in full priests robe of dark gray outer vestments over a white embroidered tunic hanging below his waist with a gold cross hanging to the center of his chest used to visually identify him.. Cartesio. Milano: Società Editrice “Vita E Pensiero”, 1934.


O’Neil, Brian E. (no known photo) Epistemological Direct Realism in Descartes’ Philosophy An enhanced dark blues book cover with white font titles of "Epistemological Direct Realism in Descartes' Philosophy" by Brian E. O'Neil used to visually identify it.. Albuquerque, NM: University of New Mexico Press, 1974.


Ortín Nadal, Anna PilarA enhanced color photographic upper torso and headshot cutout of Anna Pilar Ortin Nadal with glasses and wearing a blue and gray dress while holding a white piece of paper in her hands at her waist used for visually identifying her.. “Descartes on the Distinction between Primary and Secondary Qualities.” British Journal for the History of Philosophy 27, no. 6 (2019): 1113–34.

Abstract: Descartes did not use the terms ‘primary’ and ‘secondary’ qualities, but a similar distinction emerges from his texts: certain qualities of objects (such as size and shape) are intrinsic properties of matter, whereas others (like colours and smells) are products of the interaction with a perceiver. A common interpretation states that the division between primary and secondary qualities is explained by the way in which we are acquainted with them: an idea of a primary quality is similar to its physical causes, and it is clearly and distinctly perceived by the intellect. An idea of a secondary quality is dissimilar to its physical causes and it is obscurely and confusedly perceived by the senses. This view receives the name of ‘bifurcation reading’ (Simmons, Alison, “Descartes on the Cognitive Structure of Sensory Experience.” Philosophy and Phenomenological Research, LXVII, no. 3 (November 2003)). While it integrates well some textual occurrences, it creates a problematic fragmentation within single acts of perception. This paper contends that this reading is incorrect. It presents several arguments for the claim that the distinction of qualities is due to the different ways in which our ideas of them misrepresent their physical causes. Then, Descartes’ dissimilarity thesis between physical objects and our ideas of them remains a structural feature of his theory of sensory perception and not a local phenomenon affecting only ideas of secondary qualities.


Ortín Nadal, Anna Pilar A enhanced color photographic headshot cutout of Anna Pilar Ortin Nadal with glasses and wearing a black and white wide horizontal striped shirt with a rounded collar and her right arm bent at elbow with her right hand on her head used for visually identifying her.. “Descartes on Natural Signs and the Case of Sensory Perception.” Journal of Modern Philosophy 6 (2024): 77–87. Download it directly. Also here.

Abstract: Descartes used the notion of sign to describe three phenomena: language, the external movements of the passions, and sensory perception. For this, he appealed to conventional, external, and natural signs respectively. A systematic treatment of signs as proper components of Descartes’ considered views is extremely rare and, specifically, natural signs are often deemed as a figure of speech with no appreciable place within his thought. The objective of this paper is to counter this view and present two related points: first, Descartes’ identification of brain states with signs established by nature in the Treatise on Light (AT XI.4/G.4) amounts to a genuine attempt at understanding the causal structure of sensory perception. This is supported by Descartes’ consistent usage of the notion of sign for capturing the activities exclusive to embodied minds. Second, by reconstructing a taxonomy of signs this paper aims at rehabilitating the notion of sign as a Cartesian technical notion. It is rather perplexing that, even though Descartes made regular use of this notion in three distinct contexts, there is no general understanding of it as a term that merits rational reconstruction. This paper revises this omission with the case of sensory perception at the centre.

Table of Contents:


Ortín Nadal, Anna PilarA color photographic headshot of Anna Pilar Ortin Nadal used for visually identifying her.. “Mental activity in Descartes’ causal-semantic model of sensory perception.” PhD diss, Philosophy, The University of Edinburgh, July 2018.

Abstract: The aim of this thesis is to defend a reading of Descartes’ theory of sensory perception in which, against a widespread interpretation, the mind is not a passive receiver of inputs from the environment, but an active decoder of neural information that contributes to the representational content of ideas. I call this the ‘mental activity thesis’ and, in the overall picture, I identify it as one of the philosophical implications of the seventeenth-century scientific revolution. Within Descartes’ dualism, to offer a theory of sensory perception amounts to describing the interplay between the natural world, the brain, and the mind. Given his mechanistic, micro-corpuscular conception of matter, Descartes developed detailed physiological descriptions of the interaction between external objects and the brain. He envisaged it as an isomorphic relation in which the characteristics of objects are transmitted through the nerves to the brain as patterns of geometrically reduced properties. This process is often read as culminating with the mind being passively affected by a corporeal isomorph. Descartes’ doctrine becomes elusive in its mental phase, but the passivity reading, so I contend, remains inadequate. I argue for the mental activity thesis through four claims.

First, I subscribe the known view that Descartes is concerned about a version of the mind-body problem that is not equivalent to the problem of substance interaction. It is rather a problem of dissimilarity between mental representations and mechanistic explanations. The question is how the qualitative character of sensory experiences can arise from the quantitative notions of physical science. As a way of emphasising the weight that the problem of dissimilarity has for Descartes’ philosophical decisions, I show that it motivates a metaphysically interesting distinction between types of causes for the case of brain-mind interaction.

Second, I defend the position that, despite not holding a perfectly unambiguous doctrine, Descartes’ introduction of natural signs is the closest that he got to formulating a full-fledged theory of sensory perception. The appeal to natural signs has been normally deemed as metaphorical in the literature. I argue that, on the contrary, it is possible to reconstruct a causal story for brain-mind interaction along the lines of a semantic model based on Descartes’ identification of neural events with natural signs. A causal-semantic model emerges as a charitable, plausible reading that reveals the mind as an active interpreter.

Third, in light of the mental activity thesis, I read Descartes’ late appeal to the innateness of all ideas (notably in the Comments on a Certain Broadsheet) as a strategy to account for a type of representational content needed for sensory ideas that, while produced by the mind, is different from that of his paradigmatic innate ideas. I assist Descartes in exploring how the category of innateness captures mental activity within a causal-semantic theory.

Fourth, in the course of this argumentation, and for further support, I address the role of the distinction between primary and secondary qualities in Descartes’ theory. I tackle a pervasive objection stemming from his alleged association of the perception of primary qualities with the intellect. By reassessing Descartes’ views on mental activity, this interpretation aims at a lucid description of sensory perception that goes beyond the rigid rationalism that is often credited to him.


O’Toole, Frederick J. (no known photo). “Descartes’ Problematic Causal Principle of Ideas.” Journal of Philosophical Research 18 (1993): 167–91.

Author’s Abstract: There is a virtual consensus among commentators on Descartes that the causal principle by which he relates the objective reality of his ideas to the formal reality of their causes is indefensible. In particular, Descartes’ claim that this principle follows from the general principle which states that the cause must contain at least as much reality as the effect has been examined and rejected as logically implausible. I challenge this view by showing that there is a logically plausible derivation of the causal principle of ideas from the general causal principle. This result has important implications due to the crucial role the causal principle of ideas plays in Descartes’ first a posteriori argument for the existence of God.



Pasnau, Robert An enhanced color photographic cutout of Robert Pasnau used for visually identifying him.. “Descartes and the Possibility of Enlightened Freedom.” Res Philosophica 94, no. 4 (2017): 499–534.


Pasnau, Robert An enhanced color photographic cutout of a closeup headshot of Robert Pasnau wearing a patterned dark blue shirt under a black sport coat used for visually identifying him.. Theories of Cognition in the Later Middle Ages The enhanced color book cover for :Theories of Cognition in the Later Middle Ages.". Cambridge: UK: Cambridge University Press, 1997.


Patterson, Sarah A reversed and enhanced  color photographic cutout of Sarah Patterson sitting in a gray swivel chair and wearing a dark shirt used to visually identify her.. “Clear and Distinct Perception.” In A Companion to Descartes A black book cover with Descartes's Franz Gals portrait centered on cover under the title "A Companion to Descartes" edited by Janet Broughton and John Carriero used to visually identify it., edited by Janet Broughton An enhanced color photographic cutout headshot of a smiling gray haired Janet Broughton used for visually identifying her. and John Carriero A color photographic headshot of John Carriero wearing a light brown jacket over a blue shirt used for identifying him., 216–34. Oxford: Blackwell, 2008. Also in Wiley’s Online Library.


Patterson, Sarah A reversed and enhanced  color photographic cutout of Sarah Patterson sitting in a gray swivel chair and wearing a dark shirt used to visually identify her.. “Descartes on the Errors of the Senses.” Royal Institute of Philosophy Supplement 78 (2016): 73–108.

Abstract: Descartes first invokes the errors of the senses in the Meditations to generate doubt; he suggests that because the senses sometimes deceive, we have reason not to trust them. This use of sensory error to fuel a sceptical argument fits a traditional interpretation of the Meditations as a work concerned with finding a form of certainty that is proof against any sceptical doubt. If we focus instead on Descartes’s aim of using the Meditations to lay foundations for his new science, his appeals to sensory error take on a different aspect. Descartes’s new science is based on ideas innate in the intellect, ideas that are validated by the benevolence of our creator. Appeals to sensory error are useful to him in undermining our naïve faith in the senses and guiding us to an appreciation of innate ideas. However, the errors of the senses pose problems in the context of Descartes’s appeals to God’s goodness to validate innate ideas and natural propensities to belief. A natural tendency to sensory error is hard to reconcile with the benevolence of our creator. This paper explores Descartes’s responses to the problems of theodicy posed by various forms of sensory error. It argues that natural judgements involved in our visual perception of distance, size and shape pose a problem of error that resists his usual solutions.


Paul, Elliot Samuel A reversed enhanced  photographic cutout headshot of Elliot Samuel Paul facing forward and wearing a white v-neck t-shirt under a black jacket used for visually identifying him. A reversed nuanced colorized photographic cutout headshot of Elliot Samuel Paul turning towards his left and wearing a white v-neck shirt used for visually identifying him.. “Cartesian Clarity.” Philosophers Imprint 20, no. 19 (June 2020): 1–28.


Paul, Elliot Samuel An enhanced color photographic cutout headshot of a glasses adorned smiling Elliot Samuel Paul wearing a black shirt with rounded collar under a white sports coat used for visually identifying a him.. “Cartesian Intuition.” British Journal of the History of Philosophy, 31, no. 4 (2022): 693–723.


Paul, Elliot Samuel An enhanced color photographic cutout headshot of a smiling and full bearded Elliot Samuel Paul without glasses facing forward and wearing a blue collared shirt with white buttons used for visually identifying him.. “Descartes’s Anti-Transparency and the Need for Radical Doubt.” Ergo, 5, no. 41 (2018): 1083–129. Also available ERGO.


Paul, Elliot Samuel This is a reversed enhanced color photographic cutout headshot of a smiling, full-bearded Elliot Samuel Paul without glasses facing forward, wearing a blue collared shirt with white buttons used to visually identify him.. Forthcoming. “Descartes’s Clarity First Epistemology.” In The Blackwell Companion to Epistemology, 3rd Edition, edited by Kurt Sylvan A reversed, enhanced color photographic headshot cutout of Kurt Sylvan wearing glasses, a closed-mouth smirk, and a dark blue shirt under a black sweater under a dark suit coat is used for visual identification., Ernest Sosa An enhanced, colorized closeup photographic headshot cutout of Ernest Sosa in a right profile is used for visual identification., Jonathan Dancy An enhanced color photographic headshot cutout of Jonathan Dancy wearing rimless glasses and a blue collared shirt is used for visual identification., and Matthias Steup An enhanced color photographic headshot cutout of Matthias Steup wearing glasses and an unbuttoned at-the-neck white shirt with a grid pattern under a black suit coat is used for visual identification.. Hoboken, NJ: Wiley Blackwell, 2025. All chapters are listed below in the screen capture from PhilPapers.

An enhanced color screenshot of the bibliographical entry for "The Blackwell Companion to Epistemology," 3rd edition, edited by Kurt Sylvan, Ernest Sosa, Jonathan Dancy & Matthias Steup (Wiley- Blackwell) (forthcoming).

An enhanced color screenshot of the Table of Content's Chapter's in "The Blackwell Companion to Epistemology," 3rd edition, edited by Kurt Sylvan, Ernest Sosa, Jonathan Dancy & Matthias Steup (Wiley- Blackwell) (forthcoming).


Percival, Ray Scott A reversed enhanced colorized photographic headshot cutout of Ray Scott Perceival wearing a dark blue hat with colorful headbands and an outerwear jacket used to visually identify him. An artificial intelligence recreation of the top of his head and enhanced and colorized photographic headshot cutout of Ray Scott Percival with a shaved bald head wearing a light gray shirt not looking at viewer and his head and should turned mildly to his left used to visually identify him.A reversed enhanced colorized photographic headshot cutout of a white mustache and goateed Ray Scott Perceival wearing a white shirt with a black hat looking at viewer used to visually identify him. An enhanced colorized video cutout of Ray Scott Perceival wearing a green vest over a light yellow shirt used to visually identify him. . “Descartes’ Model of Mind.” In The Encyclopedia of Clinical Psychology An enhanced dark blue five volume photographic cutout of "The Encyclopedia of Clinical Psychology" with a gold band towards the bottom edited by Robin L. Cautin and Scott O. Lilienfeld used to visually identify it., edited by Robin L. CautinAn enhanced color photographic headshot cutout of Robin L. Cautin with shoulder length dark brown hair and wearing a colorful shirt under a dark gray jacket used to visually identify her. and Scott O. Lilienfeld An enhanced color photographic headshot cutout of Scott O. Lilienfeld wearing a light green shirt used to visually identify him.. New Jersey: Wiley-Blackwell (2015): 852–58.

Abstract: René Descartes was an advocate of a particular form of dualist interactionism, in which the influential materialism of his day played a large role. Descartes argued that there was both mind and body and that these interacted with one another. Materialism, which had received a boost in the seventeenth century with the rise of Galileo’s (1564–1642) approach to science, is the doctrine that everything is composed of matter or body and that this fills parts or perhaps the whole of space. Different parts of the world interact by one body pushing another body, making the whole world a clockwork mechanism in which all explanation is based on action by contact and push. Descartes’ model of mind was an answer to the question how does the mind fit into such a machinelike world.
KEYWORDS: Aristotle; Galileo; history of science; materialism; self and identity; dualism; hallucinations; interactionism; methodology; mind.


Perler, Dominik Three transparent color headshots of Dominik Perler.. “Essentialism and Direct Realism: Some Late Medieval Perspectives.” Topoi 19, no. 2 (2000): 111–22.


Perler, Dominik A reversed enhanced color photographic headshot cutout of a smiling Dominik Perlerr with rimless glasses and wearing a yellow polo shirt under a brown and dark gray outerwear jacket with an upturned right collar used to visually identify him.. “Inside and Outside the Mind: Cartesian Representations Reconsidered.” In Perception and Reality: From Descartes to the Present The book cover for "Perception and Reality: From Descartes to the Present.", edited by Ralph Schumacher A reversed enhanced color photographic torso and headshot cutout of Ralph Schumaker with glasses wearing a collared white shirt used to visually identify him. 69–87. Paderborn, Deutschland: Mentis, 2004.


Perler, Dominik An enhanced color photographic upper torso and headshot cutout of a smiling Dominik Perlerr with rimless glasses with his head bent down looking to his left and wearing a yellow collared shirt with a gray tie under a black suit coat with a blue and white sash over his left shoulder used to visually identify him.. Repräsentation bei Descartes [GT: Representation in Descartes] An enhanced book cover for Dominik Perler's "Repräsentation bei Descartes" used to identify it.. Frankfurt am Main: Klostermann, 1996.

Publisher’s Abstract: Descartes’ theory of ideas has repeatedly been presented in recent research as the starting point of the modern “way of ideas,” which leads to a fateful representationalism because Cartesian ideas seem to be something like mental objects in an “inner arena.” Since we only have immediate access to these mental objects, we can only infer the existence of external objects, but we can never recognize them directly. We are always trapped in our inner arena.

Against this widespread view, this study argues that Descartes’s theory of ideas is to be understood within the framework of a theory of intentionality: ideas are nothing more than intentional acts, which are normally directed at external objects and have these objects as their content. In Cartesian ontology, there is no place for mysterious inner objects that slide, as it were, between the mind and the outer objects. Of course, the questions immediately arise (i) how mental acts can be directed at objects at all, (ii) how the content of these acts is to be determined and (iii) how we can gain a correct knowledge of the outside world by means of intentional acts. [Translated from German to English by Google Translate with minor editing]


Perler, Dominik A reversed enhanced color photographic headshot cutout of a smiling Dominik Perlerr with rimless glasses and wearing a yellow polo shirt under a brown and dark gray outerwear jacket with an upturned right collar used to visually identify him.. “Spiegeln Ideen die Natur? Zum Begriff der Repräsentation bei Descartes” [”Do ideas reflect nature? On the concept of representation in Descartes”]. Studia Leibnitiana 26, no. 2 (1994): 187–209. https://www.jstor.org/stable/40694271.


Perler, Dominik An enhanced color photographic upper thigh to headshot cutout of a smiling Dominik Perlerr with rimless glasses with his head bent down looking to his left with his left arm on a support (unseen) and wearing a white open collared shirt with no tie under a gray  suit coat and darker gray pants used to visually identify him.. “Things in the Mind: Fourteenth-Century Controversies over ‘Intelligible Species’.” Vivarium 34, no. 2 (1996): 251–63.


Perler, Dominik A reversed enhanced color photographic upper torso to headshot cutout of an unsmiling Dominik Perler with rimless glasses with his shoulders turned to his left while grasping his hands together at his solar plexus while wearing a dark maroon open collared shirt with no tie under a black suit coat used to visually identify him.. “What Am I Thinking About? John Duns Scotus and Peter Aureol on Intentional Objects.” Vivarium 32, no. 1 (1994): 72–89.


Perler, Dominik An enhanced color photographic upper torso to headshot cutout of an spesking Dominik Perler with rimless glasses and a white shirt with his hands up on either side making a point used to visually identify him.. “What Are Intentional Objects?” A Controversy among Early Scotists”. In Ancient and Medieval Theories of Intentionality, edited by Dominik Perler. Leiden: Brill (2001): 203–26.


Perler, Dominik Three transparent color headshots of Dominik Perler. and Johannes Haag An enhanced color photographic headshot cutout of Johannes Haag used for visually identifying him.. Ideen. Repräsentationalismus in der frühen Neuzeit. 2 vols. The dark black book cover of "Ideen. Repräsentationalismus in der frühen Neuzeit. Texte und Kommentare." Berlin and New York: de Gruyter, 2010.


Pessin, Andrew A reversed, colorized,  and enhanced photographic cutout of André Pessin used to visually identify him.. “Descartes’s Nomic Concurrentism: Finite Causation and Divine Concurrence.” Journal of the History of Philosophy 41, no. 1 (January 2003): 25–49.


Pessin, Andrew A reversed, colorized,  and enhanced photographic cutout of André Pessin used to visually identify him.. “Descartes’s Theory of Ideas.” The Stanford Encyclopedia of Philosophy, edited by by Edward N. Zalta An enhanced color photographic headshot cutout of Edward N. Zalta, wearing glasses, a full white beard and mustache, and a vertically striped shirt with a lanyard around his neck, looking to his left, was used for visual identification., 2007. http://plato.Stanford.edu/archives/spr2007/entries/descartes-ideas.


Pessin, Andrew A reversed, colorized, and enhanced photographic cutout of André Pessin used to visually identify him.. “Mental Transparency, Direct Sensation, and the Unity of the Cartesian Mind.” In Topics in Early Modern Philosophy of Mind An enhanced gray, orange, and blue book cover of "Topics in Early Modern Philosophy of mind" edited by Jon Miller used to visually identify it., edited by Jon Miller A reversed enhanced upper torso and headshot photographic cutout of a glasses wearing Jon Miller with an off-white turtleneck used to visually identify him., 1–37. Dordrecht: Springer Verlag, 2008.

Alison Simmon’s overview (2011): Nice treatment of other positions, and then argues that sensations do represent, and do so intrinsically (not based on, e.g., their causal or functional relations to the environment); they represent in virtue of their objective reality, but don’t reveal to us from the inside what they represent because of their obscurity and confusion.




Radner, Daisie M. (no known photo). “Thought and Consciousness in Descartes.” Journal of the History of Philosophy 26, no. 3 (July 1988): 439–52.


Rickless, Samuel C. A colorized and enhanced photographic cutout of Samuel C. Rickless used to visually  identify him.. “The Cartesian Fallacy Fallacy.” Nous 39 (2005): 315–17.


Ring, David Carleton A reversed enhanced blemishes removed color photographic headshot cutout of a smiling Dr. David C. Ring wearing a blue t-shirt used to visually identify him. An enhanced color photographic headshot and torso cutout of a smiling and glasses adorned Dr. David C. Ring wearing a lighter blue patterned shirt used to visually identify him.. “Material Falsity, Objective Reality, and Representation in Descartes’s Theory of Ideas.” PhD diss., University of Wisconsin-Madison, 1987. Downloadable from BooksClub.Online, although never authorized by the author. Dissertation director: Terry Penner An enhanced colorized photographic headshot of Terry Penner, smiling with his glasses pushed down his nose and wearing a collared blue shirt, is used for visual identification..

Author’s Abstract: Descartes introduces the theory of the material falsity of an idea in the Third Meditation. What is the purpose of this theory? Descartes also claims that his ideas of the secondary quality sensations are obscure and confused ideas. What justifies this claim and what is its significance? The dissertation focuses on the problem of explaining the constraints on any possible interpretation of the theory of material falsity as well as defending the view that what makes the secondary quality sensations materially false is their lack of what Descartes calls objective reality. In order to orient the reader to the concerns of Descartes as well as the historical and philosophical assumptions made both by Descartes and his opponents, the dissertation has an extensive number of appendices that supply this essential contextual information. In the Appendices, I discuss Descartes’s goals in philosophy as well as the historical context in which he worked out his solutions. The appendices also consider in detail the Cartesian theory of substance, Descartes’s theory of ideas, and the theory of objective reality. The theory of ideas is the keystone to understanding Descartes’s philosophy. In the Third Meditation Descartes maintains that the sensations of heat and of cold “are so little clear and distinct that [he] cannot say regarding them whether cold is only a privation of heat, or whether it is a real quality, or neither.” I argue that as a consequence, the secondary quality sensations, like those of coolness, can have no objective reality. A secondary quality sensation lacks objective reality because otherwise the person who had it would be able to tell, contrary to Descartes’s assertion, what that sensation represents. That these sensations lack objective reality explains why Descartes believes that such ideas are materially false. This interpretation can also be used to explain why Descartes is justified in believing that such ideas are obscure and confused. My interpretation of the theory of material falsity has major ramifications for many areas of Descartes’s philosophy but especially for understanding: How Descartes can justifiably reject Aristotelian physics, the theory of clear and distinct versus that of obscure and confused ideas, his theory of error, and the foundations of Cartesian physics and knowledge of the physical world.


Rocha, Ethel A reversed enhanced color photographic headshot cutout of a smiling Ethel Rocha turned towards her left wearing a scarf wrapped around her neck and a tan outer coat used to visually identify her.. “Innate Ideas and the idea of God in Descartes’s Fifth Meditation.” Cahiers du Séminaire québécois en philosophie moderne / Working Papers of the Quebec Seminar in Early Modern Philosophy An enhanced dull maroon cover with white font for the title "Cahiers du Séminaire québécois en philosophie moderne / Working Papers of the Quebec Seminar in Early Modern Philosophy, no. 1, 2015 used to visually identify it., no. 1 (2015): 46–51.

Author’s Abstract: In this article I examine the concept of innate idea as present in Descartes’s argument in the Fifth Meditation in order to show its fundamental role in enabling the distinction between ideas of essences produced by the mind and ideas of true and immutable essences. Besides showing that, this analysis has, I suggest, the advantage of avoiding difficulties concerning the whole of the Cartesian system, since it harmonizes the Fifth Meditation with the Meditations as a whole, in considering it as possessing not only an ontological dimension, as traditionally understood, but also, and essentially, an epistemic dimension like all the others.


Rocha, Ethel An enhanced color photographic headshot cutout of a smiling Ethel Rocha turned towards her left with her head slightly. bent down wearing a blue shirt. with. a round opening partially revealing her collarbones used to visually identify her.. “Idéias dos Sentidos Segundo Descartes.” Cadernos de História E Filosofia da Ciéncia 19, no. 1 (2009): 115–29. [“Ideas of the Senses According to Descartes.” Notebooks of History and Philosophy of Science 19, no. 1 (2009): 115–29.]

Author’s Abstract: The purpose of this article is to examine the concept of material falsity of ideas introduced by Descartes in the Third Meditation of Metaphysical Meditations. The hypothesis to be defended is that what determines the material falsity of the ideas is the fact that they involve a contradiction in their representative content. That is, in place of the traditional interpretation according to which what characterizes materially false ideas is the fact that they involve a categorical error when displaying modes of the soul as if they were modes of extension, it will be argued that what characterizes certain ideas as materially false is the fact that they intend to exhibit something that at the same time is a mode of the soul and a mode of extension, that is, something that is a mode of two distinct substances that therefore exclude each other, thus engendering a contradiction


Rodis-Lewis, Geneviève A reversed, enhanced, and colorized photographic cutout of Genieveve Rodis-Lewis used for visually identifying her.. “Le développement de la pensée de DescartesAn enhanced and filter book cover of "Le Developpement de la Pensee de Descartes" by Genevieve Rodis-Lewis with a black font title and a blue stamp of a building with a copula used to visually identify it. [The Development of the Thought of Descartes] . Paris: Librarie Philosophique J. Vrin, 1997.


Rodis-Lewis, Geneviève An enhanced and colorized photographic headshot cutout of Genieveve Rodis-Lewis used for visually identifying her.. Descartes: His Life and Thought The yellow book cover with the Frans Hals portrait of Descartes centered on cover in black and white with the title in black font used to visually identify it.. Translated by Jane Marie Todd A reversed enhanced color photographic headshot cutout of Jane Marie Todd with glasses and drop earring and wearing a bright red and white top partially visible used to visually identify her.. Ithaca and London: Cornell University Press, 1998. Originally published in French under the title Descartes, Biographie. Paris: Calmann-Levy, 1995. Partially available from Google Books.


Rodis-Lewis, Geneviève A reversed, enhanced, and colorized photographic cutout of Genieveve Rodis-Lewis used for visually identifying her.. L’Oeuvre de Descartes The color book cover for "Oeuvres de Descartes" by Genevieve Rodis-Lewis.. Vrin: Paris, 1971.


Rorty, Amélie Oksenberg An enhanced color photographic headshot and upper torso cutoff a smiling Amelie O. Rory with her head turned to her left and not facing the camera wearing a white cowl neck and dark blue sweater ensemble with an ovoid metal brooch pin on her right and wearing a name tag on her left used to visually identify her.. “Cartesian Passions and the Union of Mind and Body.” In Essays on Descartes’ Meditations The enhanced dark green book cover with white font in titles for "Essays on Descartes' Meditations" edited by Amelie Oksenberg Rorty used to visually identify it., edited by Amélie Oksenberg Rorty An enhanced color  photographic headshot and shoulders cutout of a smiling glasses adorned Amelie O. Rorty with her head tilted to her right facing the camera wearing a black cowl neck under a autumn colored jacket used to visually identify her., 513–34. Berkeley: University of California Press, 1986.


Rorty, Amélie OksenbergAn enhanced color photographic headshot and shoulders cutoff of a smiling Amelie O. Rory with her head facing the camera wearing a light blue knitted sweater and cowl used to visually identify her., ed. Essays on Descartes’ Meditations The enhanced dark green book cover with white font in titles for "Essays on Descartes' Meditations" edited by Amelie Oksenberg Rorty used to visually identify it.. Berkeley: University of California Press, 1986.


Rozemond, Marleen An enhanced color photographic cutout of Marleen Rozemond used for visually identifying her. . Descartes’s Dualism An orange – maroon book cover of "Descartes's Dualism" by Marleen Rozemond used to visually identify it.. Cambridge, MA: Harvard University Press, 1998.


Rozemond, Marleen An enhanced color photographic cutout of Marleen Rozemond wearing a gray open collared shirt with white buttons used for visually identifying her.. “Descartes on Mind-Body Interaction: What’s the Problem?.” Journal of the History of Philosophy 37, no. 3 (1999): 435–67.


Rozemond, Marleen An enhanced color photographic cutout of Marleen Rozemond wearing a gray open collared shirt with white buttons used for visually identifying her.. “The Nature of the Mind.” In The Blackwell Guide to Descartes’ Meditations An enhanced purple book cover of "The Blackwell Guide to Descartes's Meditations" edited by Stephen Gaukroger used to visually identify it., edited by Stephen Gaukroger An enhanced colorized  photographic headshot and upper torso cutout of a glasses adorned Stephen Gaukroger wearing a white shirt with dark blue and white striped tie under a dark blue sweater with a dark gray wool suit jacket used to visually identify him., 48–88. Oxford, UK: Wiley-Blackwell, 2006. See basic information at “The Nature of the Mind” in The Blackwell Guide to Descartes’ MeditationI.

https://ndl.ethernet.edu.et/bitstream/123456789/8564/1/28.pdf.pdf


An advertising banner of a framed color graphic of a radiological 3D picture of a brain in left profile  with various concepts found prominently in Descartes's theory of ideas circulating around inside the brain.



Schectman, Anat An enhanced color photographic headshot and torso cutout of a mildly smiling standing Anat Schectman facing viewer with arms crossed at waist wearing a purple patterned dress under a beige sweater used to visually identify her. An enhanced color photographic headshot and upper torso cutout of a mildly smiling standing Anat Schectman facing viewer with arms crossed at waist (barely visible) wearing a purple patterned dress under a beige sweater used to visually identify her.. “Descartes’ Argument for the Existence of the Idea of an Infinite Being.” Journal of the History of Philosophy 52, no. 3 (July 2014): 487–517.


Schmal, Dániel An enhanced colorized photographic headshot and upper chest cutout of a barely smiling slightly bearded Daniel Schmal wearing a blue shirt under a dark gray suit coat is used as a bullet point .. “Virtual reflection: Antoine Arnauld on Descartes’ Concept of Conscientia. British Journal for the History of Philosophy 28, no. 4 (2020): 714–34.

Abstract: Although Descartes has often been portrayed as the father of the modern concept of mind, his approach to consciousness is notoriously problematic. What makes it particularly hard to assess his role in the development of the theories of consciousness is the difficulty of clarifying the kind of consciousness he might have in mind when using the associated Latin terms (conscius, cogitatio, conscium esse, etc.). In this article, I analyse Antoine Arnauld’s early interpretation of the passages in Descartes that refer to the issue of consciousness. I argue for two separate but interconnected claims. Firstly, I show that when Arnauld sets out to make a case for Descartes’ concept of cogitatio, he reads the central passages in light of some scholastic theories of cognition, in particular, the concept of ‘reflexio virtualis’ which, far from being a Cartesian invention, comes from the late scholastic discourse. Secondly, I argue that by talking about virtual reflection Arnauld provides an interpretation of Descartes’ views in terms of the intrinsic structure of the first-order thought—a reading which is still plausible, even by our contemporary standards.


Schmal, Dániel An enhanced colorized photographic headshot and upper chest cutout of an unsmiling barely bearded Daniel Schmal wearing a medium gray collared shirt is used as visual identification.. “Intellectual Memory and Consciousness in Descartes’s Philosophy of Mind.” Societate si Politica (2018): 28–49. Also, readable at Academia.com.

Abstract: Although Descartes’s ideas regarding consciousness and memory have been studied extensively, few attempts have been made to address their systemic relations. In order to redress this deficiency, I argue in favor of three interrelated theses. The first is that intellectual memory has a crucial role to play in Descartes’s concept of consciousness, especially when it comes to explaining higher forms of consciousness. Second, the connection between memory and consciousness has been obscured by the fact that intellectual memory, taken as a subject in its own right, was relatively neglected in Descartes’s philosophy: By and large, his views on the matter remained within the limits of late scholastic Scotism. Third, what makes the question of intellectual memory so fascinating in Descartes is not some ground-breaking insight into its nature; rather, it is his gradual recognition of the role that intellectual memory plays in the constitution of higher forms of consciousness. With these arguments, and relying on Descartes’s 1648 correspondence with Antoine Arnauld, where he progressed beyond the substance-based approach to the self, I try to show that he deserves to be credited with a more prominent status in the history of the self and personhood than has previously been the case.


Schmaltz, Tad M. An enhanced colorized photographic headshot cutout of glasses adorned Tad Schmaltz with a goatee wearing a collar blue shirt with the top button unfastened used for visually identifying him. . “Deflating Descartes’s Causal Axiom.” Oxford Studies in Early Modern Philosophy 3 An enhanced mostly black book cover with a tan rectangle at bottom containing "Volume III" with the title just above in the black of "Oxford Studies in Early Modern Philosophy" edited by Daniel Garber and Steven Nadler used to visually identify it. , Ch. 1, edited by Daniel Garber An enhanced color photographic cutout of a full bearded and mustached Daniel Garber with glasses wearing a blue shirt and dark colored tie under a maroon v-neck sweater and dark gray suit jacket used to visually identify him. and Steven NadlerA reversed enhanced color photographic cutout of a smiling Steven Nadler wearing glasses and a black colored shirt with one white button showing under a black sweater used to visually identify him., 1–31. Oxford: Clarendon Press, 2006.


SchmaltzTad M. A reversed enhanced colorized photographic headshot cutout of dark sunglasses adorned Tad Schmaltz with a white goatee wearing a ball cap and a dark blue collared  shirt with black patterning and the top button unfastened used for visually identifying him.. Descartes on Causation The yellow with brown frame book cover for "Descartes on Causation" by Tad Schmaltz used to visually identify it.. Oxford: Oxford University Press, 2008.


SchmaltzTad M. An enhanced colorized photographic headshot cutout of glasses adorned Tad Schmaltz with a goatee wearing a collar blue shirt with the top button unfastened used for visually identifying him.. “Descartes on Innate Ideas, Sensation, and Scholasticism: the Response to Regius.” In Studies in Seventeenth-Century European Philosophy The powder blue book cover of "Studies in Seventeenth Century European Philosophy" edited by Michael A. Stewart used to visually identify it. Oxford Studies in the History of Philosophy, vol. 2, edited by Michael A. Stewart (no known photo), 33–73. Oxford: Clarendon Press, 1997.


SchmaltzTad M. A reversed enhanced colorized photographic headshot cutout of dark sunglasses adorned Tad Schmaltz with a white goatee wearing a ball cap and a dark blue collared shirt with black patterning and the top button unfastened used for visually identifying him.. “Malebranche’s Cartesianism and Lockean Colors.” History of Philosophy Quarterly 12 (1995): 387–403.


SchmaltzTad M. An enhanced colorized photographic headshot cutout of glasses adorned Tad Schmaltz with a goatee wearing a collar blue shirt with the top button unfastened used for visually identifying him.. Malebranche’s Theory of the Soul: A Cartesian Interpretation. An enhanced gray book cover of "Malebranche's Thriry of the Soul: A Cartesian Interpretation" by Tad M. Scmaltz used to visually identify it.. New York: Oxford University Press, 1996.


SchmaltzTad M. A reversed enhanced colorized photographic headshot cutout of dark sunglasses adorned Tad Schmaltz with a white goatee wearing a ball cap and a dark blue collared shirt with black patterning and the top button unfastened used for visually identifying him.. Radical Cartesianism: The French Reception of Descartes The dark blue and silver book cover of "Radical Cartesianism: The French Reception of Descartes" used to visually identify him.. Cambridge: Cambridge University Press, 2002.


SchmaltzTad M. An enhanced colorized photographic headshot cutout of glasses adorned Tad Schmaltz with a goatee wearing a collar blue shirt with the top button unfastened used for visually identifying him.. “Sensation, Occasionalism and Descartes’ Causal Principles.” In Minds, Ideas and Objects: Essays on the Theory of Representation in Modern Philosophy The enhanced dark blue book cover for "Minds, Ideas, and Objects" edited by Phillip D. Cummins and Gunther Zoeller., edited by Phillip D. Cummins (no known photo) and Günter Zöller An enhanced photographic headshot cutout of a smiling Gunther Zoeller with glasses and wearing a collared white shirt and light green tie under a black sports coat used to visually identify him., 37–55. Atascadero, CA: Ridgeview, 1992.


Schmitter, Amy Morgan A reversed enhanced colorized photographic headshot cutout of a young adult Amy M. Schmitter with lipstick wearing a black top facing forward with her left hand supporting her chin with rolled up fingers on her left cheek used to visually identify her. . “Descartes, Representation and the Intelligibility of Sense-Perception.” Preliminary draft.


Schmitter, Amy Morgan An enhanced full body photographic headshot cutout of a young adult Amy M. Schmitter turned to her left in profile wearing a full length golden yellow velvet floral patterned tapestry long coat with white floral embroidery patterns used to visually identify her.. Descartes’s Representation of the Self. PhD diss., University of Pittsburgh, 1993.

Author’s Abstract: While Descartes’s status as a “representationalist” is often a subject of vehement debate, what exactly he means by “representation” is not. I look to Descartes’s early work to show that he first conceives of representation through signification, in which the sign and the signified are isomorphic; on this view, relations of representation can be arbitrary and are to be distinguished from relations of resemblance. I then examine images to show the possibility of an image constructing a relation to its viewer, or “subject-position,” in which that subject-position fails to display the attributes of extended things. Such a construction might be applied to the “I” of the Meditations–distinct from all extended substances, it nonetheless has direct access to them through its non-objectified sense-ideas. On this basis, I propose a “model” of representation for ideas: an idea represents its object O to a subject-position S through a vehicle of representation X under some relation R. I argue that this model can explain the uses Descartes makes of “represent,” particularly for ideas. But it must be understood properly: Descartes comes to conceive of the vehicle of representation simply as the form taken by the direct interaction of the mind and the things objectively present to it–but a form that can take on a life of its own, giving rise to the possibilities of clarity and distinctness or of confusion in ideas. But what is truly novel about Descartes’s conception is the mind’s ability to form higher-order representations that represent the conditions of representation itself, thereby achieving certainty for some mental representations without starting from any incorrigible, immediate perceptions. This possibility is realized most clearly in the understanding of my nature as a thinking and representing being, where I can represent myself as the subject-position distinct from all extended things, but also can represent myself as joyfully and representatively united with a body all my own.


Schmitter, Amy Morgan An enhanced full body photographic cutout of a young adult Amy M. Schmitter turned to her left wearing a full length golden yellow velvet floral patterned tapestry long coat with white floral embroidery patterns used to visually identify her.. “Formal Causation and the Explanation of Intentionality in Descartes.” The Monist 79, no. 3, Causality Before Hume (July 1996): 368–87.


Schmitter, Amy Morgan A reversed enhanced color photographic cutout of a smiling Amy M. Schmitter wearing a brown coat over a white shirt with her left hand raised under her neck used for identifying her.. “The Passionate Intellect: Reading the (Non-) Opposition of Intellect and Emotion in Descartes.” In Persons and Passions: Essays in Honor of Annette Baier A mostly maroon with  orange in part of the title font of the book cover of "Persons and Passions: Essays in Honor of Annette Baier" edited by Joyce Jenkins, Jennifer Whiting, and Christopher Williams used to visually identify it., edited by Joyce L. Jenkins (no known photo), Jennifer Whiting An enhanced color photographic headshot cutout of Jennifer Whiting with glasses wearing an academic robe over a black v-neck shirt and a blue sash around her neck used to visually identify her., and Christopher Williams An enhanced color photographic headshot cutout of Christopher Williams with glasses and wearing a mauve collared shirt used to visually identify him.. Notre Dame, IN: University of Notre Dame Press (2005): 48–82.


Schmitter, Amy Morgan A reversed enhanced color photographic cutout of a middle aged Amy M. Schmitter in profile facing left turned to her right with long dangling straight metal earrings wearing a black hoody with the back of her left hand under her chin used for identifying her.. “Representation, Self-Representation, and the Passions in Descartes.” Review of Metaphysics 48 (1994): 331–58.


Schmitter, Amy Morgan A reversed enhanced color photographic cutout headshot of a middle aged Amy M. Schmitter facing forward wearing a gray top and with  heavy black headset on ears and a large black microphone extension out of the black headset used for identifying her.. “The Third Meditation on Objective Being: Representation and Intentional Content.” In The Cambridge Companion to Descartes’ Meditations The book cover in a dirty yellow color with a painting of a dark alcove with light streaming in from a window on the right of "A Cambridge Companion to Descartes' Meditations" edited by David Cunning used to visually identify it., edited by David Cunning A reversed and enhanced color photographic cutout of David Cunning used to visually identify him.. Cambridge, UK: Cambridge University Press (2014): 149–67. Download it directly here.


Schouls, Peter Arthur A reversed enhanced colorized photographic headshot cutout of a glasses adorned smiling Peter A. Schouls wearing a light green shirt and dark blue tie under a dark blue jacket used to visually identify him.. Descartes and the Enlightenment The black book cover of "Descartes and the Enlightenment" by Peter A. Schouls used for visually identifying it.. Montreal: McGill-Queen’s University Press, 1989.


Schumacher, Ralph A reversed enhanced color photographic torso and headshot cutout of a glasses adorned Ralph Schumaker wearing  a collared white shirt used to visually identify him. , ed. Perception and Reality: From Descartes to the Present. The book cover for "Perception and Reality: From Descartes to the Present." Paderborn: Mentis, 2004.


Scribano, Emanuela A mirror reversed  enhanced colorized photographic cutout of Emanuela Scribano used for visually identifying her. A mirror reversed enhanced colorized photographic cutout of Emanuela Scribano used for visually identifying her. . Descartes et les vraies et fausses idées.” Archives de Philosophie 64, no. 2 (2001): 259–78.

Author’s Abstract: In the Third Meditation (TM), Descartes introduces the doctrine of the “material falsehood” of ideas. In the Fourth Objections, Arnauld criticizes this doctrine which later disappears from Descartes’s works. Recent interpretations have focussed on the coherence of the theory and compatibility between the wording of the TM and the Replies. Here, the topic is picked up again, bringing in the Scholastic debate on truth and falsehood. The presentation of Descartes’s doctrine in the TM proves to be incompatible with that of the replies to Arnauld, suggesting an incompatibility of the two formulations of the doctrine of the “material falsehood” of ideas. Yet, the reason for Descartes’s change of mind cannot be explained by the sole power of this criticism, since the conceptual framework of the Scholastic doctrine of representation offers Descartes the tools to defend his own doctrine without modifying it. Hence, the suggestion to look for the reasons of that change elsewhere, namely in Descartes’s will to avoid the dangerous consequences for the foundations of science implied by the TM’s formulation of the doctrine of the “material falsehood” of ideas.


Scribano, Emanuela A mirror reversed enhanced colorized photographic cutout of a glasses wearing Emanuela Scribano with a mottled blue and green jacket with a rounded neck black collarless shirt under white pearls.. Descartes in Context: Essays An enhanced and colorized book cover for "Descartes in Context: Essays" (2023) by Emanuela Scribano used for displaying the book. . New York: Oxford University Press, 2023.


Secada, Jorge An enhanced and partially constructed image of a full white beard and mustache Jorge Secada smiling and wearing a black hat with a brown strap and a black leather jacket used for visually identifying him.An enhanced photographic cutout of a full white beard and mustache Jorge Secada seated and leaning to his left wearing a black suit jacket and brown tie used for visually identifying him.. Cartesian Metaphysics: The Scholastic Origins of Modern Philosophy An enhanced aqua colored book cover for "Cartesian Metaphysics: The Scholastic Origins of Modern Philosophy" by Jorge Secada with a cartoon drawing of Descartes's head used to visually identify it.. Cambridge: Cambridge University Press, 2000.


Secada, Jorge An enhanced and partially constructed image of a full white beard and mustache Jorge Secada smiling and wearing a black hat with a brown strap and a black leather jacket used for visually identifying him.An enhanced photographic cutout of a full white beard and mustache Jorge Secada seated and leaning to his left wearing a black suit jacket and brown tie used for visually identifying him., Travis Tanner An enhanced photographic cutout of Dr. Travis Tanner, wearing a lavender shirt with a blue necktie under a red sleeveless sweater with blue piping, is used to identify him visually., and Cecilia Wee (no known photo), eds. The Cartesian Mind An enhanced cutout of the yellow orchre book cover of “The Cartesian Mind” (2025), edited by Jorge Secada, Travis Tanner, and Cecilia Wee, with the Frans Hals painting of René Descartes on the left-hand side, is used to identify it visually.. London: Taylor & Francis, September 3, 2025.

Publisher:Taylor & Francis
Publication date:09/03/2025
Series:Routledge Philosophical Minds

The book's contents are shown in an enhanced diptych of the Table of Contents for “The Cartesian Mind” (2025), edited by Jorge Secada and Cecilia Wee.

.


Sellars, Wilfrid A reversed colorized enhanced photographic headshot cutout of Wilfrid Sellars wearing a dark suit jacket over a light blue shirt and dark red and blue tie used for visually identifying him.. “Being and Being Known.” Proceedings of the American; Catholic Philosophical Association 34 (1960): 28–49.


Sellars, Wilfrid A colorized enhanced photographic headshot cutout of Wilfrid Sellars wearing a dark suit jacket over a light blue shirt with his head slightly tilted and turned to his left used for visually identifying him.. “Berkeley and Descartes: Reflections on the Theory of Ideas.” In Studies in Perception: Interpretation in the History of Philosophy and Science An enhanced bright green and black book cover of "Studies in Perception: Interrelationships in the History of Philosophy and Science" with the cover showing bright green mountains and black valleys viewed from high up looking down edited by Peter K. Machamer and Robert G. Turnbull used to visually identify it., edited by Peter K. Machamer An enhanced color  photographic headshot cutout of Peter K. Machamer turned to his left with glasses and wearing a purple collared shirt under a dark gray suit coat used to visually identify him.and Robert G. Turnbull (no known photo), 259–311. Columbus, OH: Ohio State University Press, 1977.


Sellars, Wilfrid A colorized enhanced photographic headshot cutout of Wilfrid Sellars wearing a dark blue suit jacket over a white shirt and medium blue tie used for visually identifying him.. “Empiricism and the Philosophy of Mind.” In Minnesota Studies in the Philosophy of Science, Vol. I., edited by Herbert Feigl A reversed enhanced colorized photographic upper torso and headshot cutout of a glasses wearing Herbert Feigl blue tie, white shirt, and a dark gray suit coat used to visually identify him. A reversed enhanced colorized photographic upper torso and headshot cutout of Herbert Feigl with a dark blue tie, light blue or white shirt, and a dark gray suit coat with his head held up used to visually identify him. and Michael Scriven A reversed enhanced colorized photographic headshot cutout of Michael Scriven wearing a white open collared shirt used to visually identify him., 253–329. Minneapolis, MN: University of Minnesota Press, 1956.


Sellars, Wilfrid A non-reversed colorized enhanced photographic headshot cutout of Wilfrid Sellars with a blonde mustache and wearing a tan suit jacket over an off-white shirt and dark tie used for visually identifying him.. Kant and Pre-Kantian Themes: Lectures by Wilfrid Sellars An enhanced color dark. brown book cover of "Kant and Pre-Kantian Themes: Lectures by Wilfrid Sellars" edited by Pedro Amaral with a black and white drawing of Sellers's head centered inside of a white square on the cover used to visually identify it.. Edited by Pedro V. Amaral An enhanced color photographic headshot cutout of Pedro V. Amaral with rimless glasses and wearing a tan collared shirt under a gray/greenish sport coat used to visually identify him.. Atascadero, CA: Ridgeview, 2002.


Sellars, Wilfrid.A colorized enhanced photographic headshot cutout of Wilfrid Sellars wearing a dark suit jacket over a light blue shirt with his head slightly tilted and turned to his left used for visually identifying him.. Kant’s Transcendental Metaphysics: Sellars’ Cassirer Lectures Notes and Other Essays An enhanced rich dark blue book cover with black font title of "Kant's Transcendental Metaphysics: Sellars' Cassirer Lectures Notes And Other Essays" edited and introduced by Jeffrey F. Sicha used to visually identify it.. Edited by Jeffrey F. Sicha (no known photo). Atascadero, CA: Ridgeview, 2002.


Sellars, Wilfrid A non-reversed colorized enhanced photographic headshot cutout of Wilfrid Sellars with a blonde mustache and wearing a tan suit jacket over an off-white shirt and dark tie used for visually identifying him.. “Philosophy and the Scientific Image of Man.” In Frontiers of Science and Philosophy The dark gray with maroon, blue, and yellow book cover of "Frontiers of Science and Philosophy" edited by Robert G. Colodny used to visually identify it., edited by Robert G. Colodny An enhanced colorized photographic headshot cutout of a glasses wearing Robert G. Colodny with a sport coat and tie used to visually identify him. , 35–78. Pittsburgh: University of Pittsburgh Press, 1962. Reprinted in Science, Perception and Reality An enhanced color yellow and dark green photographic cutout of "Science, Perception and Reality" by Wilfrid Sellars used to visually identify it., London: Routledge and Kegan Paul, 1963. A collection of some of Sellars’s lectures and articles from 1951 to 1962. See screen capture for reproduced titles. Also available at Internet Archive.

A screen capture of the Table of Contents for "Science, Perception, and Reality" by Wilfrid Sellars.


Sellars, Wilfrid A reversed colorized enhanced photographic cutout of Wilfrid Sellars wearing a dark blue suit jacket over a white shirt and dark red and blue tie holding an open book in his lap used for visually identifying him.. Science and Metaphysics: Variations on Kantian Themes An enhanced color photographic cutout of the book cover of "Science and Metaphysics: Variations on Kantian Themes" by Wilfrid Sellars used to visually identify it.. The John Locke Lectures for 1965–66. London: Routledge & Kegan Paul, 1968.


Sencerz, Stefan S. An enhanced color photographic headshot cutout of a mustached Stefan S. Sencerz looking to his left wearing  a mottled gray shirt used for visually identifying him. An enhanced color photographic headshot cutout of a mustached Stefan S. Sencerz leaning to his right looking out at the viewer wearing an orange t-shirt under an official major league baseball with patch dark blue sleeveless Texas vest jacket used for visually identifying him. A reversed enhanced color photographic headshot and upper torso cutout of a mustached and glasses adorned Stefan S. Sencerz pointing his left hand with index finger extended wearing a purple shirt with rounded neck under a black racing jacket used for visually identifying him.. “Descartes on Sensations and Animal Minds.” Philosophical Papers 9 (1990): 119–41.


Sepper, Dennis L. A reversed enhanced color photographic headshot cutout of a glasses wearing Dennis L. Sepper with a. full beard and mustache and wearing a white collared  shirt with thin gray vertical stripes and a light blue paisley tie used to visually identify him. A reversed enhanced color photographic upper torso and headshot cutout of a glasses wearing Dennis L. Sepper with a. full beard and mustache and wearing a white collared shirt with thin gray vertical stripes and a light blue paisley tie used to visually identify him.. Descartes’s Imagination: Proportion, Images, and the Activity of Thinking An enhanced mostly black book cover of "Descartes's Imagination: Proportion, Images and the Activity of Thinking" by Dennis L. 
Sepper used to visually identify it.. Berkeley, CA: University of California Press, 1996.


Septeyi, Dymtro A reversed enhanced, colorized photographic cutout of Dmytro Sepetyi wearing a blue shirt with a white collar beneath a blue sport coat, looking slightly to his left, is used to identify him visually. . “Mind-body Interaction, Physical Causation, and the Natures of Substances in Descartes’s philosophy.” In Actual Problems of Mind/Spirituality 23  An enhanced very bright yellows journal cover for he 2022 issue of "Actual States of Mind" used to visually identify it. , edited by Yaroslav V. Shramko An enhanced color photographic headshot cutout of Yaroslav V. Shramko, wearing glasses, a gray suit, a light blue shirt, and a red tie is used for visual identification., 64–83. Kryvyi Rih, UKR(aine): KDPU, 2022.

Abstract: The article discusses the problem of the compatibility of Descartes’s doctrine of interactionist substance dualism with his claims about the law of the conservation of the quantity of motion, about the way God maintains the world in existence, and about minds and bodies having only properties that are modes of thinking or extension respectively. The case is made that although there seem to be prima facie conflicts, they can be neutralised as merely apparent. The position that mental states cause some motions in the brain is consistent with Descartes’s postulation of the existence of the law of conservation of the quantity of motion, insofar as it derives from God’s immutability whereas souls are not immutable, as well as with the laws of conservation established by Newtonian physics, insofar as they don’t prohibit purely redistributive changes and are established only for physical interactions. Descartes’s interactionism does not conflict with his statements about the way God maintains the world in existence, if the latter are construed in the sense that God preserves motion in the world by preserving the laws of nature, and the conservation of the world by God is a continuation of the initial act of creation. The principle that all properties of a substance are modes of its main attribute agrees with substance dualism and interactionism, if we admit that Descartes’s ontology of the world includes, besides substances of two kinds with their main attributes and modes of those attributes, something more—irreducible sui generis entities, such as the substantial union of body and soul and/or psychophysical laws of nature.


Septeyi, Dymtro A reversed enhanced, colorized photographic cutout of Dmytro Sepetyi wearing a blue shirt with a white collar beneath a blue sport coat, looking slightly to his left, is used to identify him visually.. “The Problem of Mind–Body Interaction in the Causal Principle of Descartes’s Third Meditation.” Sententiae 40, no. 1 (April 2021): 28–43.

Abstract: The article analyses recent English publications in Cartesian studies that deal with two problems: (1) the problem of the intrinsic coherence of Descartes’s doctrine of the real distinction and interaction between mind and body and (2) the problem of the consistency of this doctrine with the causal principle formulated in the Third Meditation. The principle at issue is alternatively interpreted by different Cartesian scholars either as the Hierarchy Principle, that the cause should be at least as perfect as its effects, or the Containment Principle, that the cause should contain all there is in its effects. The author argues that Descartes’s claim (in his argument against the scholastic doctrine of substantial forms) that it is inconceivable how things of different natures can interact does not conflict with the acknowledgement of interaction between things of different natures in the case of soul and body. The case is made that Cartesian mind-body interaction can agree with both the Hierarchy Principle and the Containment Principle, because the Principle is about total and efficient cause, whereas in the interaction, mental and brain states are only partial (and plausibly, in the case of brains states, occasional) causes. In particular, in the case of the causality in the brain-to-mind direction, the mind is conditioned by brain states to form the corresponding specific ideas on the basis of its innate general ideas of movements, forms, colours, etc. Eventually, for Descartes, the most natural way to deal with worries about the possibility of mind-brain interaction is to rely on God’s omnipotence, which certainly enables Him to arrange for such interaction.


Shapiro, Lionel A reversed enhanced color photographic headshot and torso cutout of a smiling glasses adorned Lionel Shapiro wearing a gray collared shirt with his head turned away from viewer towards his left used for visually identifying him.. “Intentionality Bifurcated: A Lesson from Early Modern Philosophy?. In Contemporary Perspectives on Early Modern Philosophy: Nature and Norms in Thought” (Studies in History and Philosophy of Science, Vol. 29), edited by Martin Lenz A reversed enhanced  photographic headshot cutout of a gray bearded and mustached and unsmiling Martin Lenz wearing a white collared shirt under a dark gray suit jacket used to visually identify him. and Anik Waldow A reversed enhanced colorized photographic headshot cutout of an unsmiling Snik Waldow with shoulder length hair wearing a red necklace with a white uncollared shirt under a dark jacket used to visually identify her., 39–51. Dordrecht: Springer, June, 2013.


Shapiro, Lionel A reversed enhanced color photographic headshot and torso cutout of a smiling glasses adorned Lionel Shapiro wearing a dark jacket over a dark blue shirt used for visually identifying him. . “Objective Being and ‘Ofness’ in Descartes.” Philosophy and Phenomenological Research 84, no. 2 (2012): 378–418.


Shapiro, Lisa CarynAn enhanced color photographic cutout of Lisa. Shapiro wearing a collared dark blue shirt under a black jacket and a silver necklace with a pearl pendant around her neck used for visually identifying her.. “Cartesian Passions as Representational Mental States.” Unpublished draft manuscript. Do not cite.


Shapiro, Lisa An enhanced color photographic headshot  cutout of Lisa Shapiro wearing a floral shirt under a tan jacket used for visually identifying her.. “Descartes’s Passions of the Soul.” Philosophy Compass 1, no. 3 An enhanced yellow cover of the journal “Philosophy Compass” with a bust of Socrates in the lower right corner was used for visual identification. (2006): 268–78.

Abstract: While Descartes’s Passions of the Soul has been taken to hold a place in the history to human physiology, until recently philosophers have neglected the work. In this research summary, I set Descartes’s last published work in context and then sketch out its philosophical significance. From it, we gain further insight into Descartes’s solution to the Mind–Body Problem—that is, to the problem of the ontological status of the mind–body union in a human being, to the nature of body–mind causation, and to the way body-caused thoughts represent the world. In addition, the work contains Descartes’s developed ethics, in his account of virtue and of the passion of générosité in particular. Through his taxonomy of the passions and the account of their regulation, we also learn more about his moral psychology.


Shapiro, Lisa An enhanced photographic upper torso and headshot cutout of Lisa Shapiro, with big hair and wearing a salmon-colored floppy turtleneck sweater under a colorful shawl tied at her chest, is used to identify her visually.. “Descartes’ Passions of the Soul and the Union of Mind and BodyArchiv für Geschichte der Philosophie 85, no. 3 (2003): 211–48.


Shapiro, Lisa An enhanced color photographic headshot cutout of Lisa Shapiro wearing a tight rounded neck black shirt used for visually identifying her.. “How We Experience the World: Passionate Perception in Descartes and Spinoza.” In Emotion and Cognitive Life in Medieval and Early Modern Philosophy An enhanced brown book cover with a painting of robed or partially nude women of “Emotion & Cognitive Life in Medieval and Early Modern Philosophy,” edited by Martin Pickave and Lisa Shapiro, was used for visual identification., edited by Martin Pickavé A reversed enhanced color photographic headshot cutout of Martin Pickavé with glasses and wearing a light purple shirt under a dark blue jacket is used for visual identification. and Lisa Shapiro An enhanced photographic headshot cutout of Lisa Shapiro with big hair and wearing a gray string necklacewith a single large pearl over a black round neck shirt under a blue multi-colored jacket used to visually identify her., 193–216. New York: Oxford University Press, 2012.


Shapiro, Lisa An enhanced color photographic headshot  cutout of Lisa Shapiro wearing a floral shirt under a tan jacket used for visually identifying her.. “Memory in the Meditations.” Res Philosophica 92, no. 1 (2015): 41–60.

Author’s Abstract: This paper considers just how memory works throughout the Meditations to adduce Descartes’s conception of memory. Examining the meditator’s memory at work raises some questions about the nature of Cartesian memory and its epistemic role. What is the distinction between remembering and repeating a thought? If remembering is not simply repeating a thought, then what is involved in properly remembering? Can we remember properly while adding or shifting content, say, in virtue of articulating relations between ideas? If so, what is the relation between remembering and reasoning, since both would then involve relations of ideas? These questions become salient in considering the meditator’s creative recollections in the Third and especially the Sixth Meditations. After briefly considering what Descartes does say about memory, I consider two other strategies for addressing those questions: an analogy with innate ideas, and attending to the role that other thinkers play in one’s own recollections.


Shapiro, Lisa An enhanced photographic headshot cutout of Lisa Shapiro with big hair and wearing a gray string necklacewith a single large pearl over a black round neck shirt under a blue multi-colored jacket used to visually identify her.. “What are Passions Doing in the Meditations?” In Persons and Passions: Essays in Honor of Annette Baier An enhanced purple and upper left white quadrant book cover using purple and orange fonts for the title of “Persons & Passions: Essays in Honor of Annette Baier,” edited by Joyce Jenkins, Jennifer Whiting, and Christopher Williams, and is used for visual identification., edited by Christopher Williams To visually identify him, a reversed enhanced color photographic headshot cutout of Christopher Williams with round glasses and a mauve collared shirt was used., Jennifer Whiting A reversed colorized photographic headshot cutout of Jennifer Whiting wearing a green shirt with white writing on it and her right hand upraised making a point was used for visual identification. , and Joyce Lynn Jenkins (no known photo), 14–32. Notre Dame: University of Notre Dame Press, 2005.


Sievert, Donald An enhanced and blended colorize color photographic cutout of Donald Sievert used for identifying him.. “Sellars and Descartes on the Fundamental Form of the Mental.” Philosophical Studies 37, no. 3 (1980): 251–57.


Simmons, Alison A reversed enhanced colorized photographic upper torso and headshot cutout of Alison Simmons with rose red lipstick, two-inch-long dangle earrings, and a black open-neck shirt under a black fabric jacket is used for visual identification.. “Are Cartesian Sensations Representational?,” Noûs 33, no. 3 (1999): 347–69.

AbstractTakes on the question whether, what and how secondary quality sensations and bodily sensations represent anything in the corporeal world in the context of Descartes’ theory of sensory perception. I argue that Descartes has pressing philosophical motivation to argue that these sensations do indeed represent something in the corporeal world; they are more than mere window dressing of the mind. In response to the pressure, Descartes offers the beginnings of what I call a “bio-functional” account of sensory representation that builds on his claim in the Sixth Meditation that the senses are directed to self-preservation.


Simmons, Alison A color photographic cutout used for identifying Alison Simmons with a slight smile and clutching her black and white shoulder strap bag.. “Cartesian Consciousness Reconsidered.” Philosopher’s Imprint 12, no. 2 (January 2012): 1–21. Also readable at Michigan Publishing.

Abstract: Descartes (in)famously revolutionized our conception of the mind by identifying consciousness as the mark of the mental: all and only thoughts are conscious. Today the idea that all thoughts are conscious seems hopelessly naïve or blindly dogmatic. Empirical psychologists, psychiatrists, and zombie-loving philosophers all embrace the existence, or at least the possibility, of unconscious thoughts. But Descartes faces a problem more serious than being snubbed by today’s intellectuals: in his own work on the mind, Descartes himself seems to posit a whole host of unconscious thoughts. Something is not as it seems. Either Descartes is remarkably inconsistent, or his claim that all thought is conscious is more nuanced than it appears. In this paper I argue that while Descartes was indeed unwavering in his commitment to the conscious mark, he distinguished different types and degrees of consciousness that make for a rather rich cognitive psychology, one that is capable of accommodating a range of phenomena that others might be tempted to identify as unconscious.


Simmons, Alison A color photographic cutout of Alison Simmons identifying her visually.. “Descartes on the Causal Structure of Cognition.” In Causation and Cognition: Perspectives on Early Modern Philosophy An enhanced bluish-green book cover with a white middle section containing the all capital letters title in black font of “Causation and Cognition in Early Modern Philosophy” edited by Dominik Perler and Sebastian Bender, used for visual identification., edited by Sebastian Bender An enhanced color photographic headshot cutout of Sebastian Bender, with a slightly open-mouthed smile, black beard and mustache, black-framed glasses, and a rounded-neck dark gray shirt, is used for visual identification. and Dominik Perler An enhanced color photographic upper torso to headshot cutout of an spesking Dominik Perler with rimless glasses and a white shirt with his hands up on either side making a point used to visually identify him.. New York: Routledge (2019/2020): 39–60.

Abstract: The causal structure of Cartesian cognition involves the complex interplay of world, human bodies, and human minds. While Descartes explicitly overhauls the metaphysics of mind and body, he says little about the metaphysics of causation that allows these substances to interact with and change each other. What little he does say raises puzzles. This chapter explores the causal structure of Cartesian cognitoin in general and the causal structure of sensory cognition in particular.


Simmons, Alison An enhanced colorized photographic headshot cutout of a smiling Alison Simmons with a gold metal bangle on a leather string around her neck and wearing a tan open-collared shirt with a round neck black t-shirt underneath it used for visual identification..Descartes on the Cognitive Structure of Sensory Experience.” Philosophy and Phenomenological Research 67, no. 3 (January 2003): 549–79.

Abstract: Descartes is often thought to bifurcate sensory experience into two distinct cognitive components: the sensing of secondary qualities and the more or less intellectual perceiving of primary qualities. A closer examination of his analysis of sensory perception in the Sixth Replies and his treatment of sensory processing in the Dioptrics and Treatise on Man tells a different story. I argue that Descartes offers a unified cognitive account of sensory experience according to which the senses and intellect operate together to produce a fundamentally imagistic representation of the world in both its primary and secondary quality aspects. At stake here is not only our understanding of the cognitive structure of sensory experience but the relation of sense and intellect more generally in the Cartesian mind. The deep bifurcation in the Cartesian mind is not between the sensory perception of primary and secondary qualities but between sensory perception and purely intellectual perception.

Alison Simmon’s overview (2011): Argues against the (then) prevailing view that primary quality perception is somehow more intellectual than secondary quality perception, and that, as a result, sensory experience is curiously “bifurcated” into an intellectual and sensory component. Explores along the way some of the details of Descartes’ account of sensory processing.


Simmons, Alison An enhanced color photographic upper torso and headshot cutout of a smiling Alison Simmons wearing a dark orange jacket with black buttons, a black shirt underneath, and a black necklace are used for visual identification..Explaining Sense Perception: A Scholastic Challenge.” Philosophical Studies 73, no. 2/3 (March 1994): 257–75.

AbstractExplores the philosophical foundations of the “species” theory of sensory perception as develops in late scholastic (16th c.) Jesuit philosophers. I argue that the species theory is a philosophically and textually well-motivated interpretation (and development) of Aristotle’s cryptic claim that sensory perception occurs by the “reception of form with its matter.”


Simmons, Alison An enhanced color photographic headshot cutout of a smiling Alison Simmons wearing an open v-neck blue shirt with her head turned to her left is used for visual identification. .Guarding the Body: A Cartesian Phenomenology of Perception.” In Contemporary Perspectives on Early Modern Philosophy Essays in Honor of Vere Chappell An enhanced white book cover of “Contemporary Perspectives on Early Modern Philosophy: 
Essays in Honor of Vere Chappell” (2008), edited by Paul Hoffman, David Owen, and Gideon Yaff, with a grid pattern containing drawings if the faces of famous philosophers, is used for visual identification., edited by Paul Hoffman An enhanced and colorized headshot of Paul Hoffman used for identifying him., David Owen A reversed enhanced colorized photographic headshot cutout of David Owens from the University of Arizona, wearing glasses and a gray with white vertical stripes collared shirt, is used for visual identification., and Gideon Yaffe A reversed enhanced color photographic upper torso and headshot cutout of Gideon Yaffe wearing glasses and a purple rounded-neck shirt is used for visual identification. , 81–113. Peterborough, Ontario: Broadview Press, 2008.

AbstractAlthough Descartes and Malebranche both routinely criticize the senses for misrepresenting the material world to us, they just as routinely insist that the senses represent the material world in a way that is especially conducive to self-preservation. What is it about sensory representation that is supposed to make it so conducive to self-preservation? And why do these thinkers suggest that the senses can do a better job of this than even their cherished intellects?


Simmons, Alison An enhanced color photographic headshot cutout of a smiling Alison Simmons wearing an open, rounded-neck brown shirt under a navy jacket with thin lapels is used for visual identification..Making Sense: The Problem of Phenomenal Qualities in Late Scholastic Aristotelianism and Descartes.” PhD diss., University of Pennsylvania, 1994. Major advisor: Gary Hatfield A reversed close colorized headshot of a rimless glasses wearing Gary Carl Hatfield with a full white beard and mustache and a dark shirt used for visually identifying him..

Abstract: It is no surprise that the phenomenal qualities of our sensory experience pose recalcitrant philosophical problems for a physical materialist metaphysics. The colors of flowers as we experience them by sight, the taste of a ripe peach, and the smell of fresh-cut grass are undeniably part of the experienced world; yet in their phenomenal mode, they do not seem well-placed in the physicist’s world of particles and energy fields. It seems, prima facie, that the metaphysical programs found in earlier science and philosophy were better suited to accommodate these qualities: in the hylomorphic world of the Aristotelians, colors were “real qualities” existing as such in flowers; in the dualistic world of Descartes, colors were displaced from things like flowers to the immaterial mind of the perceiver. The dissertation argues that this intuition about our philosophical heritage is both philosophically confused and historically inaccurate. It betrays a misconception about phenomenal qualities and the problems they pose which results from a failure to distinguish phenomenal qualities from a special subset of sensible qualities that we have come to call “secondary” qualities. Disentangled from the primary-secondary quality distinction, phenomenal qualities include all sensible qualities insofar as they form the experiential contents of our sensory perceptions. So considered, phenomenal qualities invite difficult questions about the representational nature and ontological status of our sensory experience even within the Aristotelian and Cartesian metaphysics. By examining Descartes’ and the Aristotelians’ theories of sense perception with a focus on these questions we achieve a better understanding of “the problem” of phenomenal qualities, better interpretations of these historical theories of sense perception, and suggestions for reshaping the problem space within which we think philosophically about phenomenal qualities today


Simmons, Alison A reversed color photographic headshot cutout of a smiling Alison Simmons wearing an open-v-neck blue blouse with dangling earrings ending in a pearl is used for visual identification.. “Mind-Body Union and the Limits of Cartesian Metaphysics.” Philosophers’ Imprint 17, no. 14 (July 2017), 1–36.


Simmons, Alison A reversed color photographic headshot cutout of a smiling Alison Simmons wearing an open-v-neck blue blouse with dangling earrings ending in a pearl is used for visual identification.. “Modernizing the Mind.” In Cartesianism and Philosophy of Mind An enhanced book cover for “Cartesianism and Philosophy of Mind,” edited by Vili Lähteenmaki, Oberto Marrama, and Jani Sinokki, with the title centered on the cover, on a white rectangular background with a top and bottom diamond pattern in various shades of washed-out reddish-brown is used for visual identification., edited by Vili Lähteenmäki An enhanced colorized photographic headshot cutout of Vili Lähteenmäki with his right hand cupped around the glasses on his head is used for visual identification., Jani Sinokki An enhanced photographic cutout of Jani Sinnoki, with a full beard and light brown, shoulder-length hair parted in the middle, wearing a white collared shirt with a red flower surround at the base, yellow flowers, and three green leaves, is used to identify him visually., and Oberto Marrama An enhanced photographic cutout of Obero Marrama, wearing glasses and a white-collared shirt, looking at the viewer, turning his head to the right, with his left shoulder turned back, is used to identify him visually. (London: Routledge, 2026). With Matthias Somers. You can read the first five pages of this paper by clicking on the hyperlink, then clicking on the publisher’s webpage on Preview Book.

Abstract: It’s often said that Descartes invented the modern mind.  But what is the Cartesian mind?  And how new or modern is it?  The first question is harder to answer than you might think and so, therefore, is the second.  Descartes tells us that the mind is a thinking thing.  But what, exactly, is Cartesian thought? Against more popular interpretations, we argue that Cartesian thought is best understood as object consciousness. 


Simmons, Alison An enhanced colorized photographic headshot cutout of a lecturing Alison Simmons wearing lipstick with her right hand with open fingers gesticulating upwards around her right shoulder and wearing a black v-necked shirt used for visual identification..Representation.” In The Cambridge Descartes Lexicon An enhanced color image of the cerulean blue book cover for "The Cambridge Descartes Lexicon" edited by Lawrence Nolan used to visually identify it., edited by Lawrence Nolan A reversed enhanced color photographic headshot cutout of a smiling Lawrence Nolan with a mustache and goatee with sunglasses propped on the top of his head and wearing a dark gray polo style shirt used to visually identify him., 645–55. New York: Cambridge University Press, 2015.

Alison Simmon’s summary A color photographic cutout of Alison Simmons identifying her visually. (2011): Provides an overview of the interpretive controversies concerning the nature of representation in Descartes’ work, including sensory representation. Do sensory ideas represent anything? If so, what? And how (in virtue of what)? The standard line used to be that they don’t represent anything at all (they are “mere sensations”), but today the majority interpretive view is that they do represent, though there is considerable controversy over what and how they represent. This topic gets into some thorny technical apparatus concerning ideas, objective reality, material falsity, and obscurity and confusion.


Simmons, Alison An enhanced colorized photographic headshot cutout of a lecturing Alison Simmons with an open mouth, wearing lipstick with both hands with open fingers gesturing towards each other at her throat level while wearing a v-necked tan shirt used for visual identification..Spatial Perception from a Cartesian Point of View.” Philosophical Topics 31 (2003): 395–423.

AbstractDescartes’ proposal in the Sixth Meditation that sensory perception serves as a guide for self-preservation is typically taken to be an ad hoc way of finding a place for secondary quality sensations and bodily sensations. Malebranche, I argue, understands the proposal to be a way of re-conceiving sensory experience as a whole, spatial perception included. This paper examines Malebranche’s case for maintaining that spatial perception is directed to self-preservation. As I interpret it, his argument turns on the fact that spatial perception has a bodily phenomenology; that is, it represents the spatial properties of objects in a way that involves the perceiver’s own body. First, it represents objects egocentrically, as they are spatially related to the perceiver’s own body. Second, bodily awareness often figures into spatial perception. Third, the representational limits of spatial perception reflect the bodily processes on which it depends. All three of these facts about spatial representation through the senses pose problems, from a Cartesian point of view, for the natural philosopher seeking an accurate depiction of the material world. All three, however, prove advantageous to the human being trying to survive in that world.


Sinokki, Jani and Vili Lähteenmäki. “Representation and objective reality.” In Cartesianism and Philosophy of Mind An enhanced book cover for “Cartesianism and Philosophy of Mind,” edited by Vili Lähteenmaki, Oberto Marrama, and Jani Sinokki, with the title centered on the cover, on a white rectangular background with a top and bottom diamond pattern in various shades of washed-out reddish-brown is used for visual identification., edited by Vili Lähteenmäki An enhanced colorized photographic headshot cutout of Vili Lähteenmäki with his right hand cupped around the glasses on his head is used for visual identification., Jani Sinokki An enhanced photographic cutout of Jani Sinnoki, with a full beard and light brown, shoulder-length hair parted in the middle, wearing a white collared shirt with a red flower surround at the base, yellow flowers, and three green leaves, is used to identify him visually., and Oberto Marrama An enhanced photographic cutout of Obero Marrama, wearing glasses and a white-collared shirt, looking at the viewer, turning his head to the right, with his left shoulder turned back, is used to identify him visually. (London: Routledge, 2026), 23–42.

ABSTRACT: This chapter investigates Descartes’ theory of ideas by focusing on the distinctions he draws between different functions. It argues that Descartes is committed to a dual function of ideas: unifying the mind with its object and providing psychological and epistemic access to that object. Drawing on an analysis of Descartes’ terminology—especially his use of the terms “material,” “objective,” and “formal”—this chapter reconstructs a trichotomy underlying his conception of ideas. It aims to show how each term corresponds to a distinct perspective: ideas as mental operations, as unifications with objects, and as representations subject to truth and falsity. This framework is used to reinterpret Descartes’ responses to critics such as Arnauld and Desgabets and to reassess Margaret Wilson’s influential claim that Descartes’ view collapses into incoherence. This chapter ultimately defends the coherence of Descartes’ position by distinguishing misrepresentation from misattribution and by showing how the special status of the cogito reveals a case in which representation and objective reality converge, eliminating the possibility of error.


Skirry, Justin A cutout of a color headshot of Justin Skirry used to identify him.. Descartes and the Metaphysics of Human Nature An enhanced top half white and bottom half blue book cover of “Descartes and the Metaphysics of Human Nature” (2005) with a black font title written by Justin Skirry is used for visual identification.. London: Thoemmes-Continuum Press, 2005.

Publisher’s Abstract: The traditional account of mind/body union attributed to Descartes supposes that the immaterial, thinking mind and the material, non-thinking body interact by means of efficient causation – that the mind causes events in the body, e.g., the voluntary raising of an arm, and vice versa, e.g., the visual sensation of a tree. But this gives rise to a notorious philosophical how can this causal interaction occur between the spiritual mind and the physical body since they have absolutely nothing in common and cannot come into contact with one another? Justin Skirry’s book shows how Descartes in fact avoids this enormous problem. Skirry argues, through a critical re-examination of Cartesian metaphysics, that the union of mind and body is not, as most scholars have always maintained, constituted by efficient causal interaction for Descartes, because this would not result in one, complete human nature but in an aggregate of two numerically distinct natures. Descartes argues in the 6th Meditation and elsewhere that mind/body union is constituted by what the scholastics called a ‘substantial union’, i.e., the union that form (mind) has with matter (body). This substantial union produces a whole that is more than the sum of its parts; the capacity for modes of sensation and voluntary bodily movement are emergent properties of the whole, substantially united mind and body. Therefore, the ‘Cartesian’ problem of mind-body efficient causal interaction is avoided altogether, since efficient causal occurrences between mind and body play no role in explaining the existence of these modes.


Slater, Lauren A reversed enhanced color photographic headshot cutout of a glasses wearing Lauren Slater with her head tipped up to her left wearing a white v-neck top used to visually identify her. A reversed enhanced color upper torso and head-shot photographic cutout of a glasses wearing Lauren Slater with her head leaning strongly to her right wearing a black turtleneck with long sleeves under a brown sweater with two large buttons showing used to visually identify her. . “Reading the Signs of my Body: Berkeley and Descartes on Signs and Sensations.” In Berkeley’s Doctrine of Signs An enhanced blue and yellow book cover with a lone tree on the left center in a yellow/orange field with a dark blue sky in the background of "Berkeley's Doctrine of Signs" edited by Manuel Fasko and Peter West used to visually identify it., edited by Manuel Fasko An enhanced photographic headshot cutout of a smiling Manuel Fasko with dark framed glasses and a full beard wearing a light purple collared shirt with one button showing with his head turned slightly to his left used to visually identify him. and Peter West A reversed enhanced color photographic headshot cutout of Peter west with a light bead and mustache and wearing a round necked dark maroon sweater used to visually identify him.. 161–83. Also downloadable from De Gruyter.


Slater, Lauren A reversed enhanced color upper torso and head-shot photographic cutout of a no glasses wearing Lauren Slater with her head leaning slightly to her left wearing a gray tiny checkered patterned  shirt with the top of her head constructed by cloning used to visually identify her.. “Word Made Flesh: Sensory Ideas as Meanings of Bodily Signs in Descartes.” PhD diss., Birkbeck University of London, 2020.


Smith, Kurt D.An enhanced and colorized photographic headshot cutout of a glasses wearing Kurt D. Smith with his hand folded up under his chin on his right side with a white sleeve showing used to visually identify him.. “A Defense of Cartesian Clarity and Distinctness,” in The Battle of the Gods and Giants Redux: Papers Presented to Thomas M. Lennon Series:  Brill’s Studies in Intellectual History, Volume: 248 An enhanced book cover of “The Battle of the Gods and Giants Redux: Papers Presented to Thomas M. Lennon Series:  Brill’s Studies in Intellectual History, Volume: 248” (2015), edited by Patricia Easton and Kurt Smith is used for visual identification., edited by Patricia Easton A reversed enhanced photographic cutout of Patricia Easton wearing a wide, rounded neck, deep dark blue shirt under a cool leather mottled jacket, and small round blue earring studs is used for visual identification.and Kurt Smith A reversed, enhanced color photographic upper torso and headshot cutout of a sunglasses-wearing, full-white bearded Kurt Smith with his arms crossed at his chest and wearing a black rounded-neck T-shirt is used for visual identification.. Leiden: Brill, 80–105.


Smith, Kurt An enhanced and colorized photographic headshot cutout of a glasses-wearing Kurt D. Smith with his hand folded up under his chin on his right side with a white sleeve showing used to identify him visually.. “The Descartes DictionaryAn enhanced orange book cover of “The Descartes Dictionary” by Kurt Smith with the outlines of a faint tree in the bottom half of the cover is used for visual identification.. London & New York: Bloomsbury Academic, 2015. See the first 26 pages with missing pages 14–15 and 21–22.

[NOTE: See especially the below titles at the indicated page numbers.]


Smith, Kurt An enhanced colorized photographic headshot cutout of Kurt D. Smith with glasses, a complete gray and brown mustache, a full gray beard, and wearing a black shirt is used for visual identification.. “Descartes on Ideas.” In The Cartesian Mind, edited by Jorge Secada An enhanced and partially constructed image of a full white beard and mustache Jorge Secada smiling and wearing a black hat with a brown strap and a black leather jacket used for visually identifying him.An enhanced photographic cutout of a full white beard and mustache Jorge Secada seated and leaning to his left wearing a black suit jacket and brown tie used for visually identifying him. and Cecilia Wee (no known photo). London: Routledge (August 1, 2025): Ch. 12.


Smith, Kurt An enhanced colorized photographic headshot cutout of Kurt D. Smith with glasses, a complete gray and brown mustache, a full gray beard, and wearing a black shirt is used for visual identification.. “Descartes’ Ontology of Sensation,” Canadian Journal of Philosophy, 35, no. 4 (December 2005): 563–84.


Smith, Kurt D(wayne) A reversed enhanced and colorized photographic cutout of a glasses wearing Kurt D. Smith with his hand folded up under his chin on his left side with a white sleeve showing used to visually identify him.. “Descartes on Representation, Ideas, and Sensations [see the TOC & the first fourteen pages at ProQuest].” PhD diss., The Claremont Graduate University An enhanced resized down logo for Claremont Graduate University established 1925 used to visually identify it., 1998.

Abstract: At the heart of Descartes’s philosophy lies his theory of ideas. It binds together his metaphysics and epistemology. The Cartesian theory of ideas explains the nature of representation and misrepresentation. It also supports Descartes’s accounts of truth and falsity, the external truths, and the true and immutable natures–all vital components of the Cartesian philosophical project. To misunderstand this theory is to misunderstand Cartesian thought. ;Important recent commentaries on Descartes’s thought have forwarded the view that the Cartesian theory of ideas as presented in the Third Meditation is internally inconsistent. This line of criticism follows a tradition of commentary initiated by Antoine Arnauld . Arnauld maintained that the notion of material falsity, the falsity of ideas, is inconsistent with certain foundational principles that underlie the theory, namely, the principles that something cannot come from nothing and that there can be no more objective reality in an idea than there is formal reality in its cause. If this long-standing tradition of criticism is correct, then the whole of Descartes’s philosophy is threatened. I take the problem of the notion of material falsity primarily as an occasion to re-evaluate the traditional interpretation of the Cartesian theory of ideas. I challenge the traditional view, and I offer a new interpretation of this theory. As developed in this essay, my new interpretation is primarily a response to Arnauld’s criticism. However, this new interpretation also provides solutions to problems raised by other recent commentators who have followed in Arnauld’s footsteps. I show not only that the notion of material falsity is consistent with the foundational principles that underlie the theory, but also that this notion is a vital part of the theory.


Smith, Kurt D.An enhanced and colorized photographic headshot cutout of a glasses wearing Kurt D. Smith with his hand folded up under his chin on his right side with a white sleeve showing used to visually identify him.. “Descartes’s Theory of Ideas.” In The Stanford Encyclopedia of Philosophy (Fall 2021 Edition), edited by Edward N. Zalta An enhanced color photographic headshot cutout of Edward N. Zalta, wearing glasses, a full white beard and mustache, and a vertically striped shirt with a lanyard around his neck, looking to his left, was used for visual identification.. First published March 14, 2007; substantive revision August 3, 2021. Archived here.


Smith, Kurt D.An enhanced and colorized photographic headshot cutout of a clear plastic glasses wearing Kurt D. Smith staring straight ahead with window reflections seen in his lenses and wearing a black athletic shirt with white stripes horizontally on his shoulders used to visually identify him.. “A General Theory of Cartesian Clarity and Distinctness Based on the Theory of Enumeration in the Rules.” Dialogue: Canadian Philosophical Review / Revue canadienne de philosophie An enhanced red color cover for the Journal "Dialogue: Canadian Philosophical Review" used to visually identify it. 40, no. 2 (2001): 279–310. Also at Academia.com.

SUMMARY: The concepts of “clear” and “distinct” are among the most important in Cartesian theory of knowledge. It is not surprising, therefore, that there are some divergences in how these concepts should be understood. However, until recently, researchers have not paid much attention to these divergences, even though some of them are quite remarkable. For instance, some interpretations of the theory argue that the coercion of the will is a hallmark of clear and distinct ideas, while others reject this notion. Some also contend that clarity and distinctness are susceptible to degrees, while others disagree. My objective in this paper is to outline a general theory that can account for this variety of interpretations of clarity and distinctness, which is rooted in the Cartesian corpus. I call this theory “general” in the sense that the various interpretations mentioned relate to it as species to a genus. My reconstruction of this general theory is supported textually by the entirety of the Cartesian corpus. However, most of my efforts are devoted to tracing the theory in a text that was one of Descartes’ earliest writings (even though he left it unpublished): the Rules for the Direction of the Mind.


Smith, Kurt D. An enhanced colorized photographic headshot of Kurt D. Smith with glasses, a complete gray and brown mustache, a full gray beard, wearing a black shirt on a black background is used for visual identification.. Matter Matters: Metaphysics and Methodology in the Early Modern Period An enhanced gray and greeny gray book cover for "Matter Matters: Metaphysics and Methodology in the Early Modern Period" (2010) by Kurt Smith used to visually identify it.. Oxford: Oxford University Press, 2010.


Smith, Kurt D. A reversed enhanced and colorized photographic headshot cutout of a clear plastic glasses wearing Kurt D. Smith staring straight ahead with window reflections seen in his lenses and wearing a black athletic shirt with white stripes horizontally on his shoulders used to visually identify him.. “Occasionalism: Causation Among the Cartesians by Steven Nadler. (Oxford UP, 2011 (Book Review).” The Philosophical Quarterly 62, no. 248 (July 2012): 643.


Smith, Kurt D. An enhanced and colorized photographic headshot cutout of a glasses wearing Kurt D. Smith with his hand folded up under his chin on his right side with a white sleeve showing used to visually identify him.. “Rationalism and Representation.” In A Companion to Rationalism An enhanced color book cover of "A Compsnion to Rationslusm edited by Alan Nelson with blue green purple abstract art and a beige cover used to visually identifying it., edited by Alan Nelson An enhanced color headshot of Alan Nelson from his University of North Carolina at Chapel Hill website identifying his face., 206–23. Oxford, UK: Blackwell, 2005.

Summary: This chapter contains sections titled: The Falsity Inherent in Sensory Ideas. Descartes, Arnauld, and the Notion of Material Falsity. Some Leading Interpretations. A New Interpretation. Conclusion.


Smith, Kurt D. An animated .gif of Kurt Smith, starting in black and white and then shifting after an explosion of yellow into a colorized version of his head wearing glasses, a full gray beard, and a mustache with a stern look on his face, is used for visual identification.. “Simply DescartesFor visual identification, Kurt Smith's enhanced color book cover of “Simply Descartes” features a colorful, exaggerated cartoon drawing of René Descartes.. http://simplycharly.com, 2018.


Smith, Kurt An enhanced colorized photographic headshot cutout of Kurt D. Smith with glasses, a complete gray and brown mustache, a full gray beard, and wearing a black shirt is used for visual identification.. This is Modern Philosophy: An Introduction The color book cover in tan, brown, black, and white rhomboid-shaped patches with the title writ large in black font of “This is Modern Philosophy: An Introduction” (2023) by Kurt Smith is used for visual identification.. (This Is Philosophy series Book 18). Wiley-Blackwell Publishing, 2023.

The Table of Contents for Chapter 1, “Descartes,” in Kurt Smith's “This is Modern Philosophy: An Introduction,” (2023) is used for visual identification.

Smith, Nathan A reversed enhanced photographic headshot cutout of a smiling gray and brown lightly bearded and mustached Nathan Smith ith glasses wearing a checkered white and blue shirt under a dark blue sport coat used to visually identify him. and Jason Taylor An enhanced photographic headshot cutout of Jason Taylor with shoulder length blonde hair and wearing a blue, green, and white cross patterned collared shirt used to visually identify him., eds. Descartes and Cartesianism The turquoise book cover of "Descartes and Cartesianism" edited by Nathan Smith and Jason Taylor used to visually identify it.. Cambridge, UK: Cambridge Scholars Publishing, 2005.


Smith, Norman Kemp An enhanced colorized photographic upper torso and headshot cutout of Norman Kemp Smith with his right shoulder back in a dark three-piece suit is used for visual identification (1872–1958). Studies in the Cartesian Philosophy An enhanced 3D color photographic cutout of the blue front book cover and spine of “Studies in the Cartesian Philosophy” (1902) by Norman Kemp Smith is used for visual identification.. New York: Macmillan Company Publishing, 1902. See relevant content listings from excerpted screenshots below from the Table of Contents.


Smith, Norman Kemp An enhanced colorized photographic upper torso and headshot cutout of Norman Kemp Smith wearing a dark gray three-piece suit with a tartan blue tie and a gold watch chain in his vest is used for visual identification.. New Studies in the Philosophy of Descartes An enhanced 3D color photographic cutout of the gray front book cover with blue font of “Studies in the Cartesian Philosophy” (1952) by Norman Kemp Smith is used for visual identification.. London: Macmillan & Co., 1952/1963. See especially the contents of screenshot pages below.


Smith (now Brassfield), Shoshana Rose A reversed enhanced color photographic headshot cutout of a smiling and oval glasses wearing Dr. R. Brassfield with drop earrings and wearing a dark blue shirt with very thin white stripes used to visually identify her.. “Clearness and Distinctness in Descartes’s Philosophy.” PhD diss. University of California, Berkeley, Spring, 2005. Dissertation advisors: Janet Broughton and Hannah Ginsborg.


Stewart, Michael A(lexander) (no known photo), ed. Studies in Seventeenth-Century European Philosophy The sky blue book over with the title in a centered square of dark blue near top of cover of "Studies in Seventeenth-Century European Philosophy" (1998)  edited by M. A. Stewart used to visually identify it.. New York: Oxford University Press, 1997.


Stich, Stephen An enhanced color photographic cutout of Stephen Stich used to visually identify him., ed. Innate Ideas The blue book cover of "Innate Ideas" with a white font title edited by Stephen Stich used to visually identify it.. Berkeley, CA: University of California Press, 1975.


Strawson, Galen An enhanced color photographic headshot cutout of Galen Strawson wearing a blue shirt with his right hand in a fist at his mouth used for visually identifying him. A reversed enhanced color photographic headshot cutout of a glasses adorned Galen Strawson wearing a dark  blue shirt under a green outerwear coat used for visually identifying him. A reversed enhanced color photographic headshot and torso cutout of a glasses free Galen Strawson wearing a medium blue shirt under a dark blue sweater vest with his arms crossed used for visually identifying him.. “Descartes’s Mind.” In Descartes and Cartesianism: Essays in Honour of Desmond Clarke A orange/yellow book cover of "Descartes and Cartesianism" edited by Stephen Gaukroger and Catherine Wilson with a photographic insert of Desmond Clarke in viewer's upper right corner used to visually identify it., edited by Stephen Gaukroger An enhanced colorized  photographic headshot and upper torso cutout of a glasses adorned Stephen Gaukroger wearing a white shirt with dark blue and white striped tie under a dark blue sweater with a dark gray wool suit jacket used to visually identify him. and Catherine Wilson An enhanced color photographic cutout of a smiling Catherine Wilson used to visually identify her., 57–78. Oxford: Oxford University Press, 2017.  Download at Academia.edu.


Sun, Vanessa A reversed enhanced color photographic headshot cutout of Vanessa Sun wearing a soft shirt with a notched collar shirt with a blue left collar used to visually identify her.. “Descartes’s Transformation of the Sensory Perceptional Model in Medieval Philosophy.” Included in the 25th World Philosophy Conference. Also available at Academia.com.

Summary: People generally accept the popular interpretation of Descartes’ philosophy, which suggests that Descartes not only discovered the principles of optics but also applied them to explain our mechanical and physiological processes of visual perception using his innovative, pure science. Furthermore, his philosophy completely rejected the “species” theory, an intermediary tool in the human brain that aids in our understanding of things, which ancient philosophers and their medieval successors created. This theory was central to intentionality theories in the Middle Ages. He ultimately demonstrated that his new cognitive model consists of pure reason and pure intellectual intuition. This model is solely constructed from the “clearest ideas” directly provided to the human mind through the illumination of Nature’s Light to the process of human meditation. This paper aims to correct the oversimplified understanding of the interpretation mentioned above. I will attempt to prove step by step that, in the complex narrative surrounding philosophical truth, Descartes revisited the fundamental and core issue of the human sensory perception mechanism, which implies a new level of understanding. For Descartes, as we all know, the essence of human sensation and perception is also attributed solely to pure reason, significantly separating him from traditional philosophers. However, this distinction is still deeply intertwined with the mind-body identity issues, which have always been central to intentional theories among academic philosophers in the Middle Ages.


A framed color advertising graphic for DTOI website of a flowering branching tree with a female helmeted warrior to the right of the tree hold a scrolling bannner draping to left with the Latin words "Cartesii theoria idearum" written on it three times and prominent categories in the theory of ideas written on the tree.


Tipton, Ian An enhanced and blended colorize photographic cutout of Ian Tipton used for visually identifying hum.. “‘Ideas’ and ‘Objects’: Locke on Perceiving ‘Things’.” In Minds, Ideas, and Objects: Essays on the Theory of Representation in Modern Philosophy The enhanced dark blue book cover for "Minds, Ideas, and Objects" edited by Phillip D. Cummins and Gunther Zoeller., edited by Phillip D. Cummins (no known photo) and Günter Zöller An enhanced color photographic headshot cutout of a glasses adorned mustache and trim goateed Guenter Zoeller wearing a white collared shirt under a black jacket with an upturned collar at his neck used to visually identify him., 97–110. Atascadero, CA: Ridgeview Publishing Company, 1992.




Van de Pitte, Frederick (no known photo).Descartes’ Innate Ideas.” Kant-Studien 76 (1985): 362–84.


Verbeek, Theo A reversed enhanced color photographic headshot cutout of a mustached Theo Verbeek with his head turned gard to his left wearing a dark suit jacket, white shirt, and tie used for visually identifying him. An enhanced color photographic headshot and upper torso cutout of a mustached Theo Verbeek with his head turned straight at viewer wearing a dark suit jacket, white shirt, and tie used for visually identifying him.A reversed enhanced color photographic headshot and upper torso cutout of a mustached Theo Verbeek with his head turned to his right wearing a dark suit jacket, white shirt, and blue and white striped tie used for visually identifying him.. Descartes and the Dutch: Early Reactions to Cartesian Philosophy 1637–1650 The brown book cover of “Descartes and the Dutch: Early Reactions to Cartesian Philosophy, 1637-1650” (1992) 
by Theo Verbeek is used for visual identification.. Carbondale: Southern Illinois University Press, 1994.


Vinci, Tom C. A reversed enhanced colorized photographic headshot cutout of Tom C. Vinci with full white beard and white  mustache looking down wearing a green and white shirt used to visually identify him. A reversed enhanced colorized photographic headshot cutout of Tom C. Vinci's head tilted to his right with full white beard and darker gray mustache wearing a networked patterned. shirt used to visually identify him. . Cartesian Truth The dark blue book cover for "Cartesian Truth" by Thomas C. Vinci used for identifying it.. New York: Oxford University Press, 1994.

Abstract: The leading idea of this [seventh] chapter is that, for Descartes, intellectual ideas make it obvious what metaphysical category the properties they disclose to the mind fall into but not whether they are actually exemplified; sensations make it obvious whether the properties they disclose to the mind are exemplified but not what their metaphysical category is. This idea is worked out through a discussion of three stages in the development of Descartes’s doctrine of the material falsity of sensory ideas, the core concept of his error explanation of the senses. Material falsity is a set of three defects that sensations have in comparison with intellectual ideas, ideas that fully discharge the role, which Descartes assigns to ideas in his philosophical system. The first stage, reflected in Meditation III, identifies material falsity with two defects: nonrepresentation and misrepresentation ; the second stage, reflected in the Reply to Arnauld, identifies material falsity with obscure ideas ; the third stage, reflected in the Principles of Philosophy I, sees the terminology of material falsity disappear and the terminology of clear but not distinct ideas appear. Other topics discussed include a special application of the rule of truth and skepticism.


Von Wright, George Henrik A reversed enhanced colorized photographic headshot and upper torso cutout of G. H. von Wright wearing a black suit and black tie with a white pocket folded handkerchief used to visually identify him. An enhanced colorized old non-color newspaper photographic headshot and upper torso cutout of a seated G. H. von Wright wearing a gray suit jacket  and black tie with his hands holding a pen used to visually identify him. A reversed enhanced colorized photographic headshot cutout of G. H. von Wright wearing a gray suit jacket and a tie seated and his left  shoulder leading turned towards his right used to visually identify him.. In the Shadow of Descartes: Essays in the Philosophy of Mind The white and gray book cover for "In the Shadow of Descartes: Essays in the Philosophy of Mind" by G. H. von Wright used to visually identify it.. Berlin: Springer Verlag, 1998. (Click on book cover for preview).


Voss, Stephen A highly photographically manipulated enhanced colorized full body shot of Stephen Voss on the sand at a beach (not shown) with his hands lightly into his pockets wearing a white t-shirt , gray pants, and black shoes and a black band wristwatch on his left wrist used to visually identify him., ed. Essays on the Philosophy and Science of René Descartes The dark greenish blue color book cover for "Essays on the Philosophy and Science of René Descartes" edited by Stephen Voss used to visually identify it.. Oxford: Oxford University Press, 1993.



Wagner, Stephen I. “Descartes on the Power of ‘Ideas’.History of Philosophy Quarterly 13, no. 3 (1996): 287–97.

Abstract: This paper spells out the implications, for Descartes’s theory of ideas, of my earlier paper, “Descartes’s Wax: Discovering the Nature of Mind.” I show that my reading of the wax investigation provides a number of clarifications of Descartes’s Meditation III discussion of ideas. My reading of Meditation III provides a ground, internal to the Meditations for Descartes’s claims about objective reality, the causal laws, material falsity and the idea of God. I show that Descartes’s claims and conclusions regarding these issues is strengthened by the perspective I have provide


Wee, Cecila Teck Neo (no known photo). “Animal Sentience and Descartes’s Dualism: Exploring the Implications of Baker and Morris’s Views.” British Journal for the History of Philosophy 13, no. 4 (2005): 611–26.


Wee, Cecilia (no known photo). “Descartes’ Infallibility Thesis.” Philosophical Inquiry, 25, nos. 1/2 (Winter 2003): 59–70.


Wee, Cecilia Teck Neo (no known photo). “Material Falsity in Descartes’s Meditations.” PhD diss., University of Pittsburgh, 1994. Major Adviser: Annette C.(laire) Baier (1929–2012) A reversed enhanced color photographic cutout of Annette C. Baier, wearing glasses and a black shirt under a blue jacket in a right profile with her head turned towards the viewer, is used for visual identification. A reversed enhanced color photographic headshot cutout of Annette C. Baier, wearing glasses and a black shirt with her head turned towards the viewer, is used for visual identification. An enhanced color photographic cutout of a standing Annette C. Baier, wearing glasses and a black shirt under a gray jacket, carrying a large white bag over a large conference bag with writing on it, is used for visual identification..


Wee, Cecilia (no known photo). Material Falsity and Error in Descartes’s Meditations The image is of the light blue book cover with black font titles of “Material Falsity and Error in Descartes’s Meditations” (2006) by Cecilia Wee is used for visual identification. The bright neon blue book cover with white titles of “Material Falsity and Error in Descartes’s Meditations” (2006) by Cecilia Wee, published by Routledge, is used for visual identification.. New York: Routledge, 2006.

This book aims to overturn the common view of materially false ideas (MFIs), which is that Descartes’s discussion in Meditation Three generates confusion about his views on truth and falsehood and is irrelevant to the rest of the argument in the Meditations.

After introducing MFIs and then criticizing previous interpretations, Wee provides her own account in chapter three. Since a proper understanding of why MFIs fail in their representational function allows Wee to revisit their role in the Meditations, this chapter occupies a central place in the book. She attributes to Descartes two theories of representation, the “Accurate Causal Account” (ACP) and the “Alternative Account” (AA). According to ACP, “an idea represents truly only if (1) the idea comes from the cause from which it purports to come, and (2) the idea accurately represents that cause” (39–40). According to AA, an idea is true “if it represents a thing with objective being (and contains objective reality)” (47).

Since Descartes, in Meditation Three, is “unable to determine the causes of his . . . ‘adventitious’ ideas, far less to determine whether his ideas accurately represent their causes” (40), the claim that MFIs “represent no-things as things” is to be explained in light of AA as follows: “Under AA, all ideas purport to represent a ‘real’ thing. . . . False ideas are . . . those which purport to represent a thing with objective being but really do not do so” (49). However, the problem with Wee’s account is that since AA is based on the notion of objective reality, either these ideas fail to have objective reality, and then also fail to purport to represent, or else they do exhibit objective reality, and therefore represent something real. In either case, no account is provided of how MFIs purport to represent what they do not.

After the proof of a benevolent God, ACP can be reinstated to explain MFIs in Meditation Six and the Fourth Replies. On ACP, MFIs are ideas that represent correctly what their causes are but “mis-represent them” (52). For example, “the idea of the sun as very small is false because, although it represents correctly what its cause is—the sun—it does not [End Page 641] accurately portray that cause” (51). There are, however, problems with this explanation. If the idea represents its correct object in virtue of “coming from” it (as ACP suggests), how can it also misrepresent it? Matters are complicated by how ACP is said to account for MFIs in the Fourth Replies. There, the idea of cold is materially false because it refers cold to the external world while, in fact, it is the idea of the sensation of cold. But if the idea of cold is the idea of a sensation, why does it refer cold to an external world? Saying that cold is mistakenly referred to an external world because the idea is obscure and confused (55) does not answer the original question.

In chapter four, Wee argues that MFIs are crucial to the arguments of Meditations Three and Six. First, she contends that the ideas of size and shape that Descartes introduces in the context of the discussion of MFIs in Meditation Three are clear and distinct sensory ideas (CDSIs), and since the proof of the existence of material things in Meditation Six is based on CDSIs, the discussion of MFIs is crucial to the argument of Meditation Six (81–94). Second, she interprets Descartes’s claim that MFIs “arise from nothing—that is, they are in me only because of a deficiency and lack of perfection in my nature” (30)—as saying that MFIs are due to the lack of perfection of always having ideas that accurately represent states of affairs. Understanding deficiency as a lack of perfection allows Descartes “to argue from his own recognized imperfection to the existence of a completely perfect God” (108).

Wee’s discussion of CDSIs [clear and distinct sensory ideas] is very interesting but it obscures her account of the mechanism of false representation.

642 JOURNAL OF THE HISTORY OF PHILOSOPHY 46:4 OCTOBER 2008 (scroll down to read p. 642)

Sensory ideas of size and shape represent their correct causes because of their conformity to geometrical laws. This is inconsistent with ACP. Since these ideas do not purport to come from their causes in virtue of a causal connection with them, ACP does not count as a theory of representation. Moreover, claiming that MFIs are caused by a defect in my nature conflicts with Wee’s previous claim that, along the lines of ACP, MFIs are said to misrepresent their correct external causes. But Wee denies that there is a tension: “My false idea of the sun would have an existing cause insofar as it ‘comes from’ the sun itself. . . . However . . . this idea fails to represent accurately the sun … due to my own deficiency as a thinking thing.” (104) Besides the fact that, by Wee’s own account, the idea of the sun is a derivative idea based on the immediate clear and distinct sensory ideas of sizes and shapes that one recognizes to conform to geometrical laws (87), no explanation is provided of how a deficiency in our nature obscures the idea.

In chapter five, Wee argues that the account of deficiency as a lack of perfection in Meditation Three is crucial to understand both Descartes’s defense of his theodicy and his ethics. Our own imperfections make us aware that the question of why God has given us ideas that lead us astray cannot be answered “beyond the fact . . . that these imperfections contribute to the overall perfection of [a wider] order” (139). Finally; “cognizance that there is a divine order . . . enables the human agent to recognize that she is part of a larger God-given whole. This recognition forms a crucial part of Descartes’s ethics, for it requires of the agent that she acts at least partially for the good of her community” (151).

Despite these deficiencies, this book remains an important contribution to Descartes scholarship, returning MFIs to the central place in Descartes’s philosophy that they deserve.


Wells, Norman J. An enhanced colorized photographic headshot cutout of an old Norman J. Wells smiling with dark sunglasses wearing a white Boston College ball cap with the monogram letters "BC" located in the center of the cap used to visually identify him.. “Descartes and the Coimbrans on Material Falsity.” Modern Schoolman 85 (2008): 271–316.


Wells, Norman J. A reversed enhanced upper torso and headshot photographic cutout of a smiling with glasses on Norman J. Wells wearing a black long sleeved shirt under a tan-yellow cross-hatched shirt with a black glasses case in his right shirt front pocket and with his fingers interlaced resting on a table (unseen) used to visually identify him.Descartes and the Scholastics Briefly Revisited.” The New Scholasticism 35, 2 (1961): 172–90.


Wells, Norman J. An enhanced colorized photographic headshot cutout of an old Norman J. Wells smiling with dark sunglasses wearing a white Boston College ball cap with the monogram letters "BC" located in the center of the cap used to visually identify him.. “Descartes and Suarez on Secondary Qualities: A Tale of Two Readings.” The Review of Metaphysics 51, no. 3 (1998): 565–604.


Wells, Norman J. An enhanced upper torso and headshot photographic cutout of a smiling with glasses on Norman J. Wells wearing a black long sleeved shirt under a tan-yellow cross-hatched shirt with a black glasses case in his left  shirt front pocket and with his fingers interlaced resting on a table (unseen) used to visually identify him.. “Descartes’ Idea and its Sources.” American Catholic Philosophical Quarterly 67, no. 4 (1993): 513–35.


Wells, Norman J. An enhanced colorized photographic headshot cutout of an old Norman J. Wells smiling with dark sunglasses wearing a white Boston College ball cap with the monogram letters "BC" located in the center of the cap used to visually identify him.Material Falsity in Descartes, Arnauld, and Suarez.” Journal of the History of Philosophy 22 (1984): 25–50.


Wells, Norman J. A reversed enhanced upper torso and headshot photographic cutout of a smiling with glasses on Norman J. Wells wearing a black long sleeved shirt under a tan-yellow cross-hatched shirt with a black glasses case in his right shirt front pocket and with his fingers interlaced resting on a table (unseen) used to visually identify him.Objective Being: Descartes and His Sources.” The Modern Schoolman 45, no. 1 (1967–1968): 49–61.


Wells, Norman J. An enhanced upper torso and headshot photographic cutout of a smiling with glasses on Norman J. Wells wearing a black long sleeved shirt under a tan-yellow cross-hatched shirt with a black glasses case in his left  shirt front pocket and with his fingers interlaced resting on a table (unseen) used to visually identify him.. “Objective Reality of Ideas in Arnauld, Descartes, and Suarez.” In The Great Arnauld and Some of His Philosophical Correspondents, edited by by Elmar J. Kremer An enhanced. olorized rotated photographic headshot cutout of a white haired Elmar J. Kremer wearing a gray and black shirt under a black jacket used for visually identifying him.. Toronto: University of Toronto Press, 1994.


Wells, Norman J. An enhanced upper torso and headshot photographic cutout of a smiling with glasses on Norman J. Wells wearing a black long sleeved shirt under a tan-yellow cross-hatched shirt with a black glasses case in his left  shirt front pocket and with his fingers interlaced resting on a table (unseen) used to visually identify him.. “Objective Reality of Ideas in Descartes, Caterus, and Suarez.” Journal of the History of Philosophy 28, no. 1 (1990): 33–61.


Williams, BernardA color photographic cutout of Bernard Williams used to visually identify him.. Descartes: The Project of Pure Enquiry. Hassocks, Sussex: Harvester Press, 1978.


Williston, Byron A color photographic shoulders and headshot of a glasses wearing and smiling Byron Williston with a salt and pepper colored beard and mustache and wearing a black shirt under a shiny black jacket used to visually identify him. and André Gombay A reversed enhanced photographic cutout of André Gombay from the waist up with his head tilted to his left wearing a black round collared shirt with a centered red emblem and a medium dar blue long sleeved shirt with a dark gray thick sweater tied to his waist used for visually identify him. , eds. Passion and Virtue in Descartes An enhanced faded gray over Descartes's headshot with his back to the right side over a brown stripe at bottom using black font for title in gray area and white font for editors in brown strip at bottom of "Passion and Virtue in Descartes" edited by Byron Williston and André Gombay used to visually identify it.. Amherst, MA: Humanity Books (Prometheus), 2003.

Table of Contents:


Wilson, Catherine. A reversed color photographic cutout of Catherine Wilson, slightly smiling, is used to identify her visually. She is wearing a red top and white pearl earrings.. Descartes’ Meditations: An Introduction An enhanced image of "Descartes: An Introduction" by Catherine Wilson with Descartes's face with his head leaning to his right seemingly behind a transparent grayed out film used to visually identify it.. Cambridge: Cambridge University Press, 2003.


Wilson, Margaret Dauler An enhanced reversed color photographic cutout of a glasses wearing Margaret D. Wilson from the waist up with a. lack leather jacket over a white large collared shirt and a red sweater used to visually identify her.. “Confused Ideas.” Rice Institute Pamphlet – Rice University Studies, 63, no. 4, 1977. Rice University: https://hdl.handle.net/1911/63299. In Ideas and Mechanism: Essays on Early Modern Philosophy, Ch. 22, 322–35. Princeton: Princeton University Press, 1999. 


Wilson, Margaret Dauler An enhanced and colorized headshot of a young Margaret Dauler Wilson wearing a yellow wide brimmed summer hat used for visually  identifying her.An enhanced and colorized headshot of a young Margaret Dauler Wilson wearing a yellow wide brimmed summer hat used for visually  identifying her.. Descartes An enhanced 3D image of the blue covered book cover of "Descartes" by Margaret D. Wilson laying on its side at an upward left angle with the spine exposed used to visually identify it.. London and Boston: Routledge and Kegan Paul, 1978. Later published in the Taylor & Francis e-Library in 2005. Read the entire book at the Internet Archive.


Wilson, Margaret D. An enhanced and colorized photographic cutout headshot of a middle aged Margaret Dauler Wilson wearing a  white collared shirt with thin stripes used for visually identifying her.. “Descartes on the Perception of Primary Qualities.” In Essays on the Philosophy and Science of Rene Descartes The dark greenish blue color book cover for "Essays on the Philosophy and Science of René Descartes" edited by Stephen Voss used to visually identify it., edited by Stephen VossA highly photographically manipulated enhanced colorized full body shot of Stephen Voss on the sand at a beach (not shown) with his hands lightly into his pockets wearing a white t-shirt , gray pants, and black shoes and a black band wristwatch on his left wrist used to visually identify him., 162–76. Oxford, UK: Oxford University Press, 1993. Also in Ideas and Mechanism: Essays on Early Modern Philosophy An enhanced gray on top, tan in the middle, and orange on the bottom color book cover for "Ideas and Mechanism: Essays in Early Modern Philosophy" by Margaret Dauler Wilson was used to identify it visually., 26–40. Princeton, NJ: Princeton University Press, 1999.


Wilson, Margaret D. An enhanced and colorized photographic cutout headshot of a thirtyish Margaret Dauler Wilson wearing a white round collar t-shirt under a red and black lumberjack shirt used for visually identifying her.. “Descartes on the Representationality of Sensation.” In Ideas and Mechanism: Essays on Early Modern Philosophy An enhanced gray on top, tan in middle, and orange on bottom color book cover for "Ideas and Mechanism: Essays in Early Modern Philosophy" by Margaret Dauler Wilson used to visually identify it., Ch. 5, 69–83. Princeton: Princeton University Press, 1999.

Alison Simmon’s overview (2011): Landmark article trying to sort out what mental (and especially sensory) representation might amount to in Descartes; distinguishes two kinds of representationality, which she calls “presentational” and “referential.” The article also dives into the labyrinth of Descartes’ treatment of material falsity in the Fourth Replies.


Wilson, Margaret Dauler A reversed enhanced photographic cutout of Margaret D. Wilson from the waist up with her arms folded, wearing glasses and an oversized collared white shirt under a red sweater with a black leather jacket is used for visual identification.. “Descartes on Sense and ‘Resemblance’.” In Ideas and Mechanism: Essays on Early Modern Philosophy An enhanced gray on top, tan in middle, and orange on bottom color book cover for "Ideas and Mechanism: Essays in Early Modern Philosophy" by Margaret Dauler Wilson used to visually identify it., 10–25. Princeton, NJ: Princeton University Press, 1999. Reprinted in Reason, Will, and Sensation: Studies in Descartes’s Metaphysics The green book cover with a white font for "Reasson, Will, and Sensation: Studies in Descartes's Metaphysics.", edited by John Cottingham An enhanced photographic color headshot cutout of John Cottingham facing forward wearing a white colored shirt with stripes and a blue suit jacket and sweater used to visually identify him., 209–28. New York: Oxford University Press, 1994.


Wilson, Margaret D. An enhanced photographic cutout of Margaret D. Wilson leaning back from the waist up with her arms folded, wearing glasses and an oversized collared white shirt with a deep red scarf and a black leather jacket is used for visual identification.. “History of Philosophy in Philosophy Today; and The Case of the Sensible Qualities.” Philosophical Review 101, no. 1 (1992): 191–243.


Wilson, Margaret Dauler An enhanced colorized photographic headshot cutout of a thoughtful Margaret D. Wilson turned to her right with her left-hand fingers extended under her left side chin, wearing an off-white collared shirt with a deep red scarf under the collar under a black leather jacket used to identify her visually.. Ideas and Mechanism: Essays on Early Modern Philosophy An enhanced gray on top, tan in middle, and orange on bottom color book cover for "Ideas and Mechanism: Essays in Early Modern Philosophy" by Margaret Dauler Wilson used to visually identify it.. Princeton, N.J.: Princeton University Press, 1999.


Wolf-Devine, Celia An enhanced colorized photographic cutout headshot of a glasses adorned Celia Wolf-Devine wearing a round neck red shirt, white pearl earrings, and a thin necklace used for visually identifying her.. Descartes on Seeing: Epistemology and Visual Perception An enhanced 3D yellow book cover for "Descartes on Seeing: Epistemology and Visual Perception" by Celia Wolf-Devine used to visually identify it.. Carbondale, IL: Southern Illinois University Press, 1993.


Wolf-Devine, Celia An enhanced colorized photographic cutout headshot of a glasses adorned Celia Wolf-Devine wearing a round neck red shirt, white pearl earrings, and a thin necklace used for visually identifying her.. “Descartes’ Theory of Visual Spatial Perception.” In Descartes’ Natural Philosophy An enhanced light blues book cover of "Descartes' Natural Philosophy" edited by Stephen Gaukroger, John Schuster, and John Sutton used to visually identify it., edited by Stephen Gaukroger An enhanced colorized  photographic headshot and upper torso cutout of a glasses adorned Stephen Gaukroger wearing a white shirt with dark blue and white striped tie under a dark blue sweater with a dark gray wool suit jacket used to visually identify him.John Schuster An enhanced color photographic headshot cutout of a sparsely mustached John A. Schuster with round glasses and a stern expression on his face while wearing a dark mauve shirt under a dark brown sports coat used to visually identify him., John Sutton An enhanced color photographic headshot cutout of a smiling with an open mouth John Sutton wearing an open collared white shirt with patterned speckles on it used to visually identify him., 506–23. New York: Routledge, 2011.


Wolf-Devine, Celia An enhanced colorized photographic cutout headshot of a glasses adorned Celia Wolf-Devine wearing a round neck red shirt, white pearl earrings, and a thin necklace used for visually identifying her.. “The Role of Inner Objects in Perception.” In Descartes’ Natural Philosophy An enhanced light blues book cover of "Descartes' Natural Philosophy" edited by Stephen Gaukroger, John Schuster, and John Sutton used to visually identify it., edited by  Stephen Gaukroger An enhanced colorized  photographic headshot and upper torso cutout of a glasses adorned Stephen Gaukroger wearing a white shirt with dark blue and white striped tie under a dark blue sweater with a dark gray wool suit jacket used to visually identify him.John Schuster An enhanced color photographic headshot cutout of a sparsely mustached John A. Schuster with round glasses and a stern expression on his face while wearing a dark mauve shirt under a dark brown sports coat used to visually identify him., and John Sutton An enhanced color photographic headshot cutout of a smiling with an open mouth John Sutton wearing an open collared white shirt with patterned speckles on it used to visually identify him., 557–68. New York: Routkedge, 2000.


Wykstra, Stephanie Larsen (no known photo). “A Defense of Cartesian Certainty.” PhD diss., Rutgers University, 2008. Dissertation Director: Ernest Sosa An enhanced, colorized closeup photographic headshot cutout of Ernest Sosa in a right profile is used for visual identification..




Yolton, John W. An enhanced and blended colorized closeup photographic cutout headshot of John W. Yolton used to visually identify him.. “Mirrors and Veils, Thoughts and Things: the Epistemological Problematic.” In Reading Rorty: Critical Responses to ‘Philosophy and the Mirror of Nature’, edited by Alan R. Malachowski An enhanced color photographic headshot cutout of Alan R. Malachowski, showing his teeth and wearing a blue sweatshirt tied loosely around his neck with a white shirt that has  a buttoned down collar, is used for visual identification.Jo Burrows (no known photo), and Richard Rorty A reversed enhanced colorized photographic headshot cutout of Richard Rorty, with his chin down and wearing a collared shirt open at the neck, is used for visual identification. , 58–73. Oxford, UK: Oxford, 1990.


Yolton, John W. A reversed and enhanced and colorize blended  photographic cutout of John W. Yolton with. his right hand's fingers touching his cheek and chin used to visually identify him.. “On Being Present to the Mind: A Sketch for the History of an Idea.” Dialogue 14, no. 3 (1975): 373–88.


Yolton, John W. A reversed and enhanced and colorize blended photographic cutout of John W. Yolton with. his right hand's fingers touching his cheek and chin used to visually identify him.. Perception and Reality: a History from Descartes to Kant An enhanced color book cover of the blue background with a yellow title of  "Perception & Reality: A History From Descartes to Kant" by John W. Yolton used to visually identify it.. Ithaca, NY: Cornell University Press, 1996. See especially 183–214.


Yolton, John W. A reversed and enhanced and colorize blended  photographic cutout of John W. Yolton with. his right hand's fingers touching his cheek and chin used to visually identify him.. Perceptual Acquaintance: From Descartes to Reid An enhanced cerulean blue book cover for "Perceptual Acquaintance: From Descartes to Reid" by John W. Yolton used to visually identify it.. Minneapolis, MN: University of Minnesota Press, 1984.


Yolton, John W. A reversed and enhanced and colorize blended photographic cutout of John W. Yolton with. his right hand's fingers touching his cheek and chin used to visually identify him.. “Perceptual Cognition with Descartes.” In Studia Cartesiana 2, 63–83. Amsterdam: Quadratures, 1981.


Yolton, John W. A reversed and enhanced and colorize blended  photographic cutout of John W. Yolton with. his right hand's fingers touching his cheek and chin used to visually identify him.. “Representation and Realism: Some Reflections on the Way of Ideas.” Mind 96, no. 383 (July 1987): 318–30.


Yolton, John W. An enhanced and blended colorized closeup photographic cutout headshot of John W. Yolton used to visually identify him.. “Review of Stephen Nadler, Arnauld and the Cartesian Philosophy of Ideas.” Journal of Philosophy 88 (1991): 109–12.


Yolton, John W. A reversed and enhanced and colorize blended photographic cutout of John W. Yolton with. his right hand's fingers touching his cheek and chin used to visually identify him.. “The Way of Ideas: a Retrospective.” Journal of Philosophy 87 (1990), 510–16.


Yu, Kevin (no known information or photo). “Descartes on Sensation: Motion as Environmental Signs.” Writing sample.



Zhang, Weite An enhanced color photographic cutout of Weite Zhang wearing glasses and a maroon shirt, lecturing while standing behind a black front and blue-sided podium is used for visual identification.. “Descartes’ Doctrine of Clear and Distinct Perception: A Systematic Clarification. PhD diss., Heidelberg University, 2016. Dissertation advisor: Andreas Kemmerling An enhanced color photographic cutout if Andreas Kemmerling used to visually identify him. . Published under Aachen: Shaker Verlag, 2016.

Abstract: This book attempts to contribute a historical and interpretive study of Descartes’ epistemology. It provides a systematic and exhaustive clarification of the mysterious and puzzling doctrine of “clear and distinct perception” and illuminates the relationships between this doctrine and four other central notions: “truth,” “metaphysical doubt,” “(metaphysical) certainty,” and “knowledge.” Roughly speaking, a clear and distinct perception is a pure understanding, an intellectual perception, or a mental intuition in which a purified and attending mind has a simple mental intuition of a simple proposition or a necessary deduction (i.e., a complex mental intuition) from such simple propositions to a complex proposition. A simple proposition can be regarded as a necessary conjunction of simple ideas. Descartes’ composition theory of ideas, which supposes that all ideas are composed of simple ideas, provides a crucial basis for clear and distinct perception. Descartes’ doctrine of clear and distinct perception is an attempt at mathematizing epistemology and is the main content of his new “method” (for truth and knowledge), which he sought throughout his life. This book attempts to shape a new image of Descartes’ epistemology.


Zupko, Jack A headshot of a clean shaving Jack Zupko wearing a blue jacket and a gray ball cap used for identifying him.. “What Am I? Descartes’s Various Ways of Considering the Self.” In Journal of the History of Philosophy 31, no. 4 (1993): 493–518.


A curly-cue three segments line divider.


Secondary Sources

Number of Bibliographic entries in Secondary Sources (A–Z) is over 400.


An enhanced, colorized printer’s banner, end of page ornament, scroll, flourish, or vignette of cherubs at either end and Descartes’s head centered low and used to mark the end of the page.